greygirlbeast: (blood)
My head is much better this morning, after being much worse last night, especially after midnight. This morning, though, I'm afraid to move for setting it off again. Today marks Day 9.

Yesterday was, for the most part, another loss. And these are days and days of losses I cannot afford. Yesterday, I signed contracts, answered email, made the last round of corrections to Alabaster #4, and – with Kathryn's help – managed to read the entirety of a truly gargantuan contract, which I then signed. They go back to Writers House today (I hope). There's no way yet to know what will happen today.

The weather is grey and tiresome. I slept until noon. Eight hours sleep, and I'm no less exhausted.

Last night, we made the mistake of watching Álex de la Iglesia's Balada triste de trompeta (2010). Not since House of 1000 Corpses (2003) has a film so made me want to erase all memory of having suffered through it. If there are words to describe the loathsomely, moronic awfulness...oh, never mind. Yeah, it's that bad.

There's a Brown Bird show (with other bands) at the Met tonight, but I'm pretty sure we're gonna set this one out. Which blows.

I'm going to play in the street now.

But every once in a while, it goes the other way too,*
Aunt Beast

* "Wait for the wheel." `~ John Crichton, Farscape
greygirlbeast: (Chiana 6)
The first day of my vakashun, is cold and cloudy...which figures. But good things are in store, so I am told. And rest. And travel Outside. And, most importantly, NOT WRITING.

A peculiar thing last night. Not coincidence. Or maybe not so much coincidence. But something. I haven't watched Farscape, to speak of, in years, and last night Spooky and I sort of decided to start at the beginning and work our way through all four seasons. Anyway, we'd just finished "Exodus from Genesis" (1:3), when I saw [ profile] matociquala's entry about the death of T.J. Bass, author of the sf novel The Godwhale (1974), at the age of 79. It may be that not many of you've read The Godwhale...or even seen Farcscape. But the former concerns, among many other things, the creature of the title, the Rorqual Maru: (French, from Norwegian rørhval, from Old Norse reydharhvalr: reydhr, rorqual (from raudhr, red; see reudh- in Indo-European roots) + hvalr, whale), plus you will recall that it is Hakudo Maru, the Japanese Celestial God of War, who taught men to build ships. The Rorqual Maru is a bioengineered Blue Whale, and...well, in Farscape you have the biomechanoid ship Moya (also, in Japanese architecture, the word for the core of a building). I'm mucking this up, aren't I?

Point is, having just started watching Farcsape again, then reading of Bass' death, something clicked. I read Godwhale in high school, maybe three years after it was released (it's out of print), and doubt I've consciously thought about the book in a quarter of a century or more. But I had to pause and wonder how much Godwhale might have influenced the creators of Farscape (Jim Henson Productions/Hallmark Entertainment) when they conceived of the sentient ship Moya, who is, after all, a member of a species known as leviathans, from leviathan (late 14c., from L.L. leviathan, from Hebrew livyathan [לִוְיָתָ] "dragon, serpent, huge sea animal," of unknown origin, perhaps related to Tiberian liwyah "wreath," from base l-w-h- "to wind, turn, twist"), a word which in Modern Hebrew, and in general, has come to mean, simply, whale. Bomechanoid whales of the sea and of outer space. And it just seemed...curious, our going back to the series the day after Bass' death, which Elizabeth Bear didn't blog about until yesterday, a blog entry we didn't read until after watching Farscape. But my mind does that, same as it plays word games. It plays games – not with cause and effect (though it does that, too) – but with the frivolity of happenstance.

Oh, and Soulcrusher, he crushed the soul of Spooky's computer. Sort of. Turns out, the "People of WalMart" website is infected with a piece of especially pernicious computer malware, "Vista Home Security 2012." Which we spent much of yesterday trying to expunge from her machine. This morning, it seems we were, unexpectedly, successful. So, we don't have to give the guys at the Geek Squad $200. But – DO NOT GO TO THAT WEBSITE. The Soulcrusher will reach out and crush the soul of your computer. Yesterday's entry has been locked (my eyes only; I can never delete an entry – never have, never will).

Work-wise yesterday was sort of choatic, what with the spawn of Soulcrusher and all. We made it through the first 146 manuscript pages of corrections on Confessions of a Five-Chambered Heart (by the way, some work has to be done while I'm on this. So, please pre-order a copy, to make it worth my while, the sacrifice of those precious hours of leisure). Also, I spoke with my editor at Dark Horse. Alabaster steams headlong towards an amazing launch.

And Spooky says I have to go now, and pretend I'm not working...
greygirlbeast: (Al)
So, there's some asshole next door, guy has a lawn the size of a postage stamp. No, seriously. A postage stamp. And he's out there with a motherfucking leaf blower. Now, longtime readers will know that, as far as I'm concerned, no lawn is big enough to warrant the profound laziness, the unnecessary waste of energy derived from fossil fuels, the damage to the environment done by leaf blowers, or...and this is important, so please pay attention...the noise produced by the goddamn things. There is this marvelous invention, dating back, well, a long damn time. It requires a little sweat, sure. But that's why evolution gave us muscles and sweat glands and the ability to burn calories. This invention of which I speak is called a rake. And, in a sane world, I would go outside with a claw hammer, dismantle that leaf blower, gaily strew the shards across that cockwaffle's lawn, then offer him a rake with which to clean up the mess I've made. We do not live in a sane world, kittens.

Yeah, it's gonna be that sort of a day.

Doesn't help that it seems the DeLorean time machine didn't quite hit its target date (almost, but not now we have Bill Gates and Ann Coulter, neither of whom existed yesterday), and I'm going to spend the day chasing ripples through the matrix of space and time in order to make this the Present Day that the experiment was intended it make it into. Ripples.

Should a traveler appear earlier in the timeline of his own existence, he would be but as a pebble cast upon still water. But the ripples he creates would, over time, radiate upon far distant shores—geometrically altering events in their path.


I've gotten distracted.

Yesterday was a frustrating sort of day, waiting for that news from the past and all. But I worked on this and that related to the shooting of the book trailer for The Drowning Girl: A Memoir, which will be happening next weekend if it's ever going to happen. The three million details. You know, scooping up all the itty-bitty bits of brain and shit. I did some of that, while I watched the chronometers. I watched dozens of movie trailers, thinking, thinking, thinking. I made notes, and sent them to our cinematographer, Brian Siano. Gods, there are some beautiful movie trailers, an art in their own right, and I especially admire the ones that make shitty movies look like gold. Now, mind you, I'm not admiring the intent of whatever studio exec had those trailers made, the marketing people, all those deceitful assholes trying to pass shit off as gold. I'm applauding the poor schmucks who were tasked with the editing jobs, and who will do the job well, unless they wanted to go looking for another line of work. They are among the all-but-unsung heroes in the shitstorm of ballyhoo and jackassery that is Hollywood. Though, I will say, the trailers are frequently my favorite part of going to the theatre. But...I've gotten distracted again.

Oh, also I received sample design pages from Penguin, for The Drowning Girl: A Memoir (of course). Overall, it's looking good, except for some hideous curlicue font used in the headers, a font I am assured will be replaced with something appropriate, something that doesn't make me want to gouge out my eyes.

Anyway, Spooky came home from the market with a cardboard shipping tube containing another nigh-unto-unspeakably beautiful piece of Philip George Saltonstall's artwork, created, of course, by the incomparable Michael Zulli, one which will appear in the book trailer. Seeing it was like being punched in the chest. And yeah, I've been punched in the chest, so I know what it feels like.

The evening's entertainment consisted of watching Serenity for the five-hundreth time (it's still a great and inspiring ride), and then playing my part in an Insilico RP that was almost very good...except—at some point it descended into "You're stealin' my man" soap-opera nonsense and utterly failed ooc communication—and, also also RPers online need to learn the difference between godmoding and how actions would realistically unfold in particular circumstances, cause and effect, and fuck the whiners. By the end of the scene, which went on for about three hours, I was just tired and wanted to go to bed. But it had it's moments.

Anyway, now I must go attend to those ripples.

Thinking wormholes,
Aunt Beast
greygirlbeast: (new newest chi)
Cold and windy here in Providence. Gusts up to 42 mph.

Today is the ninth anniversary of the inception of my online journal (whether we call it a blog, LJ, whatever). That's nine years, which sort of makes my head spin. It began at Blogger (where the first three years are still archived), then moved to LJ sometime in 2004. Nine years. That means if you're twenty (and I have trouble believing anyone's that young), you were only eleven when I made the first entry. I've probably made entries for 90% of the days in the last nine years. Off the top of my head, the only blogging author who's been at this longer than me is Neil. If I say that my writing career began in 1992— which is usually where I start, with the writing of The Five of Cups —my career records the second of that eighteen years.


I've not been well the last few days, and I think most of it can be attributed to the insomnia, which is about as bad as it's ever been. I'm lucky to get six hours a night. And yet, on Sunday I wrote 1,040 words on "The Prayer on Ninety Cats," and on Monday I did another 1,224 words on the story. Yesterday, I took the day off, because I was feeling very bad and hadn't gone Outside since November 17th. I may be able to find The End today, or it may be tomorrow. Either way, it's an odd and ambitious and I hope very effective story. It's part loose biography (Elizabeth Bathory), part paean to old movie theatres, part screenplay, part dreamquest. And it's sort of written in second person, as per [ profile] sovay's request. It will either be a feather in my cap or an impressive failure. The story will be appearing in Sirenia Digest #60.


Yesterday, we took in a matinée of Harry Potter and the Deathly Hallows: Part One. And what do I think? Having slept on it, I'd say that it's the pretty decent first half of what will probably be a pretty decent movie made from an utterly wretched novel (I say that as a Harry Potter fan). I think the filmmakers should have tried just a little harder to make the first half more like a complete film. It suffers the same way that The Matrix Reloaded suffered. Unlike a lot of geeks, I'm a geek who actually likes the last two installments of The Matrix, but only when they are watched back to back, because each one is half of the same film. Anyway, Harry Potter and the Deathly Hallows: Part One is beautifully filmed, well acted, and as scary and sad as it ought to be. I was mostly relieved that, unlike the book, Hermione doesn't spend the whole time sobbing.


I haven't done much reading the last couple of days, but I did finish the second Farscape graphic novel, Scorpius: Let Sleeping Dogs Lie, and "The Structure and Evolution of the Sauropod Tooth Battery," which is mostly concerned with Nigersaurus taqueti, one of the oddest-known sauropod dinosaurs (and one of my favorites).

I have been catching up on "television." Do we still call it that? Mostly, Spooky and I watch "television" on her laptop, on DVDs or streaming from Netflix, Hulu, Amazon, and PBS. Anyway, the BBC Sherlock Holmes is fucking brilliant, and big props to Benedict Cumberbatch, Martin Freeman, and the team of Mark Gatiss and Steven Moffat. Awesome. And a very sexy Holmes.

The latest episode of Frank Darabont's The Walking Dead was an improvement over the third episode, which was just a little too "soap opera" for my taste. The episode's climactic zombie attack was nicely handled.

We're working our way through the latest season of Doctor Who. The transitions to new doctors are always hard on me, but I'm liking Matt Smith quite a lot. To me, Doctor Nine (Christopher Eccelston, and still my favorite), was the Angry Doctor. David Tenant was the Ecstatic Doctor. And now I'm thinking of Matt Smith as the Befuddled Doctor. Also, very much liking Amelia Pond (Karen Gillan).


Hammer Horror "scream queen" Ingrid Pitt is dead at age 73. She wrote the introduction to The Mammoth Book of Vampire Stories by Women (2001), which included my story, "So Runs the World Away."


And now, on the subject of the Cataclysm WoW expansion. The big 4.0.3 patch went live last night, which means we are now in the age after the sundering of the world by the dragon Deathwing (yeah, they really could have found a better name, like maybe "Deathwing" in Latin, at least). But, mostly, I think what we've seen of the expansion so far is pretty damn awesome. The rebuilt Orgimmar is a vast improvement, and the destruction wrought upon the world is impressive. They've even made the goblins look better, so I will definitely be rolling "Punkmuffin" as soon as I may.

I do have a couple of complaints. First, Blizzard should have specified how much time has passed since the cataclysm. Looking at the reconstruction of Orgrimmar alone (and there are many other factors I could cite), a minimum of ten years has to have passed, and maybe as long as twenty years. I know most WoW players do not think in terms of story, because most WoW players are not roleplayers. Most WoW players think rp is silly and beneath them. But I am a roleplayer, and this is important to me. Also, because so many quests were dumped and so many added, I've gone from being about seventy quests from getting Loremaster of Kalimdor to being many hundreds of quests from getting Loremaster of Kalimdor. That means the equivalent of maybe 200 hours of game play simply...lost. This could have been handled much, much better. But, these things aside, so far, this is a very fine expansion, far more impressive than Wrath of the Lich King.

Also, Eyes of Sylvanas (my Horde guild on the Cenarion Circle server) is still seeking members. And if you don't play WoW— and want to invite a giant time suck into your life —now's a great time to start. You can get the first two games for $5 each, and Lich King for another $10.


Okay, time to make the doughnuts. Comments welcome, just so I am reminded people are still reading (after nine years)...
greygirlbeast: (Default)
Yesterday, I wrote 1,012 words, and so began "The Prayer of Ninety Cats." I think this story will rather blatantly and unrepentantly owe something to Angela Carter's "John Ford's 'Tis A Pity She's a Whore." Slowly, I have come to realize this, and I may as well admit it upfront. The similarity doesn't stem from any commonality of subject matter, but from structure.

Please do not spin in your grave, Angela Carter. I love you too much to cause you such unease.

I really need to wash my hair.

Last night we finished Season Three of Californication, and that last episode was fucking devastating. The series remains one of the most brilliant things to be had from television, but I can't imagine how I can wait until the next DVD release, a year from now, to know what comes next. There are cliffhangers and there are these plunges into the abyss.

Also finished the first volume of the collected Farscape comic last night, The Beginning of the End of the Beginning. I approached it with mixed feelings, unsure how to react to to the whole thing. And, at first, the reading was very odd. In part, that's because the comic picks up immediately after the two-part The Peacekeeper Wars that was supposed the wrap everything up by cramming all of what would have been the 22-episode/22 hour Season Five into four hours. Mostly, the movie was a sad mess. About the only part that rang true was the last half hour or so, when John gives Scorpius what he's been asking for and we see what a wormhole weapon can do. Anyway, also I'm not utterly crazy about Tommy Patterson's artwork, so yeah. I had reservations. But about halfway through the collection, the book won me over. The writing gets the characters spot on (well, Jothee is still the same confusing muddle, D'argo Lite, but you can't really blame that on the comic). So, I'll keep reading, because people are kind enough to send me books.

Yesterday, I sat down to remember all the titles my online journal has had since it began in November 2001. Here's what I have:

1. Low Red Moon Journal (November '01-sometime in '04)
2. Low Red Annex (original LJ mirror title, from April '04-later that year)
3. Species of One: Confessions of a Lady Writer and Alien Malcontent (sometime '04-early '07)
4. Hughes, Mericale, Scheheraz'Odd & Touchshriek, Inc. (early in '07-Autumn '09)
5. Unfit for Mass Consumption (Autumn '09-November '10).
6. Dear Sweet Filthy World (November '10-)

Maybe I can get the dates better later on. I haven't felt like prowling through old entries to try and figure it out precisely.

And now, the platypus says it's time to make the doughnuts.

Mostly yours,
Aunt Beast
greygirlbeast: (walter3)
Mostly cloudy today, and still chilly. But the warmth is on its way back.

I slept eight hours last night.

The last couple of days have been somewhat tumultuous, and have included seeing a new psychiatrist on Friday (and two new meds), and Geoffrey ([ profile] readingthedark) visiting on Friday night and sticking around until Saturday afternoon. None of which has been conducive to writing, but all of which was necessary. I am optimistic about the new doctor, though one of the medications is atrociously fucking expensive, and so we're going to be beginning a new round of eBay auctions (the first in quite some time) to help offset the expense (no health insurance, remember). I'll post more about that when the auctions begin. And no, I'd rather not name the meds in question. I feel as though I'm probably saying more than I should as is, and I'm not going to stray into the Land of TMI.

I am marveling at the footage and still photos of the eruption of Eyjafjallajökull, and wishing I were in Iceland.

Friday, Spooky and I had lunch at Tortilla Flats on Hope Street (only the seventh time we've eaten in a restaurant in Providence since moving here almost two years ago). Geoffrey arrived before sunset, and most of the evening was spent in conversation: writing, Second Life, books, movies, and so forth. I discovered he'd never seen an episode of Farscape, and we watched two, "A Clockwork Nebari" (2.4) and "Crackers Don't Matter" (2.18). He sprung for dinner from Fellini's on Wickenden. I think I got to bed about 4:30 a.m. On Saturday, more conversation, and Geoffrey headed back to Massachusetts about 3 p.m. or so.

Last night, we watched the new episodes of Fringe, which was excellent, and the very satisfying season finale of Spartacus. We also read more of Gregory Maguire's A Lion Among Men.

I forgot to mention that, on Thursday night, we finally saw Jason Reitman's Up in the Air, and thought it was very, very good; both more humorous and more melancholy than I'd expected.

And today I have to get back on the horse, so to speak. I've got to get Sirenia Digest #53 written. I've lost enough time.

And here are photos from the Charlestown Beach part of Wednesday's frigid trip to the shore, and two from Friday evening:

14 April 2010, Pt. 2 )
greygirlbeast: (Ellen Ripley 1)
Home again. Well, home again since 5 a.m. this morning (CaST).

And we forgot to take the camera, and I can't hope to reduce it all to mere words. The reading was genuinely marvelous, and my great thanks to Ellen ([ profile] ellen_datlow) for having me, and to everyone at KGB Bar, which is still as wonderful as it was in May 2001. I read two short pieces, both from Tales from the Woeful Platypus —— first "Still Life," and then "Untitled 17." And the two worked well together. "Still Life" is funny and sweet, perverse but almost naïvely so. Then "Untitled 17" comes roaring in like a steam engine, all anger and blood and wickedness. And, I swear to fuck, I think my reading of "Untitled 17" last night was one of the two or three best readings I've ever done. I wish I had it on tape. I doubt I could reproduce it. The story combined with the atmosphere of the bar, with the crowd, with my weariness, with everything, to make that reading what it was. Also, I had my first bottle of Baltika 4 (Originalnoe), a dark Russian lager brewed with caramel and rye malt. Delicious. Also also, my thanks to all the folks who came, especially the two guys who came all the way from Toronto (!). I signed a lot of books, when I'd not expected to sign any at all.

We left Providence about 2:30 p.m. (CaST), and made it to Union Station in New Haven about 5 p.m. (CaST). We took the train into Grand Central Station in Manhattan. I'd never seen Grand Central, and my gods, what a beautiful building. I wanted to lie down on the marble floor and stare up at the astrological mural painted on the vaulted ceiling. But we were running late, and it took longer to get a taxi than I expected. My taxi-fu used to be quite good. Last night, it took forever. So, we were almost late getting down to KGB. Benjamin Parzybok read first.

After the reading, we walked over to St. Mark's Place, about four blocks I think (passing a bakery window, and Sonya taught me about hamantashn), and had a delicious and enormous dinner at Grand Sichuan. There were about thirty of us, and a bezillion dishes were ordered. I'm not sure I can remember it all. There was a huge flat-screen television showing Chinese soap operas (or something of the sort) with Mandarin subtitles, and I had serious Firefly flashbacks. Let's see. We had: cold diced cucumber in scallion sauce, steamed pork soup dumplings, Sichuan cold noodles (with a peanut sauce), chicken with string beans, orange-flavored beef, double-cooked pork with chestnuts (my favorite), the braised whole fish with hot bean sauce (yum), the smoked tea duck, sautéed pea shoots, fried pumpkin cakes, and shrimp with salted pepper. Afterwards, we walked back out into the freezing night (it was in the 20sF), to a dessert truck parked about half a block away, and Sonya got the pomegranate macaroons and shared them with me and Spooky. And then we had to say our good-byes and grab a taxi (much easier to hail than the first one), and rush back to Grand Central to make our 11:22 p.m. (EST) train back to New Haven. My feet were numb by this point, and I was very grateful for the walking stick that Spooky's mom gave me last week. I sat down on the floor in GCS and stared at the painted stars. A homeless man gave me a pack of peanut M&Ms.

On the train, Spooky tried to get some sleep, while Sonya and I had a long conversation about Harry Potter, and all the opportunities Rowling missed to make the books truly good (on the way up, we'd talked Firefly and Babylon Five and Farscape, Joey LaFaye, "Tam Lin," and Thomas the Rhymer). I think we made it back to New Haven about 1:30 a.m. I'm not sure. It was all such a blur. We were only in Manhattan for maybe four or five hours. I'd forgotten how much I adore NYC, especially at night. Driving back through Connecticut, we stopped at a convenience store in Mystic, where I apparently left my iPod. My iPod from 2005, so it was sort of a fossil, anyway, the Millennium Falcon of iPods, but it did have all my music on it. We're hoping it was turned in, but won't know until tomorrow. Back home, I went straight to bed.

And that was last night, as best I can translate it into words. I'm sorry I forgot the camera.

I've received news from my sister that a member of my immediate family is seriously ill, and so now I have to go and speak with my mother.

Oh, by the way, yes, I did post the video to the Editors' "An End Has a Start," but it was some autoplay thing, so I took it down again. Sorry. It is, however, my new favorite song.
greygirlbeast: (chi2)
I am a very lucky nixar. No gaping, bloody wound in my head. My dentist is wise and merciful, and I was allowed to keep that right second upper molar. It seems the discomfort was arising from a problem caused by upper and lowers no longer occluding properly (because of the work done on the cracked tooth in February). A little grinding (not even the indignity of Novacaine, thank the gods) Still, she gave me Lortab and penicillin scripts, just in case something should go wrong in there before I find a new dentist in Providence. She's been my dentist since March 2000, and it was an oddly bittersweet parting. Anyway, don't ever say that I've never given you a glimpse of true horror, because if you look behind the cut, you'll find x-rays of my frelled-up mouth:

You've been warned )

After the dentist, enormously relieved and not low on blood, we dropped by the storage unit to see just how annoying moving everything out of it will be on May 27th. Not too bad. And then we went to the Birmingham Public Library, and I sat beneath the beautiful old murals in the Linn-Henley wing. That part of the library appears in Threshold, and it's on that very short list of things I will miss about the South. Truthfully, in an alternate-world Alabama with an entirely different cultural and political climate, I could probably have lived my whole life in Birmingham. Anyway, Spooky took some photos, and I'll put them up tomorrow, after she's had time to edit them. Today, you just get gnarly teeth. We saw an assortment of flattened and living fauna along I-20: crows, buzzards, deer, armadillos, dogs, a hawk. At the rest stop just across the Alabama state line, we spotted a large (probably female) Broad-headed skink (Eumeces laticeps). Spooky tried to get a photo, but the lizard did not cooperate. Alas. After the library, we stopped by my Mother's house in Leeds, and spent a couple of hours there, just talking. She's coming up to Providence to visit in the autumn.

I suppose, now that there is not unsightly recovery to endure, I shall be trying to finish up Chapter One of The Red Tree, beginning today. I need to have that done, and also Issue No. 30 of Sirenia Digest by Wednesday, the 21st, at the latest. Not only will the packing schedule become so hectic by then that there's no way I can even hope to work, but, also, I have to go back to Birmingham next week, to see my regular doctor one last time before the move (and she's been my doctor since 1990).

Last night, after finally getting back to Atlanta about 9 pm and grabbing some Thai food for dinner, we watched two episodes from Season Two of Millennium ("The Hand of St. Sebastian" and the hilariously wonderful "Jose Chung's Doomsday Defense", the latter with Charles Nelson Riley). Oh, and discovered a tick latched onto my left hip. No idea where I picked the little fucker up. Maybe at my mother's (rural location plus dog), maybe at the rest stop earlier. She was a female Lone Star tick (Amblyomma americanum), and was surprisingly painful when Spooky removed her. The blasted thing had apparently been on my clothing for some time, had only just bitten, and hadn't yet started to feed (no blood), or had fed only a very little. We dropped the tick in a jar of alcohol (70%), where she survived for a hour. Spooky's calling my doctor about it today, just in case she wants me to take any precautions beyond those we have taken already. And, please, no oogy tick-borne disease related stories. Thank you.

Later, I tried to work on the Palaeozoic Museum (New Babbage, Second Life), but the damned asset server was on the fritz again, so that didn't happen. I did make quite a lot of progress on it Monday. Oh, yeah. Monday. On Monday, I worked on the Museum, we got dinner from the Vortex at Little Five Points, and watched two episodes of Farscape ("Home on the Remains" and "A Constellation of Doubt"). I went back to the biography of Henry Fairfield Osborn, which I hope to finish before the move. That was Monday. Huzzah.

Also, I should repost the link to

Is it just me, or are these entries getting far too long winded? At any rate, only 13 days remaining to the dread birthday -04. Blegh. But my Amazon wish list is here, if you are so inclined.

Oh, and since this entry has gone on Way Too Long, I may as well mention how I've been complaining about the sudden proliferation of needless contractions, because people simply can't be bothered. Sure. It's not really anything new. Nabisco stopped being the National Biscuit Company back in the early sixties, but, lately, it seems like this is happening everywhere. National Geographic as NatGeo?! The Biography Channel as Bio? I wonder how many people still remember that WB stands for Warner Brothers, or that KFC stands for Kentucky Fried Chicken, or that iHop is shortened from the International House of Pancakes? But the one that really tears it for me, that set off a rant last night, was seeing Scarlett Johansson called "ScarJo." What the holy fuck?! Okay, sure. First we had JLo, but that was just Jennifer Lopez, so who really cares? Not only is Scarlett Johansson a fine actress (The Black Dahlia not withstanding), she has a cool name, so why ruin it with a silly contraction like "ScarJo"? It is beyond me, these things that people do. Maybe I would be a more popular writer if I went by CaitKier. Or just CRK. Regardless, I am looking forward to hearing her album of Tom Waits covers. And now the platypus says if I don't stop and drink some coffee, sheheit's going to start gnawing my ankles.
greygirlbeast: (new chi)
Yesterday, I wrote 1,080 words and finished "Flotsam." I am very, very pleased with the piece. It is possessed of the sort of economy and density I achieved in "Untitled 17" (in Frog Toes and Tentacles). It is a true vignette, a scene (though the narrator's mind wanders a bit in time), and it's so rare that I'm actually true to the original mission statement of Sirenia Digest.

In response to my request for comments regarding "Pickman's Other Model," I received a rather marvelous email from one Mr. Tim Huntley, who writes:

The lines from the Ovid in Part 3 drew me to thinking about transformation but also about the particular morphē that changes. What, for me, was particularly well written throughout "Pickman's Other Model (1929)" was the notion of change and development. I touch on nothing you didn't intend, I'm sure, but I find that there is an interesting development from the paintwork and photography of Lovecraft's own mode of revelation into the charcoal sketches and cinematic reels of the mode of grotesque revelation in your own piece.

The role of cinema is very well placed though. Having read
Sirenia Digest #28, I looked to some Lovecraft letters and found a Sept 1935 note where HPL bemoans missing a screening of Caligari. Yet cinema is a mode not in Mr Blackman's favour: he is a man of the theatre, favouring "living actors." As such your story gives rise to thinking on the oppositions of metamorphosis and body; of theatre and cinema. The performance one becomes gives way to what one is, a fixity surely put in question by any notion of acting. However, for all the doubt Mr Blackman casts on his own authorial veracity, Lily nonetheless casts him as "a persistent fellow such as you".

In short, "Pickman's Other Model" takes up the ways in which popular folk myth, cultural gossip, horrors, and memory endure. It takes them up and scatters them through a myriad of forms. (On a lighter note, dare I say that Thurber's presence at the screening ("Now, do you understand?") seems to have the hint of a nod to that moment in Landis'
An American Werewolf in London, where Kessler sits with Jack Goodman...) There was also an echo from your own work: I loved the ground that seems to stretch from the private arcane collection of Silas Desvernine in "Estate" to the corporeal arcanum of the Hounds' film. Between these two stories there was an interesting shift from introspective real estate to projected industrial product: the cinema film (played, nonetheless, underground by the Harvard Square collective). And the relaying of the Durand Drive events was superb – for me it was inlaid perfectly: like a miniature inset of "The Call of Cthulhu" part II.

Finally, I have to say, Lillian Margaret Snow is a splendidly defined ghost, shifting through the whole of the piece. "Pickman's Other Model (1929)" is a piece for which you should be proud.

Danke schön. Actually, though I do see your point about Jack Goodman, I think what was actually going through my head at the time was a line from Poe's "Hey Pretty" ("Do you get this gist of this song now?"), which, of course, leads back to Mark Z. Danielewski's House of Leaves. Also, Sean writes:

I'd never read it ["Pickman's Model"] before with thoughts towards the unreliability of first person narration, but I think the points from your prolegomena are well taken. It did seem like Thurber was about to come off the rails completely before his account was finished. In that light, it seems perfectly logical that he might have later committed suicide. Your story did seem to leave one unanswered question though in regards to Thurber — what, if any, was the extent of his contact with Vera Endecott/Lillian Snow? Did he merely get the sketches from Pickman, or did they meet during the time she modeled for Pickman? What exactly was the final straw that broke his mind is also somewhat shady. Perhaps you left these things ambiguous on purpose and, in any case, the story didn't suffer for it.

To which I reply, I always try to leave as many questions unanswered as answered, and thinking on it now, answering your questions would make another good story (and no doubt lead to new questions, because this regression is infinite). Anyway, my thanks to Sean and Tim, both.

I'm taking the day off, going to the picture show with Spooky. There was a very small seizure late yesterday, the sort that is usually called "petit mal" or "absence" seizures, which mostly just leave me feeling odd for a few hours. But the insomnia and stress is piling up, so, yeah, a day off to try to get pointed to true north once more. But, first, these marvelous images, courtesy [ profile] thingunderthest (behind the cut):

Farscape definitions )

*Just a word to the wise, from me to a certain "Tristan Pennell," should he actually be reading this (by way of the Dresden Dolls, of course).
greygirlbeast: (white)
And Obama scores Wyoming. Very good.

A nasty cold snap, but it's passing now. The temperatures for the coming week look solidly spring-like. And I'm still struggling with a bad cough, the very end of whatever hellbug hit me back in mid-February. And, also, I'm beginning to think I waste at least a quarter of every day trying to fight back and think through the grogginess and murk that come from the anti-seizure meds and sleep aids. But hey, no fits in about two weeks, which is a good thing.

I sort of screwed the pooch yesterday, as regards time management. I was ready to start writing, then decided I would "quickly" download the new NIN album, Ghosts I-IV (all instrumentals). Only, it actually took me about an hour to download, an hour I couldn't really spare. Still, it's a rather grand showing from Reznor and Co. I splurged and paid $5 for the 36-track download, but the 9-track version is free. Strongly recommended. But I'm getting offtrack. Hard writing day, in part because of the lost hour, but also because it was one of those insane research-as-you-go days. It's not that I don't already know a good deal about the subjects at hand (Hollywood scandals, Aleister Crowley, theurgy, hermeticism, drugs laws in the 1920s, the fall of LA District Attorney Asa Keyes, LA County hospitals in the '20s, the history of Paramount, LA newspapers in the late '20s, the history of California sodomy laws, libraries in Boston in the '20s, and so forth...I could go on and on), but being able to crack wise on any given subject does not mean one is prepared to write a short story in which all these things come into play. And I've never been much for doing all the research that needs doing beforehand. So, a good half of my writing day was spent researching. Between NIN and answering various esoteric questions, I only managed 797 words yesterday. Not a good writing day. There's another way I could have done this story, an easy way, but no, I had to be ambitious.

I'm now hoping I can have the story finished by the 11th, as I so desperately need to get back to Joey Lafaye. And we have the trip to Maryland, for the appearance at the O'Neil Literary House, coming up fast, and I have to buy something decent to wear, and I haven't been shopping for clothes since, I'm guessing, November 2004. At any rate, "Pickman's Other Model" will appear in Sirenia Digest #28, and you really ought subscribe, if you haven't already. Because Herr Platypus says so, that's why.

Oh, I have decided. The sf collection will be called A is for Alien. And no, I do not know why Amazon is not yet taking preorders for the new mass-market paperback of Murder of Angels when it's due out next month. They really ought to be. I'll ask my editor about it on Monday.

Last night, we got pizza from Fellini's in Candler Park, then watched an episode of Angel ("Spin the Bottle"), and it's really a shame that Whedon wasn't able to write and direct all the episodes, because on those he did, it shows. "Spin the Bottle" is sort of to Angel what "Crackers Don't Matter" is to Farscape. Anyway, after that we watched the new Torchwood, and once again I was pleased to see the series is really finding itself.

That was my nerdy yesterday, for the most part. Spooky spent much of the day looking at potential apartments in Providence on Craigslist. We have a number of possibilities lined up. Oh, and before I forget, the "Sirenia Players" group now has eight members. I'm still aiming for a bare minimum of a dozen. If you're interested, let me know. Spooky's even located a platypus avatar that I think I'll use for our initial orientation gathering.
greygirlbeast: (blood)
Yesterday was the sort of day that can only earn an L, and the sort that it's best not to speak of at length. It's not superstition, just the act of moving along. I think the only thing good I can say about yesterday was we had a decent walk just after sunset, and there were bats everywhere, flitting to and fro. One chased a mockingbird, which I assume it mistook for a rather large insect. Just after the mockingbird incident, we heard a screech owl just across the street. A marvelously eerie sound.

Also, I wanted to point out that the current eBay auctions end tomorrow. So far, there's been no bid on the copy of La Soglia (the Italian edition of Threshold). Please have a look. Bid if you're so inclined, or buy it now, whichever.

Yes, I have heard the news of the Farscape "revival," that the SFC has order 10 short films or "webisodes" for SCI FI PULSE. But honestly, I don't know if this is a good thing. Aside from the final forty five minutes or so, I was not particularly thrilled with the mini-series in October 2004, and I don't yet know what to make of the news.

Ah, and I have this, because you can't do much better than She Wants Revenge, Shirley Manson, and Harvey Keitel, all in a single video::


Jul. 3rd, 2007 11:48 am
greygirlbeast: (Mars from Earth)
Last March 28th, my lit agent, Merrilee, called to ask if I wanted to do a novelization. In particular, would I want to do a novelization of the forthcoming Robert Zemeckis Beowulf. All I knew of the film was that Roger Avary and Neil Gaiman had written the screenplay. And, truthfully, I've never had any interest in writing a novelization. But the timing was right, and, as Neil and Merrilee knew, I'm something of a fanatic on the subject of Beowulf. Indeed, many years ago (I think it was sometime in 1997), Neil and I had a phone conversation about what we'd each do if either of us ever got the opportunity to write a screenplay for Beowulf. Anyway, I said yes, though, for one reason and another (and a few others after that), I was not actually able to begin work on the book until October. I finished the "first draft" back in February, and then had to do two rounds of rewrites for Paramount and my editor at HarperCollins. This morning, the first-pass page proofs landed on my front porch. I'd have announced this long, long ago, but was only told yesterday that I could finally do so (though, I will point out, Neil leaked the news quite some time back, and its turned up in a couple of Wikipedia articles). So, that's what I spent the winter on, and much of the autumn and spring. On Friday, I got the very good news that Paramount had given my manuscript (based on Neil and Roger's screenplay) the green light. I believe the novel is due out in October. There are some differences between it and the film, mostly my inclusion of a great deal more Norse mythology and suchlike, because that's the sort of thing that there's more time for in a novel than a film. I presently have no interest in doing another novelization. I think this was probably a one-time thing, a special case, but it has been a learning experience. I'm not sure when the film is due to be released. Ah, wait. IMDb says November 16th, 2007. It's an animated film, by the way.

Yesterday, I wrote 1,270 words on The Dinosaurs of Mars. But I stopped at 574 words, because an inquest was coming up, and I needed to read Ambrose Bierce's "The Damned Thing" again to be sure I didn't borrow too heavily from it. There's not much else to say about yesterday. Spooky's iPod arrived, and she named it Shiny!, as we having been working our way through Firefly again. Late, we watched Bram Stoker's Dracula, because I'd not seen it in a couple of years and had that urge. The day was cool and rainy, as today appears to be, a welcomed relief from the summer heat.

Oh, and I was very pleased to see that Farscape landed at #4 on TV Guide's list of the 30 "Top Cult TV Shows Ever."

And today is mine and Spooky's fifth anniversary. Yes, we are five, or, as she said, "a whole hand."

Okay. The platypus is getting out the bull whip. Later, kiddos.
greygirlbeast: (mirror2)
Your Political Profile:
Overall: 5% Conservative, 95% Liberal
Social Issues: 0% Conservative, 100% Liberal
Personal Responsibility: 0% Conservative, 100% Liberal
Fiscal Issues: 0% Conservative, 100% Liberal
Ethics: 0% Conservative, 100% Liberal
Defense and Crime: 25% Conservative, 75% Liberal

Also, it's dren like this that really, really, really makes me wish I were a bezillionaire. I wonder if Ted Turner would float me a loan.

-2 Eve

May. 25th, 2006 11:38 am
greygirlbeast: (mirror2)
First things frelling first. A very, very happy birthday to [ profile] docbrite. You old bastard, who'd have ever thought we'd both stick around so goddamn long, hmmm?

Yesterday was something I don't seem to get very often. Yesterday was a genuinely good day, top to bottom, side to side, stem to stern. When it was over and done and I was lying awake in bed at 3:30 a.m., it occurred to me that I had no complaints. And it had not been merely a neutral day during which the shitstorms had been held at bay, but a day which was simply nice. So, if the Cosmos listens, thank you. May I have another, please? It was also a stellar writing day. I'm no longer sure what my personal best is, my "most words in a single day" count, and some kind soul should scour the journal for me and figure it out. But. Yesterday I did a perfectly astounding 2,404 words between about 1:45 p.m. and 7:12 p.m. and finished the first half of "The Black Alphabet." And, what's still more amazing, it was actually fun to write. I did G-M. I'm pretty sure that "The Black Alphabet" trumps everything else I've done thus far in Sirenia Digest for raw, undiluted, honest kink. That's my soul up there, you know? Reading it to Spooky late yesterday, I was like, wow, I actually wrote this stuff down, and I'm actually going to let all these people read it. Exhibitionist me. So, yeah. A very good writing day. The first half of "The Black Alphabet" comes in at 3,674 words (before proofreading/editing). I'd meant to do only a hundred to two hundred words per letter, but a few, like L, went on much, much longer. The second half will appear in Sirenia Digest #7 in June.

[ profile] stsisyphus has suggested I run a poll to help decide which of the vignettes will be selected for the 10,000 words of reprint that will comprise half of Tales from the Woeful Platypus, and I may do that. Thing is, since only half the book is reprint, and since the vignettes have tended to run on a bit longer than those in Frog Toes and Tentacles, I can only choose three or four for reprint. Yet another reason to subscribe (hint, hint). Most of what goes into the digest will not be reprinted in these Subterranean Press volumes. I am considering asking Bill if we can increase the length of TftWP from 20K to 30K words, but we're constrained by the small format of the book, which I do definitely want to keep. As they say on Nebari Prime, Srai' brel yi v'rest ("See we shall").

Neither of us felt like cooking last night, so we grabbed take-away from the Mellow Mushroom in Decatur. I celebrated having mostly finished writing this issue of the digest by watching a favourite ep of Farscape, "Fractures" (poor Hubero is still the cutest), and then we binged on four more eps of Dead Like Me. Sadly, only three remain, and it's painfully clear that there will be many, many loose threads left dangling by the show's untimely cancellation. Alas and alack and all. After dinner, before all the frelling television, we walked over to Freedom Park, the first time we'd braved it after dark. The park doesn't actually close until 11 p.m., and there were still a few dog-walkers out. The stars were surprisingly bright, considering all the Atlanta light pollution. Venus was ablaze. We spotted a satellite. I just wanted to lie down in the grass and spend the whole night there. Perhaps later in the summer. Oh, and I read another JVP article, a description of the cochleosaurid temnospondyl amphibian Nigerpeton ricqlesi. Really, the very worst thing I can say about yesterday is that Spooky and I both ended it with insomnia. She was up until after 5 a.m. I got to sleep about 4, but was awake before 9. And really, that's more about the space between yesterday and today than a reflection on either day.

However, this morning I had one of the worst cherry Danishes I've ever suffered through. Spooky brought it back from Aurora Coffee at L5P (she meant well). Locals, consider yourselves warned. The cherry part resembled nothing so much as candied monkey testicles.

At some point, Poppy was doing a "pet grammar peeve" of the day sort of thingy. Aside from my absolute loathing for l33t and txt tlk, I make a pretty poor excuse for a grammar Nazi. But I did think of one thing this morning which has begun to bug me, as I seem to notice it with increasing regularity — people who do not comprehend the difference between "were" and "was." There is a difference. For a reason. No, really.

Okay. My coffee cup is almost empty. Spooky's getting out of the tub. I have much to do today so that I won't have to work on -2. Well, -2 & 9 months. Oh, and just so you don't think this post has been entirely too cheery, I leave you with this sobering fact: at the current rate of deforestation, the rainforests of Madagascar will be gone, entirely gone, in only another 40 years, and with them will go all the lemurs and the Malagasy civet and the falanouc and all those other last vestiges of the Madagascan fauna will vanish, along with innumerable endemic plant species. By then, if I haven't departed this particular rock, I shall be -42. There. A little gloom and doom to see you through the day...
greygirlbeast: (mirror2)
Yesterday was, in all respects, a vast improvement upon Wednesday and Thursday. First off, the words finally began to come again, and I did 851 words (all written to I Megaphone) on a new vignette, "Ode to Edvard Munch." It's an interesting little piece that I'm liking a great deal. I've been reading a little Saki and Virginia Woolf, and that might be showing through. That's always a danger, and why I usually avoid reading fiction while writing novels. In the introduction he wrote for Harlan's Stalking the Nightmare (1982), Stephen King discussed a phenomenon that many young writers experience, the tendency to write like whoever they're reading at the time. "Imitativeness," he calls it. He goes on to say:

The imitativeness shakes out, and we become ourselves again. But. One never seems to develop an immunity to some writers...or at least I never have. Their ranks are small, but their influence...has been profound. When I go back to them, I can't not imitate them. My letters start sounding like them; my short stories; a chunk of whatever novel I'm working on; even grocery lists.

I think not even my harshest detractors would argue that I lack my own voice, but I have to admit that, even now, at almost -2, I am particularly vulnerable to this problem of "imitativeness." And yes, certain writers are murder to read and keep out of whatever I'm doing. Bradbury. Harlan. Hemingway. Shirley Jackson. Kathe Koja. Faulkner. And Saki. And Woolf. So, yeah, you might detect them in "Ode to Edvard Munch." Or you may not. We shall see. Oh, and perhaps more than a hint of Portrait of Jenny, as well. The 1948 film, more than the Robert Nathan novel. I hope to finish the vignette this afternoon. I hope. I'm soooooo far behind (thank you, Editing Monster).

Yesterday, I printed out Chad Michael Ward's artwork for the new paperback edition of Threshold and noticed something wrong right off. I got out the magnifying glass to be sure. Dancy has Sadie's blue-white eyes. I e-mailed Liz, my editor, immediately and asked if it's too late to fix this, to made the blue-white pink. She hasn't written back yet. But I'm hopeful, so, once again, we shall see. Other than the eye-colour problem, I still love the artwork (which I'll post as soon as posting is permitted).

Spooky spoke with her mother yesterday, and I have a tentative ETA for the trip to New England this summer. It will probably be late July through mid August. I want to be back in time to get ready for Dragon*Con, the first week of September. Anyway, as soon as I have the exact dates, I can set up the reading/signing in Boston, and then I'll post the date, etc. here. It shouldn't be too much longer. I am very much looking forward to this trip, even if I will have to get a lot of writing done while we're gone. I'm eager for the train ride up, the beaches, the lighthouses, Del's lemonade, and about a hundred other things. Fortunately, we've found someone to housesit for us, which relieves some of my concern about being gone so long. However, our housesitter isn't up to dealing with Sophie and her injections and attitude, so she will be boarded the entire time.

It occurred to me yesterday that sheheit might make a nice gender-neutral pronoun. I detest hir, and it amuses me that sheheit sounds like shit in Southern Redneckese.

The Imogen Heap show last night was superb. I stopped writing at exactly 4:28, and the show wasn't until 8:30, but we needed to be there at 7 to get a good seat. After the writing, my mood wasn't such that I felt like being rushed, and I grumped about and wasted time, so much so that there wasn't time for dinner. Still, I'm glad that Spooky didn't allow me to back out. Zoe Keating opened, and she never fails to amaze. She was having some computer trouble, the box not responding to MIDI commands, and had to reboot after the first song, and this had something to do with her having just returned from France, but I wasn't clear what. Imogen Heap was absolutely wonderful. I am entirely seduced by her charm and her voice and her geekiness and her iBook. Oh, she also had to reboot after the first song or two. This is how I know I live in the Future.

While rebooting, she told about getting all "Jägermeistered-up" in Knoxville and letting Ryan Obermeyer talk her into stealing a cookie jar at the Hampton Inn where they were staying and almost getting arrested the next day. At this point, I realised that Ryan was out front at the merch table. I said hi on the way out. The constant reader will recall that Ryan did the beautiful covers for the The Dry Salvages and To Charles Fort, With Love, as well as the cover and endpapers of the subpress edition of Low Red Moon. So yes, all in all, a wonderful night. And even with the show, we still managed to get home in time to see Dr. Who at midnight, which rocked. Christopher Eccleston, you know. Though, afterwards, while searching for the misplaced remote, I was subjected to a few moments of Stargate: SG-whatever, and there was John Crichton, only he wasn't, and there was Aeryn Sun, only she wasn't (and she was dressed horridly), and it was all sorts of wrong. I almost had a seizure before I found the remote. Anyway, there are a few of the 85 photos we took at the show behind the cut:

Zoe and Imogen )

Those frelling naysayers at NASA have gone and lowered the odds of asteroid Apophis impacting earth in 2036 from 1 in 6,000 to 1 in 24,000. Naturally, the Immaculate Order of the Falling Sky looks askance at this change in forecast and suspects conspiracy. You know, to keep the panic to a minimum. We shall continue to hope for the best. And even at 1 in 24,000, those aren't such terrible odds. I mean, the odds of someone in America being struck by lightning in any given year are a whopping 1/700,000 (!) and all sorts of people do get struck. We must remember that that which is improbable is not impossible. Indeed, that which is improbable may often be inevitable, given enough time. By the way, I think I'm getting a permanent tongue-groove worn into my left cheek...

The platypus says that I should mention that wishing thing on Amazon again, what with only a week remaining until the dread -2, but I fear that would be poor form. The platypus cares not about poor form. Just look at sheheit...all webbed feet and fur and duck-bill...
greygirlbeast: (new chi)
Asleep too late. Awake too early. By ten thirty this morning, I'd finished a Wikipedia entry for the Chinese ankylosaurid Tienzhenosaurus. But I feel awake. Am I live or is this Memorex? Last night, as we were climbing into bed, I was extolling the wonders and virtues of Wikipedia to Spooky, and she looked at me and said in a somewhat motherly voice, "Well, that's nice, just as long as it doesn't start getting in the way of your work." And I said, "Yes, Mom." She didn't kill me. But I was having a nasty recollection of my mother going on about this thing or that thing or some other all-consuming passion of my teenage years. Reading. My volunteer work at the Red Mountain Museum. Dating. All consuming passions were all fine and good so long as they didn't interfere with school. Of course, they always did, because school held about as much interest for me apt comparison eludes me at the moment. Anyway, yeah, Wikipedia has become a fascination, but, fortunately, I have Spooky here watching over my shoulder to be sure I keep my priorties in order. Yesterday, I only made two entries, for the ankylosaurs Mymoorapelta and "Denversaurus" (the latter being a junior synonym for Edmontonia).

Yesterday was another detail sort of day. E-mails to editors. Vince sent me two sketches for "Untitled 20," and I had to choose one or the other, though I loved them both. I think I chose the best one. I'm thinking I could draw more subscribers to Sirenia Digest if it were photo-illustrated, though the cost would likely be prohibitive. I made a short entry to my Amazon "plog," posting the cover for Alabaster. I'm actually in sort of a weird and frustrating place right now, workwise. Sirenia Digest #4 is pretty much done. I have no short-story deadlines and no short stories that are nagging to be written. The editorial letter on Daughter of Hounds could come next week, or it could come a month from now. So. I'm not quite sure what to do with myself at the moment. Perhaps I'll begin a new vignette for #5 today and get a head-start, so to speak. I've been thinking a lot about fairies. We'll see. We always do.

We had a very long walk yesterday. I feel as though I'm beginning to work off the wage of the winter's inactivity. First we stopped by Videodrome to return Walk the Line, then headed on up North Avenue NE towards the western end of Freedom Park. Oh, here's a photo of Videodrome, Atlanta coolest DVD source (though if your still stuck in the '80s and are talking strictly VHS, I'd direct you to Movies Worth Seeing). I talk about the place so frequently, I figured maybe I should include a photo, which I took yesterday as we were leaving:

I kinda think Videodrome was once a service station. Anyway, we took Ralph McGill Blvd. NE up towards the park, admiring old houses and old oaks and tulip trees and flowers and sidewalk fossils and such. Then we headed back down Williams Mill Rd. NE. It was a beautiful day, the sun hot against my skin, and a good long walk. I sweated!

I was very pleased with the season finale of Battlestar Galactica last night. I thought the one-year-ahead jump cut was marvelous, and now I shall grind my teeth until October and Season 3. Seeing Baltar's debauchery and the miserable conditions on New Caprica, I couldn't help but be reminded of the lyrics to Public Image's "Bad Life" ("Well, that's life./Bad, bad, bad life./Well, that's life./This is what you want./This is what you get.") I love a cliffhanger that leaves everyone well and truly frelled. Of course, I was also thinking about how Bonnie Hammer tried to blame the "unfinished" nature of Farscape at the time of its cancellation on "too many cliffhangers." In fact, watching BSG, no matter how much its won me over, it also makes me miss Farscape all the more. Another of Bonnie Hammer's absurd claims about Farscape was that it wasn't friendly to new viewers coming in late, because the story was too complex. And the same's not true of BSG? Bologna, I say.

Spooky wants to walk, I mean go for a walk, so I should wrap this up. Later, kiddos.


greygirlbeast: (Default)
Caitlín R. Kiernan

February 2012

    1 234
56 7 891011


RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Apr. 20th, 2019 12:56 pm
Powered by Dreamwidth Studios