greygirlbeast: (Default)
Well, yesterday failed to measure up to the poopiness of its promise, though it was hardly conducive to the sort of work I'm supposed to be doing. You know...writing? Still, the anger subsided, and the day got better as it went on – a little better – and I have learned there's at least one person who thinks "awesome" is as overused (and inappropriately used) as do I, and who's willing to speak up. And that's pretty bow tie.

I managed to edit about one-third of Alabaster #3 before my agent called. It's fairly easy editing, as my editor at Dark Horse was very happy with this script, as was I. Hopefully, readers will also be happy with it.

My agent and I talked about Blood Oranges, mostly, and the fact that I'm planning two sequels (the second would be called Fay Grimmer; I don't yet have a title for book three). I'm morally opposed to any trilogy not written by Tolkien or Herbert or William Gibson or Holly Black. But...it's not really a trilogy-type trilogy. My story is more like one long (funny) story divided into three parts. It just works better that way. Also, the trilogy format allows me to write it over three years, instead of all at once. Many options are being explored. I am finally learning about options (after seventeen years in publishing). I'm fucking stubborn like that. Anyway, we also talked about the revamp of the website, and how not finished it is, and how the market is worse than ever, and how Dark Horse is now my day job, and how I'm turning down pretty much all short-story solicitations, and how to connect readers to booksellers that are not Amazon, and how to promote The Drowning Girl: A Memoir, and how my craziness sometimes impedes my communication with Merrilee and leads to my overreacting and misunderstanding (and stuff). Oh, Merrilee Heifetz is my bow-tie agent (has been since 1997) at Writers House. And no, I will not tell her your book is an incredible work of literature, the greatest thing since sliced halva, and how she should represent you. So, don't even think I might.

Yesterday, I renewed my membership to The Society of Vertebrate Paleontology (I've been a member since I was nominated to the society in 1984).

---

Fuck all, but this is a fucking perfect sentence (from Gibson's Neuromancer): The sky above the port was the color of television, tuned to a dead channel.

--

Late in the day, I was treated to pencils for Greg Ruth's cover for Albaster #3, and like the fist two covers, it's goddamn beautiful. Greg Ruth rocks. Which is to say, kittens, he is most bow tie.

Okay, now I go to finish with the editing of #3. I also have to speak to my editor at Dark Horse later today, and write synopses for the two books that will follow Blood Oranges (and, fuck all, but I hate writing synopses). However, my diligence will be rewarded with a visit from [livejournal.com profile] readingthedark this evening. We're gonna talk about stuff.

Slightly Improved & a Tad Manic,
Aunt Beast
greygirlbeast: (Chiana 6)
The first day of my vakashun, is cold and cloudy...which figures. But good things are in store, so I am told. And rest. And travel Outside. And, most importantly, NOT WRITING.

A peculiar thing last night. Not coincidence. Or maybe not so much coincidence. But something. I haven't watched Farscape, to speak of, in years, and last night Spooky and I sort of decided to start at the beginning and work our way through all four seasons. Anyway, we'd just finished "Exodus from Genesis" (1:3), when I saw [livejournal.com profile] matociquala's entry about the death of T.J. Bass, author of the sf novel The Godwhale (1974), at the age of 79. It may be that not many of you've read The Godwhale...or even seen Farcscape. But the former concerns, among many other things, the creature of the title, the Rorqual Maru: (French, from Norwegian rørhval, from Old Norse reydharhvalr: reydhr, rorqual (from raudhr, red; see reudh- in Indo-European roots) + hvalr, whale), plus you will recall that it is Hakudo Maru, the Japanese Celestial God of War, who taught men to build ships. The Rorqual Maru is a bioengineered Blue Whale, and...well, in Farscape you have the biomechanoid ship Moya (also, in Japanese architecture, the word for the core of a building). I'm mucking this up, aren't I?

Point is, having just started watching Farcsape again, then reading of Bass' death, something clicked. I read Godwhale in high school, maybe three years after it was released (it's out of print), and doubt I've consciously thought about the book in a quarter of a century or more. But I had to pause and wonder how much Godwhale might have influenced the creators of Farscape (Jim Henson Productions/Hallmark Entertainment) when they conceived of the sentient ship Moya, who is, after all, a member of a species known as leviathans, from leviathan (late 14c., from L.L. leviathan, from Hebrew livyathan [לִוְיָתָ] "dragon, serpent, huge sea animal," of unknown origin, perhaps related to Tiberian liwyah "wreath," from base l-w-h- "to wind, turn, twist"), a word which in Modern Hebrew, and in general, has come to mean, simply, whale. Bomechanoid whales of the sea and of outer space. And it just seemed...curious, our going back to the series the day after Bass' death, which Elizabeth Bear didn't blog about until yesterday, a blog entry we didn't read until after watching Farscape. But my mind does that, same as it plays word games. It plays games – not with cause and effect (though it does that, too) – but with the frivolity of happenstance.

Oh, and Soulcrusher, he crushed the soul of Spooky's computer. Sort of. Turns out, the "People of WalMart" website is infected with a piece of especially pernicious computer malware, "Vista Home Security 2012." Which we spent much of yesterday trying to expunge from her machine. This morning, it seems we were, unexpectedly, successful. So, we don't have to give the guys at the Geek Squad $200. But – DO NOT GO TO THAT WEBSITE. The Soulcrusher will reach out and crush the soul of your computer. Yesterday's entry has been locked (my eyes only; I can never delete an entry – never have, never will).

Work-wise yesterday was sort of choatic, what with the spawn of Soulcrusher and all. We made it through the first 146 manuscript pages of corrections on Confessions of a Five-Chambered Heart (by the way, some work has to be done while I'm on vakashun....like this. So, please pre-order a copy, to make it worth my while, the sacrifice of those precious hours of leisure). Also, I spoke with my editor at Dark Horse. Alabaster steams headlong towards an amazing launch.

And Spooky says I have to go now, and pretend I'm not working...
greygirlbeast: (twilek2)
I like art that at first makes you mad. Good art provokes and inspires, baffles and even shocks us. Sometimes with its beauty, sometimes with its amazing ugliness. ~ John Waters

Why is this not perfectly fucking obvious? Why do people have to be told these things by artists? Why is the self-evident evidently so hard to see?

1) A busy day yesterday, so a subset:
a. I wrote pages Sixteen and Seventeen on the third issue of Alabaster. Dialogue is one thing. Choreographing the movement of three "actors" is another. The latter is a bitch.
b. My editor at Dark Horse (Hi, Rachel!) sent me Steve's pencils for Alabaster #1, pages 17-25, and they are, in a word, wonderful. Also, a Paul Benedict troll! Anyway, today I have to get notes together on these pages before the inking, though, truthfully, the notes will be few.
c. More conversation with Brian Siano about the final cut of the "teaser" trailer we'll be releasing in January for The Drowning Girl: A Memoir. I think people are going to be amazed.
d. My contributors' copies of the Lightspeed: Year One collection arrived, which compiles all the stories that appeared in the website's first year online. Edited by John Joseph Adams, it reprints "Faces in Revolving Souls," which, I have to admit, I'm not very fond of anymore. However, the collection as a whole is really quite awesome (the presence of OSC notwithstanding, and never mind the homophobic bastard's name is the first listed on the cover).

You know...this was going to be a much longer entry...

...but I keep writing paragraphs...

...and I keep erasing them. It's just that sort of morning. I'll do better tomorrow. Or later tonight.

But if you're in my Rift guild, do please remember that Thursday night is the next scheduled RP event. And one more thing, please have a look at last night's posted "Question @ Hand." I'm going to be accepting replies for several days, and I want to see some very good stuff. By the way, silly, hand-waving bad science is perfectly acceptable, in this case. I'm hoping for at least seven replies we can use in Sirenia Digest #72.

Oh! Also I've gotten word that people are beginning to receive the first round of rewards from Kickstarter we did for The Drowning Girl: A Memoir. I think these are prints of some of Kyle's photos. Pleased note that the rewards will be going out to donors in several waves, and that the last batch can't be mailed until after the book is published in March 2012.

And thanks to [livejournal.com profile] sovay for reminding me that "The Key to the Castleblakeney Key" is now online, my contribution to Ann and Jeff VanderMeer's marvelous anthology, The Thackery T. Lambshead Cabinet of Curiosities. This online version includes the color photograph of the artefact, which appears in black and white in the anthology.
greygirlbeast: (Narcissa)
1) Bright outside, a clear blue sky, but the temperature is only 44˚Fahrenheit, which drops to 37˚Fahrenheit when you factor in windchill. At the shore, I expect the windchill has it feeling a good ten degrees cooler than that. Last night, the sky spat rain and slushy snow.

2) Last night, Kathryn's grandmother died. I can't recall the precise time. It was after midnight (CaST). I feel I should say very little on this. Whatever is to be said, you can read at [livejournal.com profile] humglum. But a lot of those posts will be friends locked, for obvious reasons.

3) For reasons that should be fairly obvious, editors should go to lengths to avoid taking liberties with an author's text, if an agreement has not been reached beforehand regarding edits, especially when reprints are involved.

4) There was no actual writing yesterday. The day was a tumult of phone calls, email, and mostly wrestling with the final stage of proofing the (mysteriously altered) galleys for The Drowning Girl: A Memoir. These were the pages Spooky had questions about that I had to answer, and there were about fifty of these pages. It could have been worse, but it could have been much, much better. Today, they go to FedEx and back to Manhattan. Other than promotion, the book will be well and truly out of my hands, finally. One the one hand, this feels sad and strange. On the other hand, it's a huge relief. Vince's two illustrations look great in the novel.

There was also a somewhat complex call with my agent. Complex because we had to cover so many subjects (Dark Horse, Blood Oranges, audiobooks, film rights, checks, the mind-bending legal-speak of contracts, the problems raised by ebooks, and...I've lost track). There was the usual barrage of email. I had to get colorist notes for Alabaster #1 out to my editor at Dark Horse. So, yeah. I did not get back to "Sexing the Weird." I doubt that I will today.

5) I forgot to mention that when we went out on Wednesday, we checked the mail and the World Fantasy Award folks had sent me the little HPL pin that all nominees get. You can see the one I got last year here. I am very proud of it. Now I've earned HPL pins for both The Red Tree and The Ammonite Violin and Others.

6) Spooky just came up with the day's mail, which includes three copies of the ARCs (advance reading copies) of The Drowning Girl: A Memoir. And they look pretty damn good. A few blemishes here and there, and of course the weird changes are in there, and there wasn't time to get the NYT quote on the cover. But still, nice ARCs, including Vince's illustrations. So, bona fide reviewers should be receiving these soonish (or sooner). I have to get a list together for my publicist. Maybe I'll include a photo of one of the ARCs tomorrow.

7) There was a LOT of Rift last night, including some rp with [livejournal.com profile] stsisyphus. A good and very open-ended scene. We've been talking about beginning rp with the guild again (Defiant side, "Watchers of the Unseen"), and if anyone's interested, just let me know, new members or old or prospective. Anyway, since the 1.6 update to the game, day before yesterday, which adds a new region – the Ember Isle, from which the Kelari originated – the idiots have returned to the game. The idiots only seem to show up when there's something new, and they play the new stuff as quickly as possible, then vanish again. The idiots are easy to spot, as most of them sport idiot "names." Last night, for example, the dozens of idiot "not-names" I spotted last night included Kowboy and Killswytch. I think what disturbs me the most is if there's a Kowboy, that means Cowboy was already taken.

Okay. So that's it for today. Play nice, kittens.

Hating My Way,
Aunt Beast
greygirlbeast: (walter3)
I'm running a little late because I've been looking at rough cuts of the book trailer, sent to me this morning by Brian. This thing is going to be beautiful. Right now, it has this marvelously sublime and unnerving atmosphere, like Terrence Malick and David Lynch met in a bar...

Also, having watched a lot of "behind the scenes" stuff, I've concluded that a) the older I get, the more I look and sound like a muppet and b) almost all writers should be read, not seen and heard.

How is it I'd never heard (or head of) Florence + the Machine until this past weekend? Is my isolation that complete?

Yesterday, I wrote 1,840 words on "Ex Libris." This is one of those stories where I started with truly no idea where I was going. Something something something about books and bad stuff and bad books and bad people and stuff. Now, I'm nearing the end of the story, and I know exactly what it is, but trying to figure out how I got from there to here is almost impossible. Regardless, I'll likely finish the story by tomorrow afternoon. Then it's on to "Sexing the Weird." Whee.

Spooky read each and every line by line, twice over, of chapters Five, Six, and Seven of The Drowning Girl: A Memoir (thank you, mystery idiot at Penguin), correcting the random changes. I'm trying to stop being livid about this. You know, I spend about 35% of all my waking moments trying to stop being livid about whatever has me livid at any given moment. "Oh, she was a very angry beast. Did you know that?"

Last night, coffee, leftover chili, a hot bath, Rift, and Spooky read to me from House of Leaves. We watched last week's Fringe. These are my exciting evenings.

A note to the contributors to the "Tale of the Ravens" kickstarter: probably 98% of the work on this has to be done by Kathryn, and the last two or three months she's had to devote almost all of her spare time to assisting me with all sorts of crazy writerish bullshit. Since I began working with Dark Horse, and the way things have gone with The Drowning Girl: A Memoir, I've needed her help constantly. If she's not proofreading or making phone calls, she's deflecting bullshit so that I can write. Because I can't afford to hire someone to do these things. This means she's not been able to keep to the schedule she'd hoped to keep to for "Tale of the Ravens." At this point, she might have one painting left to do, and I still have to write the text, and there's all the printing to be done. If you donated to the project, we're very, very grateful, but please understand the metric shit-ton of unforeseen chaos going on at this end. Be patient. It's coming. Frankly, Kathryn's pretty much sick of me and my writing (in that order, I suspect), and just wants to be painting. Anyway, almost everyone has been amazingly cool, and we thank you. If you donated, keep checking the projects blog for updates.

Whatever else I was going to say can wait. You know, those are grand "famous last words."

From the Books of,
Aunt Beast
greygirlbeast: (Default)
Happy birthday to Neil, Holly, and Spooky's sister, Stephanie! Also, happy forty-second birthday to Sesame Street, which first aired on this date in 1969! And I was there*. No, really. I watched the first episode the day it was broadcast. Yes, I am getting old. But Kermit's even older. And now he's even older. And now he's older still. Me, too. Neil, Holly, and Stephanie, too. Funny how that works.

---

Now that I've returned to the wider, stranger arena of mass media, I'm having to remind myself how careful one has to be during interviews. I already have "a for example". This morning, Digital Spy is reporting:

Kiernan previously wrote for The Dreaming and other Sandman spinoff titles, which she described as "a very unpleasant experience" and "creative nightmare".

What I actually said, as accurately reported yesterday by Comic Book Resources, was:

Most of the time I was working for DC/Vertigo, it was a very unpleasant experience. Sometimes, pretty much a creative nightmare.

Context and subtly, people. There were some grand and wonderful moments working on The Dreaming, some gleaming moments, even. Just not enough of them to redeem the whole. But the first three story arcs, then getting to work with Dave McKean and John Totleben, all the stuff I learned from Neil, Goldie the Gargoyle, "The First Adventure of Miss Catterina Poe"...it was not all bad, as the Digital Spy article would have you think I said. Neil recently said to me, "The Dreaming taught you to be a professional," which is the truth. Anyway....if, somehow, you missed the announcement yesterday, here's last night's blog entry. Yes, there is going to be a Dancy comic.

---

I think one of the most frustrating things about being unable to talk about working with Dark Horse has been being unable to explain just how much work I'm juggling at the moment. Here's this month, November 2011 (the next twenty days), as "a for instance" (which is pretty much the same as "a for example"):

1) Write "Ex Libris" (~10k words) for chapbook to accompany Confessions of a Five-Chambered Heart: 25 Tales of Weird Romance.
2) Finish with the galley pages of The Drowning Girl: A Memoir, have them back in Manhattan by November 15th.
3) Write Alabaster: Wolves #3.
4) Write introduction to Confessions of a Five-Chambered Heart: 25 Tales of Weird Romance, "Sexing the Weird."
5) Plan Sirenia Digest #72 (though it will likely be written in very early December).
6) Finish up the last of the edits on Alabaster: Wolves #2 (and comment on and approve and etc. and etc. the incoming pages from #1, endless brainstorming!!!!).

And actually, there's other stuff. But this is the work that's easy to categorize. "Bullet point. " Whatever. We're also working on selling Blood Oranges, for example, and there are new ebook pirates just off the coast, and more Dark Horse-related interviews on the way, and working with [livejournal.com profile] briansiano and [livejournal.com profile] kylecassidy on the trailer for The Drowning Girl, and...you get the picture. Oh, and if anyone with very good web-design fu is willing to revamp my main website for...um...free books, please contact me immediately. There's enough chaos in my life at the moment that my agent has actually started recommending meditation; I think my panicked phone calls are freaking her out.

Gagh. I should go. The platypus is gnawing on my goddamn toes. Platypus slobber is disgustipating. But, here's a rather random assortment of very lousy photos I took last night (after Kyle, every photo I take looks lousy):

9 November 2011 )


*Spooky was only a zygote.
greygirlbeast: (alabaster2)
So, one hour ago, the first news of my Dark Horse Comics project, Alabaster, went up at Comic Book Resources. The "Twitterverse" (I shudder violently at that portmanteau) and Facebook have been awash in the announcement. First, here are relevant links:

1) The first announcement, plus an exclusive (and informative) interview at Comic Book Resources.

2) A large, full-colour version of the cover for #1, by the amazing Greg Ruth.

3) The official Dark Horse press release.

Here's a secret I've carried since late last year. If you guys think it was hard waiting a week to hear the news, imagine my having to wait the better part six months to see the announcement! Actually, my first meeting with Dark Horse was in Portland last year, during the H. P. Lovecraft Film Festival. Since then, I knew I would be doing something with Dark Horse, but many possible projects were tossed about.

Then it was decided last November that I would do an illustrated Dancy Flammarion prose story for Dark Horse Presents #9. I wrote the prose story, "Bus Fare," (delivered on April 12th). And then, in late May, it was decided that the prose story would become a comic, but would still appear in DHP #9, and would still be titled "Bus Fare." And then things...took off. By July, I knew there would be an actual Alabaster comic series, beginning in 2012, and that the eight-page "Bus Fare" would become the first eight-pages of the first issue. Except, those eight pages grew into twenty-four pages, and I finished the first issue in September. The second was written in October. "Wolves" became the title for the first mini-series, which will, later, be collected in hardback format, and then in trade paperback. The first issue will be released in April 2012. The Eisner-Award nominated Steve Lieber is the series' artist, and he's making wonderful things from my scripts. My editor is the vivacious Rachel Edidin.

I'm not sure if this question was answered in the interview, but I'll answer it again here. It is no secret that I was pretty much never happy at DC/Vertigo, at least not after 1997 (though, yes, there were two attempts to return to work with them after The Sandman Presents – Bast: Eternity Game [2003]. Longtime blog readers will recall the work I did trying to get two titles*, first The Chain [2004, with Ted Naifeh] and then Bullet Girl [2005, with Peter Gross, which was, by the way, an utter and protracted nightmare, insuring I would never again even speak with anyone at DC**]). After 2005, I declared I would never again work in comics, unless, perhaps, certain criteria were met. The first of these was that the project would be 100% creator-owned. Suffice to say, Dark Horse was agreeable. Dancy Flammarion remains my own. The stories I will write for Dark Horse remain my own. All of it. Had Dark Horse not agreed to this particular point, this wouldn't be happening.

Gods, I'm probably leaving out a lot. But there are still things I'm not at liberty to discuss, and this is already a lot – what I've said here – and I'm haggard. I'll probably think of more stuff by tomorrow. Feel free to ask questions. I just can't promise I can answer them (questions I cannot answer, I'll simply not answer). Meanwhile, as they say, "Happy, happy, joy, joy."

Wearily Glad to Have That Out,
Aunt Beast

* Well, there's a future Sirenia Digest story, with art.
** That both projects went south was not the fault of the artists. They both rocked through the bullshit, and continue to do so.
greygirlbeast: (Narcissa)
I'm haunted,
By the hallways in this tiny room,
The echos there of me and you,
The voices that are carrying this tune,
Ba da pa pa...


Yesterday is what happens when chaos and the best of intentions square off and have a good ol' Godzilla versus Gamera boxing match. We're having a couple of moderately warm days here....

WAIT

Yes, in a few more hours, Dark Horse will spill the beans, and the BIG DARK HORSE TEASE will become the BIG DARK HORSE REVEAL. Soon. We're almost there. On the cusp, as it were.

What was I saying? Oh, yeah. Warm weather. High sixties. So, I'd planned to play hookey yesterday, and slip away to Beavertail, even though I sure as hell haven't the time for such luxuries. I ought to be doing nothing but working on "Ex Libris." But then there was the long conversation with my editor at Dark Horse early in the day, and, afterwards, I realized I needed to have a long conversation with my lit agent (on entirely unrelated matters). But she was at a lunch meeting, and it would be about 45 minutes before she got back into the office. There was no way there'd be enough time to make it to Conanicut Island. So...not wanting to see the day become a total loss (I was far too higgledy-piggledy to get any writing done). So, bored and without especial focus, yet possessed of some odd motivation, I proposed we begin "remodeling" my office, which we've only been meaning to do for about...two years.

(Why does Microsoft Word discourage the use of contractions?)

One shelf and a shelf's worth of books went to the middle parlour, where, I must admit, they look quite handsome. I'd had my doubts.

Merrilee called and we talked, and talked, and talked. Fine things. Over time, I will tell you of these fine things.

There's enough to look forward to on this day. I'll make another post in a few hours. Patience, kittens. OH! Look! I just got a royalty check for $10.36 for the German edition of Threshold (id est, Fossil). Wow. Party time. Yes, the writing will make you rich, Bill Murray!

Anticipatory,
Aunt Beast

UPDATE (1:44 p.m.): Just got word the announcement from Dark Horse should come about noon PST, three EST, 4 CaST. Fuck it, Dude. I'm going to get nachos.
greygirlbeast: (imapact1)
Today, I have to number:

1. Two Worlds and In Between has been chosen by Publisher's Weekly as one of 2011's one hundred best books, and also as one of the six best fantasy and science-fiction books of 2011. Spooky gave me the news yesterday. I'm still sort of stunned. So, to review:

a) The book has SOLD OUT.
b) It was a Publisher's Weekly "pick of the week" (appearing on the ToC page).
c) The book got a great write up in The New York Times.
d) Gary Wolfe at Locus loved it.
e) And PW has named it one of the six best spec-fic titles of 2011.

Can I please get a "That'll do, Beast. That'll do."?

2. Tomorrow, the BIG DARK HORSE TEASE will become the BIG DARK HORSE REVEAL. I will be occupied with preparations for this a good bit of today.

3. If you have not yet already voted, please go the poll. Another 26* votes (I asked for 100 "yes" votes), and you just might get another studio project from me, the first since 1999. And yeah, the idea is that the songs would be available via as many services as possible, but definitely iTunes and Bandcamp. This would NOT be a Kickstarter project. All songs WOULD be covers, no originals.

4. Yesterday, I stared down the iMac screen, and the words finally began to flow. I wrote 1,127 words on a new short story, or novelette, or short novella called "Ex Libris." This is for the chapbook to accompany the limited edition of Confessions of a Five-Chambered Heart. I hope to be finished on or near the 16th of the month. Then there's the next Dark Horse script to begin.

5. Last night, Kathryn and I began watching Series Four of Torchwood, and...wow. I, for one, am very pleased.

6. Subterrean Press says to me, "We've been down to only one full-time shipper in the warehouse for the past month -- our usual complement is three -- so copies of TWO WORLDS are still shipping. Please advise folks not to despair. Our second full-timer started yesterday, and should be able to quicken the shipping on the BEST OF YOU. (We also have a third shipper on board in December, thank goodness.)" So, sit tight, those who do not yet have their copies.

I think that's all for now. I have email, phone calls, an annoying Siamese cat, and a story to deal with. When do I get a full-time "oh shit!" girl?

Rather pleased,
Aunt Beast

Update: *8 votes
greygirlbeast: (Default)
Here in Providence it's a balmy 53˚Fahrenheit, bright and sunny.

And today, as the world "falls back," I remain upright, and Caitlín Standard Time begins for the eighth year. All this actually means is that I prefer Daylight Savings Time and so remain on it all year round. I'm not a morning person, and this way I keep more sunlight in the evening during the loathsome winters. CST has become even more important since the move north. By the way, if you hate DST, and find CaST bizarre, I truly do not care, so there's no need to say so here.

Yesterday was an eight-hour workday, almost all of it spent answering email and getting Sirenia Digest #71 ready to be PDFed, and then I sent it off to Gordon ([livejournal.com profile] thingunderthest) for the actual PDFing. And I also did an interview regarding the BIG DARK HORSE TEASE. The interview will appear online Wednesday, same day as Dark Horse spills more specifics. I'll keep you posted. There are many interviews in my immediate future. Anyway, yes, very busy Saturday (weekends, what are those?). Alas, oftentimes, the first PDF of a Sirenia Digest has errors, and a second is necessary. But, still, I should think the digest will likely go out this evening. Not too late to subscribe and get in on #71! It's cheap!

Today, I need to begin the long short story, or the novelette, or short novella, or what-the-hell-ever that I'm doing for the chapbook that will accompany the limited edition of Confessions of a Five-Chambered Heart. By the way, that chapbook will include not only this new, long story, but "The Yellow Alphabet." No release date yet. I'm guessing Summer 2012.

Speaking of subpress, I'm getting a lot of reports from people who ordered Two Worlds and In Between from Amazon.com, who are now receiving emails stating "Due to a lack of availability from our suppliers, we will not be able to obtain the following item(s) from your order..." That sort of shit. I have no idea why this is happening, but I do know it's happened before with Amazon and subpress editions, which is why I never link to the Amazon pages for those books, but directly to the subpress pages. I've said before, to be sure you get the book, always order these volumes directly from Subterranean Press. All I can do is notify subpress that it's happened...again. Which, of course, solves no one's problem, now that the book is completely sold out. I can apologize (not that it's my fault), and I do, but I know that doesn't get anyone the book they pre-ordered, expecting that pre-order to be filled. Honestly, the situation pisses me off, but there's nothing I can do. When subpress begins taking orders for Confessions of a Five-Chambered Heart, ignore Amazon. Order directly from the publisher.

Now, if you did order directly from subpress, and your order hasn't arrived yet, be patient. It will. All the copies are not sent out at once. Subpress handles too many titles to do that. Pre-ordering doesn't mean you get your book early; it means you get your book. I am the author, and all but two of my comp copies only arrived day before yesterday.
---

Last night, we streamed last week's episode of American Horror Story from Hulu (Zachary "Husband #1" Quinto!), then finished Season Four of Californication. For my part, as much as I adore this series, I'd have been happy with it ending at the ending with Hank driving, literally, off into the sunset in that last episode of Season Four. The story may not have been finished (no story ever is), but it was a good place to stop telling it. However...seems like there will be fifth and sixth seasons, though, at least, the story will skip ahead two years. Then we read the prologue and first chapter of House of Leaves (because it's November), then I read some more, and was unable to sleep until almost 4 ayem (perhaps your 3 ayem), only to wake at ten ayem (possibly your 9 ayem). So, I'm not at my best today. Of course, I probably will never be at my best again. My best probably ended in 1995. Those people who tell you that "40 is the new 30" are either a) seriously deluded, b) have amazingly good health care, or both.

We just realized we missed the Rasputina in Boston on October 28th, because we were at the Iron Pour. At least we did something. However, I will make the VNV Nation in Boston on December 4th. Stalk me there and die.

And now...the words.

Next,
Aunt Beast
greygirlbeast: (stab)
There are days that are bad. There are days that manage to be worse than bad. And then there was yesterday. And all I will further deign to say on the subject (as discretion may not be the better part of valor, but it can sometimes be the author's best friend) is that there are times when the legal departments of major publishers are capable of demonstrating a degree of bone-headedness rarely exhibited outside the pachycephalosaurid dinosaurs. My great thanks to Merrilee and Anne for getting me through the day, and apologies to Kathryn, who had to endure the full brunt of my righteous indignation at Ground Zero. What the hell am I on about? When a band and a band's manager and a band's legal representation says, in writing, "Caitlín R. Kiernan has permission to quote our song in her forthcoming novel The Drowning Girl," odds are pretty goddamn good that said band and manager and legal representation have the authority to grant said permission. But, all's well that ends well, right? Okay, well my damaged schedule and colon might disagree, and it's not usual that I'm drinking in the afternoon, or that I have more than a single cigarette in a day. But...it was that sort of a day, and then some.

Please, today, comment, kittens. Just be kindly.

I'm lost, and the shadows keep on changing.

Here's a very fine and thoughtful review of Two Worlds and In Between: The Best of Me (Volume One), and it might surprise you how much I agree with it. Well, except the reviewer's feelings about narrative structure and the conventional endings of stories. But, yes, good review. Also, I think I shall be canonized as "Aunt Beast," which suits me fine. At least, this month it does.

So, yesterday was devoured by nonsensical bullshit. I've established that, yes. When it began, Kathryn and I were making another effort to complete the line edits to Blood Oranges. We will finish that today, or all the world be damned. There's only 20 pages remaining, for fuck's sake, maybe half an hour of work. And I will not be dissuaded by clueless lawyers!

Not sucky things about yesterday! They deserve mention. I received a copy of Michael Zulli's on beyond sublime book The Fracture of the Universal Boy (six years in the writing and drawing, and another Kickstarter success story!). You must own this beautiful book. What else didn't suck? Well, Vince Locke's illustration for "Latitude 41°21'45.89"N, Longitude 71°29'0.62"W." (Sirenia Digest #71). Yesterday, I discovered Unwoman, and that totally didn't suck. Last night, [livejournal.com profile] readingthedark came over, and that didn't suck at all. Our conversation about "sport fucking," that totally fucking rocked, and might be the seed for my next SF story. And my HUGE box of comp copies of Two Worlds and In Between: The Best of Me (Volume One) arrived via UPS.

Oh, and you need to see Helena Bonham Carter as Miss Havisham, in director Mike Newell's forthcoming adaptation of Great Expectations. Beautimous.

Anyway, I'm running dreadfully late today, thanks to yesterday, and the fact that I had a very early and long talk with my Dark Horse editor this ayem, and still have a modest hillock of email to answer beore Spooky and I can be done with Blood Oranges and get it off to my agent before day's end. But! I will leave you with two more astounding stills courtesy [livejournal.com profile] kylecassidy, from the October shoot for The Drowning Girl. These are especially excellent, and, I daresay, they almost show too much of what's to come:

Imp, Eva, and Abalyn )
greygirlbeast: (white2)
The way I feel this morning, well, this is what three days of heftier-than-usual-Valium doses and pretty much no sleep does to a body. Or to mine. Maybe you could sail through it without batting an eye. Me, I feel like a bus hit me. Twice.

So, I just have to stay awake until two ayem or so. I think it's time to reset my clock again. Staying up far, far too late. The meds, they can't do overly much about that.

I forgot to mention yesterday that I have the new Decemberists EP, Long Live the King (plus accompanying awesome T-shirt), and great thanks to [livejournal.com profile] oldfossil59 for sending it our way. Right now, "E. Watson" is my hands-down favorite track (in two days, I've listened to it 42 times, according to iTunes).

Hallways, always.

Following the BIG DARK HORSE TEASE, which I linked to in yesterday's entry...well, following that was quite a lot of distraction and chaos (many, many thanks, kittens, for all the comments). No surprise. Wonder what's going to happen next Wednesday? Anyway, there was also a very long call from my agent, with some very, very good news (though I can't share any of that at this time). Many subjects were discussed. But, what with this and that, Spooky and I didn't finish with the line edits to Blood Oranges; that's what we'll do today, then send the manuscript to Merrilee (my agent).

This morning, I received Vince's pencils for the illustration to accompany "Latitude 41°21'45.89"N, Longitude 71°29'0.62"W" in Sirenia Digest. It's gonna be a great illustration; I need to get some notes back to him on it. Also, I owe a long email to The Drowning Girl cinematographer, Brian Siano, and...well, other emails. I've also got to begin talking promotion with the PR guy that Dark Horse has assigned to the BIG DARK HORSE TEASE. So, I'm pretty spoken for today. Yep. Oh! And, yesterday, I got my comp copies for The Crimson Alphabet chapbook, and they are gorgeous!

Wow. I'd be in a good mood if this "I feel like I'm dying and back again" thing would stop. Oh, and Spooky's reading the Wikipedia article on Christina Hendricks, because she's a letch. Spooky, I mean. I have no intel as to whether or not Christina Hendricks is a letch. I'd like to think she is.

Last night, a lot of RIFT (I think its growing on me again), and I wound the day down by watching "Our Mrs. Reynolds" (Firefly) and "Not Fade Away" (Angel), as Netflix is late with the new episodes of Californication (wait, just arrived!). But now, work! Get a wiggle on, platypus!

A Tenth Free of Secrets,
Aunt Beast
greygirlbeast: (alabaster2)
After much ado, follow this link. There will be much more news next Wednesday (the 9th of October), but I think the discerning reader of my work can gather quite a lot from this Dark Horse teaser. And, though I dislike speaking of the tips of icebergs, well...such things are. I hope you're as excited by this as I've spent the last year being (as yes, I've been sitting on this secret, in one form or another since Oregon and my GoH stint at the H. P. Lovecraft Film Festival, when the mega-cool editor Rachel Edidin of DH asked for a meeting with me. So, make of all this what you will.

Props of [livejournal.com profile] corucia for guessing halfway right, and to [livejournal.com profile] chris_walsh for making the most utterly fucking absurd guess: "I'm hoping the news is that science (Science!) has figured out how to download Harlan Ellison's mind into yours for safe keeping."

And now...other things, but comment, kittens, as I wish to revel in your excitement (and further speculations).

Today, between a zillion other distractions, Spooky and I are making the final edits to Blood Oranges before it goes to my agent and editor. Just piddly stuff, really. Mostly continuity.

Here in November, in this House of Leaves we pray.

Yesterday, I finished writing the new story for Sirenia Digest #71, "Latitude 41°21'45.89"N, Longitude 71°29'0.62"W," which required of me 1,187 words. Written yesterday, I mean to say. And don't forget, really cool NEVER BEFORE RELEASED Silk archival material, available only to subscribers! Means, kittens, this is a good damn time to subscribe!

And I suppose, since I allowed Anne Rice to speak yesterday, Miss Stephenie Fucking Meyer deserves equal time, so I'll quote the article from The Atlantic Wire, for all the precious and celibate teen members of Team Edward out there (by the way, note that Miss Meyer fired the first shot in this little skirmish). Thus, I quote:

"But I can't read other people's vampires. If it's too close [to my writing], I get upset; if it's too far away, I get upset. It just makes me very neurotic." And Interview with the Vampire presumably gets her on the upset--the "too far away" kind of upset. "I've seen little pieces of Interview with a Vampire when it was on TV, but I kind of always go YUCK! I don't watch R-rated movies, so that really cuts down on a lot of the horror."

Yes, she really did say "yuck."

Last night, we played RIFT, and I got enough magma opals my fucking Ash Strider mount! Booya! And we finished Season Four of Mad Men, which would make me really sad, having to wait for Season Five, except we have the two-discs that collect Season Four of Californication incoming from Netflix tonight; I love me some Hank Moody. I think I got to sleep about 4:45 ayem. There was a dream this morning of apocalypse, but it's been forgotten (thank you, poisonous meds).

Did I mention this link?

I leave you with another beautiful photograph from The Drowning Girl shoot, courtesy [livejournal.com profile] kylecassidy:



The genuinely intrepid Sara Murphy as Eva Canning, in the Providence Athenaeum.
greygirlbeast: (walter3)
Oh my bloody fucking fuck. I am so fucking over this aging thing. I did something stupid to my hip...my FREAKING fucking hip...yesterday. Probably when I was trying to clean and reorganize part of my office, rearranging bookshelves in the vain attempt to turn that House on Ash Tree Lane trick and create larger spaces within smaller spaces. It didn't work, but I feel like, during my sleep, someone took a sledgehammer to my left hip. Wanna wake up really goddamn fast? Forget fucking coffee. Trying motherfucking hip pain. Tiger balm and two Doan's tablets—yes, motherfucking Doan's tablets—have dulled the pain enough that I'll be able to sit up and write. But FUCK THIS SHIT (to quote Frank Black). This winter, I'm joining a gym and getting this meatbag into some semblance of working order. Last night (not suspecting the hip pain was headed my way), Spooky and I were discussing how we both need to lose some weight. Using Hubero as a standard of weight measurement, it was decided I need to lose 1 Hubero. That's one whole FAT cat I'm carrying around, all day and every day. Again (second verse, same as the first), FUCK THAT SHIT.

Oh, and please. No commiseration, or I feel your pain, or whatever. No stories that go something like: "Well, when I was only fifteen years old I was riding my bicycle and a pit bull grabbed my ankle and dragged me and the bike—by the ankle, mind you—twelve blocks, up hill both ways, before it was shot in the head by a kindly spaceman who called an ambulance that hitched my ankle to its back fender and dragged me twelve miles, up hill both ways, over a dirt road that was mostly potholes, all the way to the hospital—which was closed! Now, you wanna talk hip pain? That's hip pain!" None of those stories. In fact, I want a T-shirt that reads, simply, "Do Not Commiserate."

But at least the Hip Agony does help me not feel so bad that I'm spending the Last Warmest Day of 2011 in Rhode Island (going up to about 85˚F) trying to fix the timeline, instead of "chillaxing" (hold on while I choke myself for using that odious "word," even sarcastically) at the beach, swimming, losing a cat.

Anyway...

Yesterday was mostly me discovering that things were worse than I suspected. That failed time-travel experiment? Well, feel free to blame me for the Eighties. That's right. Blame me for the entire decade. But...Frank the Goat's on it, and there may yet be hope. You may wake up tomorrow and have no idea whatsoever that the Eighties ever occurred, because they won't have. Unless we fail, me and Frank (that's me and Frank the Goat, not me and Frank Black—and I mean Frank Black from Blue Velvet, not Frank Black, née Black Francis, from the Pixies, or the ultra-cool-and-spooky Frank Black from Millennium, and certainly not Frank the Interdimensional Demon Bunny), and that's always a possibility. One must never underestimate the likelihood of failure. John DeLorean, he underestimated his ability to fail...and look how that turned out. And of course I'm right. I'm me.

Next week's shoot for the book trailer for The Drowning Girl: A Memoir races towards us (five days to go), and...frankly (black), I'm terrified. Will we be ready? I'm gonna roll a 1d4 and hold my breath.

Um...and...what?

Last night, Spooky and I saw last week's episode of Fringe, "One October Night," and..wow. Olivia and Fauxlivia. That was pretty much a slash episode (albeit, without the hot Fauxlivia-on-Olivia sex). And we watched another episode from Season Four of Mad Men. Oh, and something that I can't (or, rather, won't) show you until tomorrow.

And then I looked through the marvelous Dark Horse hardback collection of Bernie Wrightson stuff from the pages of Creepy and Eerie (thank you, Steven Lubold!), then read another story from the Halloween anthology, "Three Doors" by Norman Partridge. The story itself is so-so, but it's narrative technique has moments of sheer brilliance. To whit:

"Doesn't matter to me how you explain it.
I'm not here to draw you a diagram.
I'm just here to tell you a story."

The voice of the narrator (ergo, the author), is a grand "fuck you" to all the morons who want their hands held during story time. In fact, those lines echo rather remarkably Quinn's attitude towards her imagined readers in Blood Oranges: "You can believe this or not. Whatever"

But now, now I must go fix the timeline, so you who are old enough can stop remembering "designer stubble", Guns N' Roses, and the return of shoulder pads.

Accidentally Retro,
Aunt Beast (in pain we trust)
greygirlbeast: (Default)
I could not possibly exaggerate the chaos of the last twenty-four hours. I'll say more in a day or two, but my nerves have been on edge until they no longer have edges.

On the bright side, I finished the story for Dark Horse yesterday, two days ahead of schedule. Which means I can take today off before diving into the next story and the race to the next deadline.

Sitting here, I'm having a little bit of trouble actually reconstructing the events of yesterday in any stepwise or linear manner. It was a day like that. My goal for today is to have an afternoon and evening that isn't like that.

I posted the next "Question @ Hand," which you may read and respond to here. Responses are screened; no one can see them but me.

I read "A new Triassic marine reptile from southwestern China," in the new JVP. It's a really fascinating beast, Sinosaurosphargis, a bizarre turtle-like creature that seems to lie somewhere deep in the ancestry of placodonts and plesiosaurs. Also, Spooky and I watched Christophe Gans' Le pacte des loups for the first time since I saw it in theaters when it was released in the states. A brilliant, strange, beautiful, terrifying, sexy film. And, between The Drowning Girl: A Memoir and "Random Notes Before a Fatal Crash," I've been so hung up lately on la bête du Gévaudan. Actually, I've been hung up on the tales of the beast since I was a small child, but it gets worse sometimes. One of the things that makes Le pacte des loups work so well for me is Grégoire de Fronsac's mercy for the beast at the end.

After the movie, a little Rift, but I was really much too tired. I got my main, Selwyn (Kelari mage, necromancer), to Level 22. Selwyn's mute, and she holds some secret and devious congress with the Faceless Man. Oh, I almost forgot. Spooky spent the day downloading Lord of the Rings Online for me. Free, sure. But it took something like twelve hours. Anyway, this is the game I wanted to play, when I began WoW, instead. And maybe if I'd been able to play the game in 2007 or 2008, I'd have been impressed. But...last night? No. Considerable disappointment, after the wonders of Rift. No matter how big a Tolkien fiend I may be. Alas.

Congratulations to [livejournal.com profile] kiaduran on the discovery of her "hobbit tea house" by the sea.

A reminder to those who helped out with the Tale of Two Ravens/Goat Girl Press Kickstarter project, that Spooky's keeping a blog on her progress with the illustrations. Be sure to have a look.

Okay. Now I go forth to slay this fucking day and drink its chilly black blood.

Bound and Determined,
Aunt Beast
greygirlbeast: (Narcissa)
Yesterday, I wrote 1,289 words on the story for Dark Horse. So, a good writing day. I'll certainly finish the story by tomorrow evening, and possibly this evening. So, I'm ahead of schedule for a change. And there was lots of email. And, in the evening, I talked with Peter and Neil, on the actual telephone. I gotta be careful, or I'm going to blow this whole reclusive mystique.

Actually, that's one of the things Neil and I talked about, how I need to let go of my trepidation stroke indifference towards the Outside, now that the crisis that triggered the worst of it has passed.

Today is a good day for comments. It's going to be a long, long day.

I have another Question @ Hand, one for Sirenia Digst #65, and I'll post it this evening, with the comments screened for complete anonymity.

We did Kid Night last night. It's sort of slipped out of vogue, mine and Spooky's Kid Night tradition. Mostly, I blame MMORPGs. But we pulled it out last night and dusted it off. First there were hot dogs and fries, then we watched Seiji Chiba's Alien vs. Ninja (2010), an incredibly awful Japanese flick about, well, ninja's fighting aliens. Okay, not real ninjas, and the aliens were just guys in utterly unconvincing monster suits. But two or three of the ninjas were very sexy. Otherwise, not much good I can say about Alien vs. Ninja. Except that we streamed it free. It's like in Ghost World, when Enid says, "This is so bad, it's gone past good and back to bad again." That's Alien vs. Ninja. We almost followed it with something called Vampire Girl vs. Frankenstein Girl, but then we watched the trailer and thought better of it. And we ate cookies and jelly beans and drank Pepsi Throwback. So, yeah. Total Kid Night. Teeth were rotted. Brain cells died.

After the movie, we played Rift (which, in a sane world, would count as a kidly pastime). I was Nilleshna, my Kelari cleric (most of her points are in Cabalism), and Spooky played one of her clerics, a Kelari named Miisya (also a cabalist). I made Level 22. We're out in the rocky wastes of Stonefield, fighting trolls and troglodytes and giants and all that shit that comes pouring out of rifts (because Regulos obviously can't keep his legs together). So, you betcha. Magical elf chicks in chain mail. Later still, I read to Spooky from Harlan Ellison's Stalking the Nightmare (1982) and "Shattered Like A Glass Goblin," from Deathbird Stories (1975). A perfect evening for nerdy kids.

Chilly outside. Not cold, but not genuinely warm, either. It might go as high as sixty. I'd risk West Cove, if I didn't need to be writing.

Speaking of which, so far the Dark Horse story has been written entirely to Fever Ray's "If I Had a Heart." It's on repeat, and has played 52 times so far, as I hunt and peck my way through the tale. And here's the video, for those who have not been introduced to the brilliance of Fever Ray (Swedish brother and sister duo, Karin Dreijer Andersson and Olof Dreijer, who usually perform together as the Knife):

greygirlbeast: (Default)
Chilly. Sort of sunny. Sort of cloudy. We're being promised low sixties in the days to come, and I sit impatiently with fingers crossed. Toes. Fingers and toes crossed. All the toes that I can manage to cross. My toes used to be much more nimble.

Yesterday, I wrote 1,313 words on the story for Dark Horse. I'll give you the details as soon as I can. Meanwhile, revel in the mystique of cloak-and-dagger innuendo. But yeah, a good writing day, despite one of my very rare headaches, one so bad it kept me in bed most of the evening.

There was a lot of email yesterday. I've got a mountain of reprints forthcoming in various anthologies. I ought to post a list of them. But not today.

"I just like watching women with bows. It's sexy. No, the horsehair sort. Not the ones with arrows."

Sometimes, context only bogs us down.

I saw a great deal more photos yesterday from the Harvard shoot last Saturday. Amazing to see so many photos of me an like...no, love...more than half of them. Plus there are a couple of me and Spooky together that I'm going to ask [livejournal.com profile] kylecassidy if I can post here. Through some odd trick of happenstance, there are virtually no photographs of Kathryn and I together, and certainly none this good.

We have a Rift guild now, finally. If you're interested in joining, we're on the Shadefallen shard, and the guilds is Eyes of the Faceless Man. Defiant, of course. Just send me a tell (try Selwyn, Nilleshna, or Indus), and I'll add you to the roster. We have no guild vault yet, because Rift guilds do not yet have vaults. Concerns over security that have yet to be ironed out. It's become apparent that the game is essentially in live beta. But it still rocks my socks, especially with the graphics set to ultra. Anyway, we're going to be a sort of rp guild (Shadefallen is an rp shard), with rp that concentrates more on the characters and their lives in Telara, than trying to work in the questing and rifts and stuff. That you do on your own.

From the bed last night, bored and in agony, I watched a panoply of weird eighties shit. First, Demi Moore in The Seventh Sign (1988), an awful, awful turd of a biblical horror movie. I'd actually thought we were watching The First Power (1990), but realized about halfway through there was no Lou Diamond Phillips anywhere to be found. Of course, The First Power is also awful, but in a more enjoyable sort of way, and, besides, I've always had a thing for Jeff Kober. Anyway, we followed the movie with the 1987 pilot for Beauty and the Beast. You know, the television series with Ron Perlman and Linda Hamilton? I'm so pleased to have lived to see a future where technology allows us to torture ourselves like this. Anyway, I'd never seen Beauty and the Beast. But it's gods awful. The only saving grace is Ron Perlman's makeup. The rest, pure shit. Though, I think maybe I've found where at least some of this PR nonsense began.

Also, why are novels today generally and on average so very much longer than older novels? One word: computers. More is "written," because it's so much easier with a word-processing program than a typewriter.** Easier for writers, editors, publishers, everyone. And the reader gets the illusion of getting more for their money (id est, thicker books). This trend will only get worse with ebooks.

The March issue of the Journal of Vertebrate Paleontology arrived yesterday.

And I really have nothing else to say. I think I'm killing time. Which is silly, as it dies so well all on is own.

Awake and Regretting It,
Aunt Beast

**Harlan Ellison told me this, over breakfast, in 1995, but I was a moron and didn't believe him. I had to learn for myself, apparently.
greygirlbeast: (Default)
There's sunlight, and cold air, and my head hurts. This time last year, Providence was turning green. Damn you, snow.

There was no work yesterday. No writing, and very little of the busyness of writing. I suppose it was a day off. Maybe. It all blurs together. I begin to fear that the meds are failing me, losing that potency. No, not that. My body developing a tolerance. And oh won't that make life fun? But no, let's not go there.

Regardless, I'm back in that place where there's mostly just the low-grade humming in my skull, which I begin to think is the white noise of the universe.

---

Yesterday was the 33rd anniversary sale of Newbury Comics in Warwick (well, Newbury Comics everywhere, but we go to Warwick...usually...and it's pronounced "War-ick," NOT "War-wick"), and since the check from Suicide Girls had come, Spooky took me out of the house to be bad and spend money I can't afford to spend on things I can live without (but wicked cheap, 25% off everything). In fact, yesterday sort of took this weird nosedive into a day of getting neat stuff. It was like Xmas, if Xmas wasn't a steaming pile of shit. Um, anyway. At Newbury Comics I picked up:

Fever Ray (deluxe three-disc set)
Rasputina, Great American Gingerbread
Rammstein, Liebe Ist Für Alle Da
Rammstein, Sehnsucht
The Pogues, If I Should Fall From Grace With God*
Radiohead, Pablo Honey (two-disc collector's edition)
Pink Floyd, Wish You Were Here*

* Only have on vinyl, which is in storage.

If I confess my crimes, I'll only go to the Hell where you're allowed to keep your pornography and drugs. Also, I don't know what to make of the fact that All but one of those albums begins either with P or R.*

Then, at the P.O. Box, there was a very generous CARE package, which added to the guilt load, since I'd just bought all those CDs (though, like I said, 25% off, and most were already used). Thank you, SL. Garona and the fifth volume of the collected Popeye comic strips were especially appreciated. And as if it couldn't get any more absurd, we arrived home to discover a box from Bill Schafer. Mostly, it contained copies of the lettered, boxed edition of In the Garden of Poisonous Flowers that he recently discovered buried in the depths of the Subterranean Press stockpile. But ALSO, a copy of the new expanded edition of Unca Harlan's Deathbird Stories, a book that influenced my own writing beyond any ability for me to elucidate, and it's a fucking beautiful edition. I haven't had a copy since the early nineties, when I loaned it to a friend, and he never returned it (I no longer loan books).

Later, dinner at Trinity Brew House (I just had a salad; no appetite lately), and then we went to the Brown Bird show down the street at the Speakeasy at Local 121. This awesome sweaty guy from Chicago opened for them, and then Tik Tok ("sounds like tin pans and chicken bones") played, and finally a very short set by Brown Bird (who are so cool they push the outside of the cool envelope). After the show, I got a copy of Brown Bird's The Devil Dancing, which made it a day of eight cds, but at least this last one didn't begin with P or R.

There were three frat boys in the back of the bar heckling, but you never have a blowtorch and needle-nose pliers when you fucking need them, right? Also, I'm pretty sure all the facial hair in Providence was in attendance last night. Which is cool; these days, too few men have beards.

All in all, it would have been a fantastic day, had it been twenty degrees warmer and had the white noise in my head have been turned down about two-hundred decibels.

---

Today, in theory, I begin the story for Dark Horse (TBA, so don't ask). I'd like to have it finished by Monday evening (if I live that long).

I don't know. I just don't know anymore.

Oh, there are photos from the show, behind the cut:

6 April 2011 )


Pitching and Yawing,
Aunt Beast

* To be fair, we haven't bought a CD, I don't think, since the new Legendary Pink Dots, back in October.
greygirlbeast: (talks to wolves)
I did something this morning that I almost never do. I got up when Spooky did, then went back to bed. And, all in all, slept about eight hours, which is about the most I ever get. So, booyah.

Last night, I posted the New Question, the Question @ Hand, and you can read it and respond here. If you were to make of me— of my actual, physical body —a work of art, what would it be? Answers are screened, so only I can see them. I'll select the ones I like best for Sirenia Digest #63, where they will appear anonymously. There have already been two answers so delightful that I wanted to hug them. Hug the answers, I mean. Though, so far, all the usual suspects have been silent. Anyway, I'll be collecting the replies over the next week and a half or so. Haven fun with it. No minimum or maximum word length. And as I said last night, don't be shy. Get our hands dirty.

And here are the current eBay auctions.

I didn't leave the house yesterday.

There was good news from Dark Horse, which I'll talk about as soon as I am told that I may.

Yesterday, I wrote 1,623 words on the eighth chapter of The Drowning Girl: A Memoir. A passage from Joseph Campbell (1970), writing on schizophrenia, is very apt: "The whole problem, it would seem, is somehow to go through it, even time and again, without shipwreck: the answer being not that one should not be permitted to go crazy; but that one should have been taught something already of the scenery to be entered and the powers to be met, given a formula of some kind by which to recognize, subdue them, and incorporate their energies." I've passed the 75,000 word mark— by more than a thousand, actually. After writing, we proofed "The Road of Pins" for Two Worlds and In Between.

Last night we spent a little time leveling our dead girls, Erszébetta and Tzilla. Then we finished reading Grace Krilonovich's The Orange Eats Creeps. I'm going to be processing this novel for quite a while. It resists any quick and easy assessment. But my first thought would be that I've encountered a shattered mind, that finally becomes incoherent, as madness increasingly refashions the world in the mad woman's image (unless it's the other way round), and I refer you back to the Joseph Campbell quote above. It's a very good novel, though it may not be at all what you'll expect going in, if all you expect is some weird shit about punk rock hobo junkie vampires drinking Robitussin and riding box cars around the Pacific Northwest. It sheds that skin fairly quickly, and moves into infinitely weirder, darker territories.

Yesterday, on a whim, I decided to snap a series of photos taken from my desk, from the chair where I spend most of most every day and night. I decided it wouldn't matter whether or not the photographs were good photographs, but they had to be taken from my chair. I ended up with thirteen, behind the cut (and don't forget to have a go at the question @ hand). I make no apologies for dust and clutter:

A Sessile Organism Views the World, 10 February 2011 )
greygirlbeast: (new newest chi)
Cold here. Very, very cold. Cold and sunny.

Yesterday, I wrote 2,280 words and found THE END of Chapter Three of The Drowning Girl: A Memoir. The words spill from me in an almost alarming torrent. Since November 18th, I've written ~31,060 words of fiction, amounting to "The Prayer of Ninety Cats" and chapters Two and Three of The Drowning Girl: A Memoir. Those two chapters, whose combined word count totals 19,218 words, have been written since December 5th. I know writers who write more than this. However, most of them write in drafts. I expect myself to produce a polished "final draft" the first time through (and, generally, I do). Regardless, I usually write a lot, but not this much.

And I'm exhausted.

No wonder, then, that my reclusiveness is likely worse that it's ever been. The last time I left the House was December 7th, but it was only for a couple of hours to run errands with Spooky. As of today, I've not been Outside for ten days. Before the 7th, I'd not be Out since November 24th, another trip to the market. Thirteen days before the 7th of December, and then ten afterward. Which means I've only been Outside about two hours in the last twenty-four days.

I'm not even sure what to make of this, except I have no wish to be this way. Today, I'm leaving the House, though I have no idea where I'll go. It can't be near the Xmas insanity.

---

Good news yesterday from Dark Horse, which I'll share as soon as I am able.

---

Spooky is watching a video online about white deer, albino deer...

Last night, Shaharrazad and Suraa made Level 81. Weird to be leveling again, even if it won't last long.

I think that's enough for now. Spooky's going to trim my hair, and I'm going to spend some time squinting at the sun.

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Caitlín R. Kiernan

February 2012

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