![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
"The Vacation's Revenge"
Dec. 31st, 2011 03:19 pmKittens, this is what happens when you break up with a vacation. It exhibits a flare for vindictiveness by seeing to it that, on the eve of New Year's Eve, I catch a mild intestinal bug, just enough to make me utterly miserable for a good twenty-four hours, and see that Spooky catches it just as I start recovering, so another twenty-four hours will be disrupted and more misery will be spread. So, warning: do not interrupt vacations.
But comment. I'll have the iPad with me in bed.
I spent most of yesterday lying on the chaise in the middle parlour, sleeping and moaning, except when I was...no, I'll be discrete, yes? Yes. I did read Laird Barron's "Old Virginia" and Steve Duffy's "The Oram County Whoosit," the latter of which was not only quite good, but rather interesting. In that it covered some of the ground I covered in "In the Water Works (Birmingham, Alabama 1888)" and "The Colliers' Venus (1893)." Also, it put me in mind, a bit, of Carpenter's The Thing (1982). But I don't mean to say that it felt derivative (though it is a "Mythos tale"). You can find "The Oram County Whoosit" in New Cthulhu: The Recent Weird, and I recommend it. This was the first story by Duffy I'd read.
Last night, as the crud struck Spooky, we watched Julie Delpy's The Countess (2009). And it really is Delpy's film as she wrote, directed, scored, and played the title role in the film. It's neglect of historicity aside, it's a fine film. Erzebet Bathory's story becomes both a fairy tale and a tragedy about a strong, intelligent (if psychotically, murderously neurotic) woman caught in an age when strong, intelligent women were generally deemed, at best, a nuisance. I especially approve of this latter theme, as it certainly did play a role in the downfall of the real Countess Bathory, between the enormous debt owed her by Hungary's King Matthias and the hatred she engendered from the Roman Catholic Church. Whatever else may or may not be true of her, having researched her life, there can be little doubt she ran afoul of a conspiracy and was an easy target. Anyway, I'd have liked a wilder, more explicit film, but The Countess is impressive, nonetheless (ignore the IMDb rating of 6.2; that's fucking poppycock). See it.
But what really saved the day yesterday was that the mail brought a gift from Neil, a personalized copy of the numbered edition of The Little Golden Book of Ghastly Stuff, from Borderlands Press. Spooky read a bit of it to me and the platypus. I was especially pleased with "Entitlement Issues" (you can read it online, just follow the link), which calls out all those fools who think authors owe them anything at all and who place stock in that "reader/writer contract" crap.
Ah, I'm running out of what little steam I had in me. So, I shall leave you with two things: Firstly, a promise that Sirenia Digest #73 will be out sometime in the next week or so, and, secondly, I leave you with this rare photo of me and the platypus together (we were fading fast):
On the Mend,
Aunt Beast
But comment. I'll have the iPad with me in bed.
I spent most of yesterday lying on the chaise in the middle parlour, sleeping and moaning, except when I was...no, I'll be discrete, yes? Yes. I did read Laird Barron's "Old Virginia" and Steve Duffy's "The Oram County Whoosit," the latter of which was not only quite good, but rather interesting. In that it covered some of the ground I covered in "In the Water Works (Birmingham, Alabama 1888)" and "The Colliers' Venus (1893)." Also, it put me in mind, a bit, of Carpenter's The Thing (1982). But I don't mean to say that it felt derivative (though it is a "Mythos tale"). You can find "The Oram County Whoosit" in New Cthulhu: The Recent Weird, and I recommend it. This was the first story by Duffy I'd read.
Last night, as the crud struck Spooky, we watched Julie Delpy's The Countess (2009). And it really is Delpy's film as she wrote, directed, scored, and played the title role in the film. It's neglect of historicity aside, it's a fine film. Erzebet Bathory's story becomes both a fairy tale and a tragedy about a strong, intelligent (if psychotically, murderously neurotic) woman caught in an age when strong, intelligent women were generally deemed, at best, a nuisance. I especially approve of this latter theme, as it certainly did play a role in the downfall of the real Countess Bathory, between the enormous debt owed her by Hungary's King Matthias and the hatred she engendered from the Roman Catholic Church. Whatever else may or may not be true of her, having researched her life, there can be little doubt she ran afoul of a conspiracy and was an easy target. Anyway, I'd have liked a wilder, more explicit film, but The Countess is impressive, nonetheless (ignore the IMDb rating of 6.2; that's fucking poppycock). See it.
But what really saved the day yesterday was that the mail brought a gift from Neil, a personalized copy of the numbered edition of The Little Golden Book of Ghastly Stuff, from Borderlands Press. Spooky read a bit of it to me and the platypus. I was especially pleased with "Entitlement Issues" (you can read it online, just follow the link), which calls out all those fools who think authors owe them anything at all and who place stock in that "reader/writer contract" crap.
Ah, I'm running out of what little steam I had in me. So, I shall leave you with two things: Firstly, a promise that Sirenia Digest #73 will be out sometime in the next week or so, and, secondly, I leave you with this rare photo of me and the platypus together (we were fading fast):
On the Mend,
Aunt Beast
Tags:
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif){kind=small}
