greygirlbeast: (Default)
Happy birthday to Neil, Holly, and Spooky's sister, Stephanie! Also, happy forty-second birthday to Sesame Street, which first aired on this date in 1969! And I was there*. No, really. I watched the first episode the day it was broadcast. Yes, I am getting old. But Kermit's even older. And now he's even older. And now he's older still. Me, too. Neil, Holly, and Stephanie, too. Funny how that works.

---

Now that I've returned to the wider, stranger arena of mass media, I'm having to remind myself how careful one has to be during interviews. I already have "a for example". This morning, Digital Spy is reporting:

Kiernan previously wrote for The Dreaming and other Sandman spinoff titles, which she described as "a very unpleasant experience" and "creative nightmare".

What I actually said, as accurately reported yesterday by Comic Book Resources, was:

Most of the time I was working for DC/Vertigo, it was a very unpleasant experience. Sometimes, pretty much a creative nightmare.

Context and subtly, people. There were some grand and wonderful moments working on The Dreaming, some gleaming moments, even. Just not enough of them to redeem the whole. But the first three story arcs, then getting to work with Dave McKean and John Totleben, all the stuff I learned from Neil, Goldie the Gargoyle, "The First Adventure of Miss Catterina Poe"...it was not all bad, as the Digital Spy article would have you think I said. Neil recently said to me, "The Dreaming taught you to be a professional," which is the truth. Anyway....if, somehow, you missed the announcement yesterday, here's last night's blog entry. Yes, there is going to be a Dancy comic.

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I think one of the most frustrating things about being unable to talk about working with Dark Horse has been being unable to explain just how much work I'm juggling at the moment. Here's this month, November 2011 (the next twenty days), as "a for instance" (which is pretty much the same as "a for example"):

1) Write "Ex Libris" (~10k words) for chapbook to accompany Confessions of a Five-Chambered Heart: 25 Tales of Weird Romance.
2) Finish with the galley pages of The Drowning Girl: A Memoir, have them back in Manhattan by November 15th.
3) Write Alabaster: Wolves #3.
4) Write introduction to Confessions of a Five-Chambered Heart: 25 Tales of Weird Romance, "Sexing the Weird."
5) Plan Sirenia Digest #72 (though it will likely be written in very early December).
6) Finish up the last of the edits on Alabaster: Wolves #2 (and comment on and approve and etc. and etc. the incoming pages from #1, endless brainstorming!!!!).

And actually, there's other stuff. But this is the work that's easy to categorize. "Bullet point. " Whatever. We're also working on selling Blood Oranges, for example, and there are new ebook pirates just off the coast, and more Dark Horse-related interviews on the way, and working with [livejournal.com profile] briansiano and [livejournal.com profile] kylecassidy on the trailer for The Drowning Girl, and...you get the picture. Oh, and if anyone with very good web-design fu is willing to revamp my main website for...um...free books, please contact me immediately. There's enough chaos in my life at the moment that my agent has actually started recommending meditation; I think my panicked phone calls are freaking her out.

Gagh. I should go. The platypus is gnawing on my goddamn toes. Platypus slobber is disgustipating. But, here's a rather random assortment of very lousy photos I took last night (after Kyle, every photo I take looks lousy):

9 November 2011 )


*Spooky was only a zygote.
greygirlbeast: (sol)
Yesterday, I received NEWS THAT IS SO GOOD, SO COOL, that I may very possibly explode before I'm permitted to spill the beans. I think, when I do, a lot of my readers will be very happy. Like, "Oh, fuck!" happy. Maybe in another few weeks. I hope. Otherwise...you know, the exploding-writer problem. Scanners and all that shit.

I needed a whole Good Worker Bee Pill to get to sleep this morning, and I feel like whatever comes after a zombie. Five and a half or six hours sleep, and a few hours from now this shit might be out of my system. Meanwhile, whatever comes after zombie. I think this entry's going to be a breach birth. My thoughts are sideways. And crookedy.

We sweltered all day yesterday. We basted in our own bodily juices. About an hour after sunset we left the house and drove over the river to India Point Park. There was a hint of a cool breeze coming off the harbor. The black water was washed with a shimmering industrial Christmas-tree glow from the lights along Allens Avenue – red, white, yellow, blue – half a mile, a mile to the west and southwest. We sat a while on a stone wall at the park before heading home to the oven again. I've begun this, this entry, the wrong way round, of course.

Yesterday, I did only 626 words on Chapter Three of Blood Oranges, and then there were phone calls, and I received NEWS THAT IS SO GOOD, SO COOL it sort of disrupted my ability to write fiction for the remainder of the afternoon. Instead, I wrote an introduction I've been meaning to write, the one that will come before the illustrations in the limited edition of Two Worlds and In Between. Spooky and I went through all the issues of The Dreaming and found the names of all the many artists I worked with between 1996 and 2002. So, all told (sans blog entry), I wrote 1,090 words.

I'm in a rock-opera state of mind.

The Big Dam eBay Sale continues. Please have a look, and thanks. Also, visit Spooky's Dreaming Squid Dollworks and Sundries Etsy shop. All her paintings are on sale (limited time) for 20% off! Coupon code: ART20

So, last night again. Back to last night. After the drive, returning to the oven, even with Dr. Muñoz blowing in the middle parlor, my office was unbearable, so we retreated to the bedroom and streamed The Prophecy 3: The Ascent (Patrick Lussier, 2000). I am constantly amazed at my ability to underestimate just how bad a bad movie will be. Sure, dumb direct-to-video angelic horror, but for fuck's sake, Vincent Spano turned in what is likely the worst performance as an angel ever in the history of film. On the other hand, Christopher Walken was predictably entertaining. I'm pretty sure he must have said "Fuck this shitty movie. I'll just say some funny-ass shit, cash my check, and go home." Too little Brad Dourif, who would have improved things immensely had there been more of him. If he'd have had Vincent Spano's role, for instance.

Afterwards, we began streaming a very good documentary on William S. Burroughs, but at 12:30 the internet went away (space weather!). We did nothing in particular for the next hour, and were thinking about trying to sleep when a hellacious thunderstorm swept across the city. We'd heard thunder and seen distant flashes of lightning all night, even back at India Point. But I hadn't expected anything to come of it, and I certainly didn't expect what did come of it. A fifteen or twenty minute barrage of hail, straight-line winds from 50-70mph, rain to drown a fish. It hit, stripped leaves from trees and broke branches, and then was gone. Truly, I've been through tornadoes and hurricanes, and still this was impressive. The lights flickered, but didn't go out. Many people in Providence are still without power. Today we are expecting very, very bad weather. Anyway, after the storm, Spooky read to me from Water for Elephants while I sketched yellow umbrella ladies.

If this is boring you, I apologize. I'm trying to yammer myself awake. Spooky just brought me a Red Bull, and maybe that will act as an antidote to the Necessary Evil slogging through my bloodstream. Fight one Necessary Evil with another Necessary Evil, I always say.

---

A tiny number of people who follow me (like 5-6 out of almost 1,800) are upset that I shut off the comment feature. Some wonder why I allow comments here, and not on Facebook. The answer is simple. It's rare that comments to my LJ are contentious or argumentative, whereas on Facebook I often make a remark that spawns a tiny flame war (that's probably a dated term). And I don't need that shit. Sometimes, I just want to say something, without soliciting good advices and dissention. I don't need that shit. And now it won't happen.

Time to make the doughnuts.

Windblown,
Aunt Beast

Oh, grainy photos from last night:

8 June 2011 )
greygirlbeast: (Default)
Yes. I am on a Kate Bush kick.

It's a beautiful autumn-summer day out there, sunny and blue skies, the temperature at 70F. Nice. Have to get Outside today. Getting out of the house is mandatory on a day like this. I'm doing a good job, actually, of not keeping myself cooped up.

At 4 a.m., not sleeping (despite the meds), I was on Rift talking with a friend in Alaska, and he said it was midnight and the sun hadn't set. In Providence, the sky was just beginning to lighten. It was a marvelously surreal moment, especially considering I was doped and half asleep (but only half). By the way, I want to actually calculate the distance across the part of Telara we can see, the size of the landmass north to south and east to west. I don't think many people have paused to think how small it must be. At first, I estimated it might be the size of Rhode Island (37 miles x 48 miles long, 1,214 sq. mi.), but I'm beginning to think it may only be half that size or less. Spooky's worked out a way to get a firm estimate, which we will do this evening (because we are pathetic nerds). A fantasy MMORPG will be truly fucking amazing when it can offer a continent the size of, oh, say Australia.

Where was I?

Yesterday was as tedious as I'd expected. I didn't actually make any progress with the galleys for Two Worlds and In Between (and I'm not going to explain why, because it's a tedious explanation that's all about editing PDFs and Adobe software and me being a psuedo-Luddite). But things did get done. Vince sent me the initial pencils for his "Figurehead" illustration. I did some more tweaking on the ms. for The Drowning Girl: A Memoir, and sent the Really and Truly Final Manuscript away to my editor. I spent about an hour on the immensely tedious and long guest questionnaire for Readercon 22. I read "Figurehead" and "Untitled 35" aloud to Kathryn, and we marked the pages red. I talked with [livejournal.com profile] kylecassidy about what ravens who might be nuns would....

Sorry. Lost my train of thought. Spooky and I were talking about Houdini.

Last night, we did Kindernacht with hot dogs and Tom McGrath's Megamind (2010), which was really a lot of fun, but not as good as Pierre Coffin and Chris Renaud's similar Despicable Me (also 2010). Of course, one is not supposed to talk about whether or not Kid Night movies are any good, so long as they're fun. We picked the DVD up at Acme Video, since it was an excuse to go Outside. Also, Acme Video gives away free atomic fireballs. After the movie, we did, of course, play Rift. Mostly it was rp for me, though there was also a major incursion upon White Fall and the Chancel of Labors by the minions of Crucia, and Selwyn and Miisya helped to repel the bad guys.

Yesterday, I read the title story of Johnathan Thomas' Tempting Providence (Hippocampus Press). To be sure, it's a weird tale, but it's also a poignant travelogue/walking tour devoted to a finer and simpler and far more interesting Providence than has survived to the present day. I also read "A new unintan horned brontothere from Wyoming and evolution of canine size and sexual dimorphism in the Brontotheriidae (Perissodactyla: Mammalia)" in JVP. Speaking of reading, kittens, tomorrow I'll be announcing the June selection for Aunt Beast's Book Club.

---

On this day in 2007, I wrote:

I have been worrying a lot lately about my writing. It started when I reread Silk and looked through Tales of Pain and Wonder for the first time in ages. Sure, I'm a much, much better writer now, but is what I'm writing inherently better than what I was writing then? More importantly, is it about something more than telling stories? Almost ten years after it's original publication, I see lots of flaws with Silk I couldn't see in 1996 or 1998, and parts of it make me groan, but it has something to say, something it says, and for that I will likely always love it. This is even more true of ToPaW. It's true of The Dreaming. But is the same true of Threshold? Low Red Moon? I think so. And I know it's true of Murder of Angels, but I'm not so sure about Daughter of Hounds, even though I also know it's my best-written novel to date. One may write well — one may write exquisitely, even — and have nothing at all to say. Writing "The Ape's Wife" last month, this all seemed suddenly very important to me again. I fear that in the rush to meet deadlines and write enough to keep all the bills paid, somewhere along the way, I may have forgotten that it is not enough to tell a good story, or even to create characters who ring true. These are necessary accomplishments, but they are surely not sufficient. Art requires more than mere craft, more even than talent. It requires meaning. Heading into The Dinosaurs of Mars and Joey Lafaye, these thoughts will be my Beatrice (so to speak). There's something I feel I might have drifted away from, and I want...no, I need to get back to it again.

So, four years later, I can say I found an antidote for this anxiety and these worries, which was writing The Red Tree and The Drowning Girl: A Memoir, no matter how much the effort has exhausted me. Also, it should be noted that, in June 2007, I was still suffering from the trauma of having written that unmentionably shitty novelization for Robert Zemeckis' butchering of Beowulf (2007)*. That Mordorean death-march ordeal (fuck you, Roger Avery) left me unable to write long-form for the better part of a year, until I began The Red Tree in April 2008. By the way, I'm still waiting on The Dinosaurs of Mars to reveal itself to me, and have come to accept that Joey Lafaye will likely never happen. You may always think of Beowulf as the novelization that murdered Joey Lafaye. At least the Beowulf gig sort of paid well. And at least you didn't need 3-D glasses to read the book. Seamus Heaney, forgive me.

So...now, today.

* And as bad as my novelization was, the movie was at least a hundred times more awful.
greygirlbeast: (walter3)
Awake until four ayem, and then I slept until noon. Which means enough sleep, more than usual, but I hate waking up this late. At least, though, we are past the part of the year when, even with CaST to help out, the darkness comes so insanely early.

I am choosing not to speak on the subject of Osama bin Laden's death. My thoughts on the matter are complex, and I see no need to burden the internet with them, or to spend an hour writing it all out.

Sunny out there today, sunny and the new leaves glowing brightly under the blue sky.

---

Yesterday, I wrote a very respectable 2,259 words on "The Carnival is Dead and Gone," and thought I'd found THE END. Then, late last night, it occurred to me that I may have sounded entirely the wrong note there at the last. So, the first thing I do today is go back and do a bit of tweaking to the last two or three paragraphs. Also, yesterday, I proofed "The Crimson Alphabet," which will come as a free chapbook with copies of the limited edition of Two Worlds and In Between. I exchanged emails with [livejournal.com profile] kylecassidy about the book trailer for The Drowning Girl: A Memoir. Oh, and there was email from [livejournal.com profile] blackholly, which was a bright spot in the day.

For our Beltane dinner I made a lamb stew, which came out very, very well (I do say so myself), which we had with chicory stout, a freshly baked loaf of pain de campagne, and honey. Afterward, I did a little ritual work at the altar. Nothing fancy. It was a good Beltane, even without a roaring bonfire and what have you.

Later, we watched the latest episode of Fringe, then the second disc of the latest season of Weeds. Never has a series so literally lost direction and gone off wandering nowhere in particular. Truthfully, Weeds should have ended at the end of Season Three. The end of Season Three would have made very good ending. A very important part of telling stories is knowing when you've reached THE END, and not continuing in just because you're being paid to do so. Any story may be stretched out indefinitely; none should.* Anyway, later there was a tiny bit of Rift, and we read more of Under the Poppy.

---

Please have look at the current eBay auctions! Thanks.

---

And here's the second set of photos from Saturday's trip to the Blackstone River Gorge in Massachusetts:

30 April 2011, Part 2 )


* In large part, this is why The Dreaming was such an awful idea from the get go. The Sandman said almost everything worth saying, and, after that, it was mostly footnotes. I love reading footnotes, and writing them. Few other people do.
greygirlbeast: (Narcissa)
We have snow coming. Between 3 and 6 inches. I'm really tired of this.

Anyway, yesterday Spooky and I worked all day and night, until 12:04 a.m. EST (and then I worked some more) to get the "final" manuscript for Two Worlds and In Between finished and off to subpress. And then, when I went to bed about 3 a.m., I realized there wasn't a story for 1998. I have no idea how that happened, but it did. So, today I'm adding either "Salmagundi (New York City, 1981)" or "Paedomorphosis" to the manuscript. Bill will be updating the book's page soon, with the final (there's that word again) Table of Contents.

It seems like everyone is very, very happy with both the collection and its cover. [livejournal.com profile] kylecassidy and I will be shooting the author's photo in Boston on April 2nd.

I think this will not be a linear entry. Too much exhaustion from last night has followed me through my dreams into this day. I'm struggling for coherency. Today is absolutely the last day I can afford to spend on the collection this month. And it can't be a day like yesterday.

---

Friday will mark the 100th anniversary of the Triangle Shirtwaist Factory Fire. In 1998, I wrote about the fire in The Dreaming #28, "Dreams the Burning Dream." On Friday, Spooky and I will be ringing a bell at 4:45 p.m. EST, the exact time the first alarm bells were sounded a century ago.

---

Only 59 hours remain in our Kickstarter "The Tale of the Ravens" project! Yesterday, one of the two remaining $500 slots was claimed, which leaves only one, and we hope it will be claimed today. We're very, very excited. Neither of us expected Kickstarter to go this well. I thought we might just barely make our goal. Which just goes the show you. Anyway, thanks to everyone who's donated so far, and again, please eyeball that last $500 slot, with which come many goodies.

---

Saw an awful — and I mean fucking awful – movie last night, after all the editing. Ray Gower's first (and I hope last) film, Dark Corners (2006). It stars Thora Birch. This is not the high point of her career.

---

Anyway, kittens, there's probably more I was going to say, but I'll say it tomorrow. When I'm more awake and less tired. Right now, I'm going to figure out how to plug a hole in time. But that's okay, I have my sonic screwdriver and a bow tie (bow ties are cool), a cup of coffee and a Siamese cat.

Blearily Trudging Onward,
Aunt Beast

Postscript (1:48 p.m.): The last $500 slot was just taken! But we have exactly one of the $150 slots remaining. Doubt it'll last for long.

Also, I desperately need a top hat for the April 2nd shoot in Boston, as mine was destroyed in a horrid freak accident. A lot top hat, like in the cover painting, like Johnny Depp wears in Dead Man. And there's probably no time to order one, so a hat shop or a loan would be ideal. My cranium's about 23 1/4" around (yeah, big head).

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Caitlín R. Kiernan

February 2012

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