greygirlbeast: (Default)
So, imagine that the entire human population has been decimated by a pandemic. The world's cities have been reduced to rubble and ash. Virtually no survivors remain. But someone makes a "reality TV series" about it. And our survivors all just happen to be amazingly gifted, mostly college-educated professionals, with skills uniquely suited to making it in this post-apopcalyptic wasteland. Well, as long as they have all those other skilled folks on hand. Because, face it. What use is it knowing how to build a solar array to power your blow drier if you don't know how to turn toxic sludge from the LA River into drinking water? Anyway, this is the formula for what Spooky and I found ourselves streaming last night, The Colony. Oh, yeah, it's bad. It's whatever's worse than bad.

Here we are. At the end of the world. In Los Angeles. And there are those roving gangs of bikers from The Road Warrior, only the producers forbid them to hurt any of the "participants," which is a good thing, since California seems to have banned all firearms immediately before the plague hit. Now, want reality? Give me a carpenter, a hooker, a few day laborers, maybe one professional (let's say a CPA), a junky, an orphan, and someone with Alzheimer's, and that would begin to simulate the situation that might arise after The End. Oh, and give them guns and knives and pointy sticks. And screw the bikers. Try roving bands of starving feral (and probably frequently rabid) dogs and coyotes.

I present this oddly watchable train wreck with an F+.

---

Yesterday was a very good day. I wrote 1,403 words and finished "Apostate." I also retitled it "The Transition of Elizabeth Haskings," a vast improvement. Look for Sirenia Digest #74 on Friday.

Meanwhile, I received very good news about closing the deal on Blood Oranges and its two sequels, and I can probably make the official announcement next week (or sooner).

And I'm going to have very cool news regarding both The Red Tree and The Drowning Girl, but I can't yet say what it is...except no, we're not talking film. But very, very cool news. It's gonna make a lot of my readers happy.

Oh! And Spooky ordered us a Cookiethulu T-shirt! (It was on sale yesterday). "Coooooookie! Iä! Iä!"

As for today, I'm going to celebrate yesterday going so well by taking a day off. I'll answer some email, but then I'm outta here, kittens. Which is not to say you shouldn't comment. You should. Because, you know, I will be back.

Looking Up,
Aunt Beast
greygirlbeast: (new newest chi)
I didn't work again yesterday. Somehow, taking one day off made me so tired that I needed two off. Which is odd, as I left the house on neither day. I think this is one reason I so rarely bother to take days off. Not only do I not have time, and not only do days off make me twitchy (no matter how much I need them), they also seems to make me tireder.

On this day a year ago—right about now—we were flying out of Portland, vaulting eastward, homeward, over a range of towering, snow-capped volcanic peaks, and little did we suspect the hell of air travel snafus and "we don't give a fucks" awaiting us in Minneapolis and beyond. Still, even for that, it was great trip. But I'll never fly again, unless I can't avoid it, or it means I get to cross the Atlantic.

---

Words I find I live by more and more:

Business as usual is unacceptable. If this is the best you can do, do better. Or do something else. Do not expect me to slow down so you can catch up. No one cares, and no one is coming for you. Desire does not equate to talent, and there is too much neglected talent for anyone to have to endure mediocrity born of even the most passionate, talentless desire. Yes, it's true that honey catches more flies than does vinegar, but fly paper catches far more than either. You're dying, already. Do not ask my opinion, unless you're willing to take a chance that I might disembowel your dreams, and no, it's not worth taking the chance.

I know how it looks. Or sounds. But all we have left to us is the truth. Lies are for the World At Large, for The Machine, for Them, the Faceless Corporate Rapists of the World. And the men and women who serve them, the men and women so filled with fear and self-loathing they only know how to believe and consume and hate. The willfully ignorant. If the truth is Hell, and Heaven a lie, give me Hell. That's the only sane choice (sane being an admittedly subjective term) .

This is what happens when I don't work. I bleed thoughts. Ugly thoughts. Like, "When did America cease producing adult human beings?"

---

I have received word from Subterranean Press that Two Worlds and In Between: The Best of Me (Volume One) will be arriving in the subpress warehouses today, BUT, Bill Scahfer says they "have a number of titles slated to hit the door before its turn, and half my shipping department is out sick. I don't think we'll be shipping for 1-2 weeks. " So, be patient, kittens. It's coming. It will be my Samhain gift to thee.

---

Nothing much happened yesterday. I took a long hot bath. There was washing-machine drama in Pickman's Basement. The new Journal of Vertebrate Paleontology arrived. I received a biography of Arthur Machen (coincidence?) I've not read as a gift from [livejournal.com profile] ashlyme in far-away England. Small thank yous are often the nicest. Not always, but frequently. I've been playing a lot of Rift again. Not RPIng, just playing. The guild is actually still alive, which sort of amazes (put pleases) me. Selwynn abandoned Meridian, sick of watching the Guardians and Defiant squabble over science and religion while Regulus destroys the world; she now slays demons on her own terms. There were sandwiches for dinner. We read, and then I read to myself, K. W. Jeter's (the man who invented the term "steampunk," April 1987) "Riding Bitch," from the Halloween anthology. Not bad, really. But I stayed up too late reading.

Spooky's Hallowe'en Sale (!!!) in her Etsy shop, Dreaming Squid Dollworks and Sundries—20% off on everything—continues. Only two necklaces and a bracelet left, and who knows when she'll have time to make more. You snooze, someone else wins.

Now, back to the donut mines...

For the Moment, Guileless,
Aunt Beast
greygirlbeast: (Default)
So, the rains never came. The rains for which we cancelled the trip to Maine. There might have been a shower one night. Every day, the past few days, has been a case of "tomorrow, it's going to rain." And we have sunny days and warm nights. I've wasted an Indian Summer sitting at this fucking machine. Then again, there's so much work to be done, taking the time off truly would have been disastrous ("ill-starred").

We are surrounded by an ocean of words, and virtually no one knows their meanings.

COMMENT, KITTENS!

Yesterday, I began what I hope is a new piece for Sirenia Digest #70 (subscribe!). Currently, it's called "Evensong," and today I'll go back over the 1,134 words I wrote yesterday and see if I can make them a little more melodic, and then try to conjure whether or not the vignette (which it actually is) is leading me anywhere I want to go.

The workload right now has even me amazed. The money's nice. No denying that. But I doubt I'll be able to take more than two or three days off (maybe) until sometime in December.

It's a good thing that, as a small child, I was inoculated against suicide, what with all that talk of hellfire and damnation.

Ah, but two fine gifts yesterday, and thank you, Steven Lubold!

Lee Moyer and I have talking about the cover art for Confessions of a Five-Chambered Heart. He had a great idea for an image from "Dancing with the Eight of Swords," and Bill Schafer has approved it.

There's a lot of shit I'd be blogging about, if I had half the requisite energy. For example, how mass media (televised and print) is largely ignoring the "occupation of Wall Street" and the instances of police brutality associated with it. Officer Tony Baloney, anyone? You know this tune! Sing along!

My bologna has a first name.
It's T O N and Y.
My Bologna has a second name.
It's P U S S Y.
Oh, I'd love to beat him every day,
For spraying girls inside a cage,
Cause we are now a police state from B O L O G N A !
— Anon.

You're a douchebag, Deputy Inspector Tony Baloney. Then again, maybe you give douchebags a bad rep. You're definitely giving the NYPD a bad rep.

I am currently battling a massive resurgence of time displacement. Taking my life back. I managed to get to sleep by three a.m. last night. I'm learning not to fight sleep. The pills are beating back Monsieur Insomnia; now I just have to let them. But yeah, asleep by three ayem, awake at ten ayem. In part, this improvement has followed from the strict adherence to my recently instituted and unflinchingly enforced NO BULLSHIT policy. If it is in my life, and if it turns to bullshit, I make it go away. It is proving an amazingly useful policy for the alleviation of stress of every sort. Three simple words: NOT MY PROBLEM.

And now! Photographs! The first is from Sunday, and the rest from our trip to West Cove on Monday:

27 September 2011 )


All Beauty and Truth,
Aunt Beast
greygirlbeast: (Default)
Today, we drop the CEM off at the post office, and the deed is fucking done. The corrected CEM for The Drowning Girl has been photocopied (never return a corrected ms. without making a copy, because shit does get lost in the mail). Letters granting me permission to quote songs and stories are included, as well as a copy of Lewis Carroll's "The Lobster Quadrille." I'm thinking the ms. will probably be in NYC by Wednesday. Now, maybe I'll stop smoking again, but I sort of doubt it.

And today is a day off.

And tomorrow I have to get work on the pieces for Sirenia Digest #70. And why aren't you subscribed (I don't actually require an answer, please)? It's quick, easy, cheap, and we have a snazzy new website!

---

Last night, there was more Mad Men. We've almost finished Season Two, and I have very much fallen in love with this series. It's what television ought to be. There was also RP in Insilico, and Grendel lost the first digit of her left pinkie to yubitsume. But it was her fault. After all, she was out of contact with the oyabun for more than twenty-four hours, because she met a woman at the space port (I hate that. No one in this version of the twenty-fourth century would say "space port." At the port, let's say), and it had been a long time between fucks. And you know how that goes.

We also finished reading Stephen King's The Stand (the original, not fucked-up 1978 text), and I have many thoughts. I could make an essay of my thoughts, but I don't want to spend two hours droning on and on and fucking on about the whys and wherefores. Better I summarize. I didn't enjoy the book nearly as well as I did way back in high school and the eighties (I read it four times, I think). King simply isn't a good writer. He is a good storyteller, and he has a way with characters, but there's a lot more to writing than "Storytime with Uncle Stevie." And I think this has been the key to his success.

But I have deeper problems with the text. There's no denying it's sexist. Sure, we have Mother Abigail and the token queer, Dana, who gets sent off to die in Las Vegas (in one of the book's best scenes, by the way). Oh, and Nadine, who remains my favorite character. But that's pretty much it. Women are mostly there to be pregnant, and to fret, and to need men to protect them. And this seems a little much even for 1978. Maybe it would have seemed less out of place in a book written in 1948. And, trust me, I'm not a radfem. This is a very notable objective problem with the text. And, while I'm at it, Captain Trips seemed to have spared Caucasians over all other races. Well, there's Mother Abigail, who comes off as the "Magic Negro."

Another, for me, is that there's almost no getting around the fundamental Christianity of The Stand. It's steeped in it, with hardly room for any other interpretation, and we watch as a wicked god lays down his judgement, and war is waged against the forces of evil. Note: Tolkien did this in LotR without showing any evidence of religion whatsoever. And, like I said, this is a problem I have, the whole Christian fantasy thing, and likely it's not a problem for most people, especially, obviously Christians.

The whole thing after the epidemic just seems so...small. I recall it being epic, and it really isn't. It occurs on a much smaller stage than I remember. Of course, I'm forty-seven now, not, say sixteen, and I've read Cormac McCarthy's The Road, which has changed the stakes of postapocalyptic books forever. There is no god. Or God. Or gods. No one's coming to save us when the big fuck up rains down. And it'll be worse than Stephen King dared to imagine in 1978. The human spirit will not triumph, because those left alive will be too busy fighting over whatever happens to be left. So, for me the book also fails in it's incredibly naïve anti-nihilistic approach.

But all of this is not to say that it isn't still enjoyable on some level. And there are still some great scenes (though I was shocked at how flat the climactic Las Vegas scene seemed). Spooky enjoyed it more than me, but then she'd never read it. For my part, I'm not revisiting any more King texts. I'll only be disappointed, and I'd rather remember them as I do, even knowing those memories are, by and large, false.

And we began reading Shirley Jackson's The Sundial. Finally.

And now I go have a day off.
greygirlbeast: (Bowie3)
I'll make no apologies for the tone of yesterday's post. There are no regrets. I will only offer an opaque excuse, that I have been made a party to what is, in my estimation, a sickening tragedy. One that could have easily been prevented. One I tried to prevent. And now I will carry the fact of it in my head for years.

And so, yeah, the fury's going nowhere soon. So, do not attempt to console me. It's amazing how many people on the internet are unable to comprehend that trying to calm a rabid animal only gets them bitten. Oh, and then they whine about how unfair it is they've been bitten. Poor fucking idiots.

---

Today there is work, which part of me needs badly. Never mind my having finished a novel day before yesterday. It's not that I love the work; it's that the work keeps me sane by filling a void. So, yes, work, important work, then my psychiatrist before dinner. There's a prescription.

And speaking of work, I have begun to realize there's presently confusion over the two books I've written this year, The Drowning Girl: A Memoir and Blood Oranges. The first – The Drowning Girl: A Memoir – took me about a year and a half to write, and is, by far, my best novel to date. The second – Blood Oranges - took me forty-five days to write, and if you think of The Drowning Girl: A Memoir as, oh, let's say a gourmet meal, then Blood Oranges is the tasty, but fluffy and insubstantial, desert that comes afterwards.

The Drowning Girl: A Memoir will be out from Penguin in March 2012.

Blood Oranges hasn't yet sold.

And while I'm at it:

Two Worlds and In Between: The Best of Me (Volume One) will be out, I think, in September (or maybe October) from Subterranean Press. If you've not ordered, you need to do so.

Confessions of a Five-Chambered Heart will be released by Subterranean Press sometime in 2012.

And there's a lot more, and it's awesome, but if I told you, I really would have to kill you. No joke.

---

Yesterday, I read two stories from The Book of Cthulhu. Used to be, I never read the anthologies my stories appeared in. Don't know why. I just never wanted to do it. But, the last year or so I've been reading some of the books with my stories. Anyway, yesterday I read two of the twenty-seven (I think it's twenty-seven) stories in The Book of Cthulhu. The first, John Langan's "The Shallows" is actually quite brilliant. It's unexpected, and fresh, and comes at you sideways. It's not what you think it is. These are all good things. The other was Thomas Ligotti's "Nethescurial," a very Ligottian take on the Lovecraftian found manuscript and the Lovecraftian malign artifact. And of course it was brilliant. It was Thomas fucking Ligotti.

But I fear there's a lot of this book I'm not going to like, stories I'll skip over. Because the author has chosen to use parody in her or his approach HPL, and that's just not my thing.

---

Yesterday, after a lot of work and email, the "day off" began about three p.m. We drove south and west almost to the Connecticut state line, to Westerly and on down to Watch Hill. To the lighthouse at Watch Hill. We took the narrow, winding road out to the lighthouse, and sat on the sea wall. To the west, the protected waters of Little Narragansett Bay were still and quiet. A flock of cormorants sunned themselves on rotting pilings. On the east side of the point, though, the waves were still wild. Now and then, the sun through the spray off the tops of the waves created the briefest of rainbows behind them. We watched surfers a while, then drove east to Moonstone Beach.

As I've said, Moonstone has many moods. And I saw another new one yesterday. I'd expected piles of pebbles and all manner of unusual strandings and flotsam. My expectation is irrelevant. The beach looked stripped raw. I can think of no other way to describe it. There's been a tremendous amount of erosion during the storm. The tide was coming in, and there were odd sandbars and eddies, and the crashing waves – some easily six to eight feet high – were coming in from the west, the east, the southeast, the southwest, in no discernible (gods, the English language is retarded) pattern. The air reeked overwhelmingly of dead fish, though not a dead fish was in evidence. The usual cobbles were almost entirely absent. The waters in the breaker zone were an ugly greenish black, loaded with sediment and all manner of...well...dead things. Mostly plant matter. Only the Piping Plovers seemed to be happy with the state of things, dashing about madly at the water's edge. I could see that the waves had overtopped the dunes and the sea had reached both Trustom and Card ponds. It was the sight of a place you trust as being the incarnation of calm, seen after terrible violence has occurred. But the error is mine. Panthalassa has no interest in my moods, impressions, or needs, and if I thought otherwise, I'd be a fool. Moonstone will heal, in time.

Between the ponds, there were birdwatchers, and we had our monoculars with us. We spotted a Little Blue Heron (Egretta caerulea) and three Semipalmated Plovers (Charadrius semipalmatus), both new to us.

We drove on to Narragansett, but there was no power. So we couldn't get dinner at Iggy's or at George's (which is actually in Galilee). We did manage to piss at a Cumberland Farms. Their power was out, but they let us use a Bic lighter. It's amazing how dark a women's room can be. At sunset, we drove past Scarborough Beach, and Narragansett Beach. The surf was heavy at the latter, but not as heavy as I'd expected. There were dozens of surfers in the water, most seeming a bit disappointed. All in all, we saw far less damage than I'd expected. And then we came home.

And that was yesterday. Oh, except for three wasted hours in Second Life. If you tell me you like it dark, and then bale when it gets rough, and without so much as a "good night," you're a simpering weasel, and it's really as simple as that.

Wrathfully,
Aunt Beast
greygirlbeast: (goat girl)
And today, is Ray Bradbury's 91st birthday. Thank you, Mr. Bradbury, for Mars, Cooger and Dark's Pandemonium Shadow Show, bottles of dandelion wine, that foghorn, the Elliot family, and a thousand other wonders.

Sunny and cool here in Providence, thanks to a low humidity and dew point. Very windy.

Turns out, as of yesterday, we're moving the entire shoot for The Drowning Girl book trailer and The Drowning Girl: Stills From a Movie That Never Existed from Boston the Rhode Island. This happens this coming weekend, so things here will grow increasingly chaotic. [livejournal.com profile] kylecassidy and crew will arrive on Friday evening, and as we only really have about a day and a half to shoot, it's going to be intense. But, hopefully, fun intense, and hopefully many wonderful things will come of it. Oh, and yesterday Michael Zulli showed me the underpainting of his version of G.P.S.'s The Drowning Girl (1898), and, even at this unfinished stage, it's beautiful. A part of the novel is coming alive and will exist beyond the printed page, and I thank him so much for that.

As announced, yesterday was a "day off." I still spent about three or four hours working, but there was no writing. What we did do, though, is go to Swan Point Cemetery for the first time since the ugly fiasco of the 20th of August 2008. I do not know if it was my post, then Boing Boing picking up the story of the verbal assault against me and Spooky, and the story spreading across the interwebs that led to a major change in Swan Point security, or if it was that combined with other incidents, or if it didn't involve my experience at all. But it has changed, and wonderfully so. There are visitors again, and bicyclists, and the air of oppression has been lifted. For the first time in three years (!!!) we were able to visit Lovecraft's grave. Likely, things have been better there for a year or two, but I've just not been able to return, that incident in 2008 was so upsetting. There was a big gathering on Saturday to commemorate HPL's birth date, but I didn't want to be a part of the crowd, so I waited until yesterday (I don't think the Old Gent would have minded my tardiness). We walked around the beautiful cemetery, me making notes, recording names for future stories and novels, getting mosquito bites, and marveling at trees. We found a huge red oak (Swan Point is also an arboretum) , and I took a single leaf and pressed it in between the pages of my Molskine. The cemetery was so, so peaceful: bird songs, the wind through trees, insects, the Seekonk flowing past to the east, and very little else. It was at least part ways as grounding as the sea.

We saved HPL's grave for the last. There were many a wonderful offering carefully laid above the grave. I left a tiny button in the shape of a black cat; knowing his love of cats, it seemed very appropriate. Anyway, hopefully we are now all free to visit the grave whenever we like, and I can only hope that asshole security guard was fired. Yesterday, I felt like I'd gotten back something very grand and important to me. There are photos below, behind the cut.

Afterwards, we had an early dinner at Tortilla Flats.

And I have a long day ahead of me. Spooky's begun cleaning the apartment in anticipation of the arrival of photographers (and all their gear) and models/actresses on Friday. I have to begin Chapter 8, the final chapter of Blood Oranges, which I hope to make very significant progress on this week and finish early next week.

21 August 2011 )
greygirlbeast: (Default)
Sunny and warm here in Providence today. Windy, though. I've earned a day off, and there's talk of swimming. But the breakers are high, as are the swells.

Yesterday, I wrote 2,695 words on Chapter Seven of Blood Oranges. And found the chapter's ending. A whole chapter in four days!. Which means I have only one chapter remaining, and the book will be finished...before the end of August, as planned (after I failed to finish at the end of the train wreck that was July). I see the ending now. There's an old school bus filled with...oh, I mentioned that already. Okay, let's just say it has a big 'splody ending. I think it'll be fun to write that last chapter (which, by the way, will also be the set up for a second book).

A really wonderful email this morning from Neil, who's away in Edinburgh, and I'm still smiling. I may smile for a week.

And good things just keep happening for The Drowning Girl. This is, simply and by far, the best novel I've ever written. It's the other side of The Red Tree. It's the whisper I've been after all these years, my continual, habitual reaching into the dark to see what reaches back (thank you, Alan Wilder). And it's being recognized. It's being loved by people whose work means so much to me, the people whom I admire most in the world, and I thank them one and fucking all. And the book won't even be OUT until March 2012. The ARCs won't even go out until early December.

---

Last night, after a fine repast prepared by Spooky, we played a little Rift (we both got the title "vampire hunter"), and I had a wonderful RP scene in Insilico (SL). Grendel was paired against a sensei, to prove her Shenkindo training. To say the least, her style is unconventional. But she won the match, putting the sensei face down on the mat. She flipped the switch of her katana that triggers the laser arc set into the blade, and was ready for the kill (it had been implied that no quarter would be given), when her yakuza boss stayed her hand. Yeah, cool stuff. Anyway, we read more of The Stand. Larry Underwood is about to attempt the passage through the Lincoln Tunnel.

I've been thinking of making a "mix tape," on an actual fucking cassette recorder. Songs for the Stand. Maybe dubbing six or seven copies, and sending five or so to the first few who ask for them. You could never do this properly on CD. It has to be on cassette. Songs King quotes in the novel, songs from the mid and late seventies. This isn't a for sure thing. Just a thing that would be fun to do. Music from the decade in which I grew up.

I read "Gyracanthid gnathostome remains from the Carboniferous of Illinois" in the July JVP. And I read more of the book about the firestorm at Peshtigo.

And that was yesterday.

Now...the sea, perhaps. Or, perhaps, Swan Point. Or...we'll see.

Off,
Aunt Beast
greygirlbeast: (Ellen Ripley 1)
Today, kittens, would be a fine day for comments.

Spooky and I are on the guest list for the Brenden Perry and Robin Guthrie show at the Paradise in Boston tonight. BUT. There are thunderous hellstorms barreling down on New England. And my feet are swollen (and I might have to stand at the show). And the car's acting goofy. And parking's always dodgy in Boston, which means walking on the swollen feet I might have to stand on for two hours. And I'm waiting on checks that haven't come, so money's tight (and gas is exorbitant). And there's work needs doing. And I already took yesterday off. And...you see? When I was thirty-seven, I'd have said "Fuck it all. We're going." Now, I can't stop chewing over the cons, and the pros shrink away. But Brenden Perry and Robin Guthrie.

Brenden Perry makes this fluttery feeling in my belly.

Anyway, decision made. Staying home and working. Or something of the like.

---

I awoke yesterday - after that paltry and feverish five hours of sleep - to a barrage of Very Important Email, which halfway thwarted my day off. But only halfway. Spooky and I escaped the sweltering house about three-thirty p.m. There had been plans to head down to Moonstone Beach, but I think we were both just not up to the drive (and back to the cost of gas). Instead, we crossed over to College Hill, and spent about an hour at India Point Park, where the Seekonk River drains into Narragansett Bay. The sun was hot, but there was a cool wind off the bay. I lay in the grass, and thought about Blood Oranges, and found a squirrel femur lying beneath a tree. There are photos below, behind the cut (oh, and one of me from back on May 19th, signing the signature sheets for the limited of Two Worlds and In Between).

Then we had an early dinner at Tortilla Flats on Hope Street (at the same intersection where we threw the hubcap on Monday night). I ordered a margarita, though my meds and drinking are a no-no. I did it, anyway. And delivered unto me was the Mother of All Margaritas. No, seriously. Must have been five shots of tequila in the thing. So, Spooky helped me drink it. Gods, I miss the taste of tequila. And after that, we headed back to the house. So, that was my semi-day off.

Last night was mostly just Rift, which was mostly me and Spooky level grinding in Iron Pine, then very good rp (thank you, T!) at Lantern Hook. Spooky's cleric, Miisya, made 44. By the way, here's an offer to people who might want to try Rift and join our guild, Eyes of the Faceless Man. Do the free trial, and if after those seven days, you decide to stick around, the guild will pay for your first mount (horse or vaiyuu). That 2.5 platinum, which, by the way, is hard as hell to make in the lower levels. The guild is beginning to come together, but the more the better. If you want to take us up on this offer, email Spooky at crkbooks(at)gmail(dot)com, and she'll add you to the list and answer questions and whatever. And remember that we're on the Shadefallen shard, Defiant side.

---

The idiotic #FuckPlanB thread on Twitter was brought to my attention this morning, and I sort of wish it hadn't been. It goes something like this: "If you have a fallback plan, a Plan B, in case Plan A doesn't pan out, then you're not really trying." And this is utter bullshit, and advising any would-be artist to adopt this philosophy as valid is the height of irresponsibility. The road to oblivion and homelessness is paved with those who could not (or would not) adapt. Hell, I wouldn't even be a writer if I hadn't had a Plan B, as Plan A was vertebrate paleontology! Yeah, life isn't fair, and settling for less than "your bliss" can suck, but it's better than the alternative. Unless you're so privileged (trust fund, whatever) that you can actually afford the sort of failure that derives from not having a Plan B (and C, and D), this attitude is, simply, self-destructive. Consider Sirenia Digest. That was a Plan C. Anyway, this whole thing has made me rather ill. If you want to read a very cogent take on this, read what [livejournal.com profile] bethofalltrades has to say on the matter in this post.

---

Also, I'm very pleased to see the return of [livejournal.com profile] acephalemagic to LJ. He's one of my favorite bloggers and one of My Favorite People I've Not Yet Met.

Now, kittens, I face the storm.

Plan Ahead,
Aunt Beast

31 May 2011 )
greygirlbeast: (Barker)
Comment, kittens!

It's not just the innate creepiness of the "praying hands" and swirly lights aspect of the present LJ banner, it's the nigh unto vomitous pale orange/melon-colored scheme. And I have to see it while I compose a journal entry. Someone ought to have to hurt.

Gagh.

Meanwhile, another bout of "not enough sleep" last night, despite my being a good little drone to the Queen Bee of 21st Century Pharmaceutical & Invalidism Culture and having refilled my "sleep aid" script. I think I almost, maybe, slept six hours. And it all just fucking figures. I'm working my ass off, and I'm mostly sleeping well. Often eight hours a night. Then, I force myself to take time off which is, essentially, necessary, and – KERBLAM – no sleep. Write or die. Dance until your feet bleed, or die. Don't stop dancing.

Yesterday was a Very Bad Day, and I don't have those very often anymore. Because I'm a good drone and take my meds and spend the day making honey and all. But yesterday, slip, and there's a Very Bad Day of the sort we've not seen in...quite some time. More than a year. We did leave the house and drive aimlessly about Providence for a while. The weather was too unpredictable to make an attempt at reaching the shore. Sunny, but a chilly wind. It's so green out there, but still it doesn't feel like May. I make the honey, like a good bee, and still the warmth doesn't come, and if I ever dare to stop and catch my breath, then there's no sleep, and the rage returns, and the noise, and the wish for self-annihilation, and no, no, no, you don't know what I mean.

Also, I just accidentally took my morning and afternoon pills at the same time. Booya.

The good news? Spooky just found my riding crop. It vanished when we moved here from Atlanta three years ago, and I despaired of having another so fine, without ponying up (hahahahahahahaha) a tidy sum at a tack shop. But no. Spooky found it.

While we were out, we stopped by Acme Video, and in a desperate effort to quell ye olde inner dæmons, I went hog wild renting comfort movies. Five of them. Movies where the wold is soothingly black and white and grey. Last night we watched two of them, George Cukor's The Philadelphia Story (1940, one of the most perfect films ever made) and John Ford's The Man Who Shot Liberty Valance (1962). It helped, as long as the movies were playing. They ended, and the curtain came down again.

All I need is a reliable supply of opiates, enough for a couple of good doses a week. Paregoric would be perfect. Or laudanum. Or Vicodin. Anything.

In a couple of weeks, I turn 47. There are no words for how utterly fucking fucked up this is. Not just the "Woe is me, I'm getting old" part. That's obvious. No, it's the time dilation. The surreality of having lived from Then until Now, and through the shitstorm in between. It's a wicked sick excuse for a joke, and there's not even a god to blame it on. Only Chance and Probability and all those other rational, empirical anti-gods of Science.

I do have a wishlist at Amazon. You can look at it if you wish. I'm not adverse to gifts this time of year, even if they're of the non-opiate variety.

Oh, and you may now see the complete, final cover of Two Worlds and In Between, just by clicking here. Okay, it's not complete complete, as it still lacks the text of the flap copy. But it's mostly complete. Pay close attention to the book the painting me holds on the front cover. With a larger canvas, infinite regression could have been mimicked. Lee and Kyle are geniuses. They have wrapped my words in folds of zebra flesh and bergamot and vetiver and claret velvet.

Judge the book by its cover. Please.

Yesterday, [livejournal.com profile] stsisyphus commented how Kathe Koja still has a thing for the "love is doom" motif we saw in Skin (1993) and Strange Angels (1995) and Kink (1996). Okay. He didn't name all those books. I filled in the gap. I don't know how Kathe feels about this (I may ask her), but, for my part, yeah...love is mostly doom. Exceptions are few and far between.

Listing to Starboard, Hardly Yar,
Aunt Beast

Beltane '11

May. 1st, 2011 01:37 pm
greygirlbeast: (Pagan1)
A happy and fine Beltane to all who wish to be wished a happy and fine Beltane. Winter is behind us, and now for blazing fires and blazing days.

Five hours sleep last night. The latest drug regimen has been helping me sleep the last week or so, eight hours a night two or three nights in a row. So, last night it was a surprise. It was just after six ayem when I finally got to sleep. The sky was the lightest shades of daylight. I covered my head, and pretended it was still night, which helped.

Yesterday was a day off, and it was a good day off. We left the house about 2:30 p.m., and headed north, through Woonsocket to Millville to the Blackstone River Gorge. We lingered briefly at Rolling Dam (aka Roaring Dam). The safety line strung with red pontoons had broken free, and there was damage to a portion of the spillway. I'm guessing it happened when the ice broke up. When we visited in February, the river above the dam was frozen. Also, there was a maple in the water that must have only just gone down, as the branches were filled with reddish sprouts. Then we headed out to the Gorge itself, which lies downstream (to the southeast) of the dam. We've never done the hike, though there and back is only a little more than a mile (depending which trail you take). We climbed to the top and gazed down into that dark tannin-stained water thirty or forty feet below, listening to the rapids, stared into the tops of trees beginning to come back to life. When we left Providence, the sky was cloudy, overcast, but the sun came out about the time we reached the dam, and I was able to take off my sweater and scarf.

In a hollow between slabs of Devonian granite, we found a boggy place that proved to be the remains of a very old garbage dump. Late Nineteenth Century or older. Heaps of glass, brick, ceramics, ornate china shards, shattered jugs, lead nails, shreds of hobnailed boots...it would be a fascinating place to dig, but the park forbids it. Not far past the dump, we found a wide sandy place by the river. I spotted something in the water downstream, which I at first mistook for ducks. However, the disturbance turned out to be two otters (Lontra [?=Lutra] canadensis) frolicking in the shallow, slow-flowing river. I'd never before seen otters in the wild. Various other mustelids, yes (skunks, mink, weasels, etc.), but never otters. We sat and watched them for a about half an hour. They were maybe a hundred yards from us, at the most, and we did most of the watching through a 10x42 monocular. They breached and dove, rolled, and swam swiftly, sinuously, along just below the surface. The air was filled with birdsong. And were actually heard a Pileated woodpecker (Dryocopus pileatus). It was truly wonderful, and the cumulative effect of yesterday was to lead me to resolve that the stagnant age of sitting at this desk all the time, whether I'm working or not, is over. I'm missing the world, the world I used to live in, the wild.

Part of this, of course, is that, thanks to meds and exercise, my Lousy Rotten Feet have improved dramatically over the last year and a half. I don't even really need the stick anymore. I used it during yesterday's hike, because the ground was so uneven and heights were involved, but, usually, I leave it at home now. Anyway, there are a few photos from yesterday behind the cut, below, and I'll post more tomorrow.

---

And this month, the selection for Aunt Beast's Book of the Month Club is Under the Poppy by Kathe Koja (Small Beer Press, 2010). This is such a marvelous book. Koja has become such a very brilliantly polished author, and here she treads territories that have rarely been done justice. There's a faint whiff of Angela Carter. But yes, there's our novel for May.



---

We played far too fucking much Rift last night, mostly questing out of Perspice. The highpoint had to be escorting Kayfax, a talking cat, as it tracked trolls. Kayfax decided that Selwyn and Miisya would make very fine pets, and so we were referred to as "pet." Selwyn made Level 35, and Miisya made 36.

Ah, and by the way. Back at the beginning of March, I vowed to make at least one blog entry every day for four months. I didn't want to jink it by announcing it until I was well in. And now I've made it halfway.

And that's all for now. Have a fine first day of May, kittens.

Springy,
Aunt Beast

30 April 2011, Part 1 )
greygirlbeast: (Default)
I only just got the news of Joanna Russ' death.

I think we're taking the day off, even though today isn't as warm as yesterday, by about ten degrees. So, this entry will be a swift recounting of yesterday. Or at least I mean for it to be that.

Yesterday, I wrote 1,709 words on "The Carnival is Dead and Gone," but it wants to be a short story, not a vignette, so I'm, at best, only two thirds of the way through it. I find it one of my especially disturbing pieces, for various reasons. Also, I exchanged many emails yesterday with [livejournal.com profile] kylecassidy regarding the book trailer for The Drowning Girl: A Memoir, though conversation also strayed to the Matawan Creek shark attacks of 1916 and Providence's HPL landmarks.

My story "Tidal Forces," which appears in Johnathan Strahan's forthcoming collection, Eclipse 4, has been singled out for the "Good Story Award" over at Locus.com. Thank you, Lois Tilton. (This is not an actual award award, but it made me smile, nonetheless).

If everything stays on track, Sirenia Digest #65 will go out to subscribers on Wednesday. It will include "The Carnival is Dead and Gone," the best replies to the most recent Question @ Hand, and a profile of German surrealist Michael Hutter, featuring examples of his marvelous artwork.

Last night, we watched what was almost a rather serviceable thriller, Jonas Åkerlund's Horsemen (2009). Unfortunately, there's an utterly implausible upbeat ending that blows the whole thing, causing it to veer into after-school special territory at the very last. I strongly suspect the studio forced that ending on the director, but haven't been able to confirm the suspicion. Ziyi Zhang was, by far, the best thing anywhere in the film. Anyway, I also did a little rp, and Spooky and I began reading the novel that will be May's selection for Aunt Beast's Book of the Month Club (TBA).

That, kittens, was yesterday.

Spooky has begun a new round of eBay auctions, so please have a look.
greygirlbeast: (Narcissa)
Oh dear Monsieur Insomnia, fuck you.

I hate waking to important email, which is what happened this morning. The whole weekend has been email and stress and worse. But the good news is that everything seems to be working out for the better. It's not that I worry over nothing. It's that unless I worried so fiercely, everything would go to crap.

It's almost going to be warm today, but I'm trapped here inside the house. There must be work.

But! I have some very good news, even though I can't say what it is until Friday.

Yesterday, I took a day off. Pretty much. Aside from having to deal with email all day and night, and aside from being unable to stop obsessing over The Drowning Girl, I took the day off. It was cloudy and chilly, and all I did was ride along with Spooky while she did errands, but at least I wasn't stuck at this fucking desk. We went to PetCo for cat food, and I found a baby Nile monitor (Varanus niloticus) that I don't know how I got out if the store without buying. We took Les pacte des loup back to Acme Video on Brook Street, and rented three more movies: Das Boot (I haven't seen it in ages), Basquiat, and the third Ginger Snaps film. It was surely one of the oddest assortments the clerk had rung up all day. Then, East Side Market to get chili fixings. Then home again. And I packed some boxes for storage. The office is about to undergo a complete overhaul to make it more functional, and there's just not room for everything.

If you own so much shit, you have to rent a storage unit to hold some of your shit, you own too much shit. This is probably one of those distinctly American problems. Fucking absurd.

Oh, I also added a few words of text to The Drowning Girl, to which I can't seem to stop adding little bits. Truthfully, I need six more months with the ms.. I'm just not going to get it.

---

The latest Question @ Hand has been posted. You may see it and answer here. All replies (unless you post them to Facebook) are screened and confidential. The ones I like best will appear anonymously in Sirenia Digest #65. I have some really good responses so far. Let's see more!

---

Last night, we watched Daniel Alfredson's Luftslottet som sprängdes (2009). It's a very different film from the other two in the trilogy, essentially a political thriller and court-room drama. But very good. Still, I think my favorite is the first film. And we played Rift. I played Indus, my Eth warrior (reaver and beastmaster), and she reached Level 19. I'm not sure why I'm running three characters simultaneously, but I am learning how different races and classes work. We read more of Markus Zusak's The Book Thief, and I read another article from the new JVP: "A new pachypleurosaur (Reptilia; Sauropterygia) from the lower Middle Triassic of southwestern China and the phylogenetic relationships of Chinese pachypleurosaurs." Then...I didn't sleep. Well, not until sometime after five ayem.

And now, more photos by [livejournal.com profile] kylecassidy from the shoot Saturday before last, at the Harvard Museum of Natural History (including very, very rare shots of me and Kathryn together; my favorite is the last):

In the Museum )
greygirlbeast: (Default)
There's sunlight, and cold air, and my head hurts. This time last year, Providence was turning green. Damn you, snow.

There was no work yesterday. No writing, and very little of the busyness of writing. I suppose it was a day off. Maybe. It all blurs together. I begin to fear that the meds are failing me, losing that potency. No, not that. My body developing a tolerance. And oh won't that make life fun? But no, let's not go there.

Regardless, I'm back in that place where there's mostly just the low-grade humming in my skull, which I begin to think is the white noise of the universe.

---

Yesterday was the 33rd anniversary sale of Newbury Comics in Warwick (well, Newbury Comics everywhere, but we go to Warwick...usually...and it's pronounced "War-ick," NOT "War-wick"), and since the check from Suicide Girls had come, Spooky took me out of the house to be bad and spend money I can't afford to spend on things I can live without (but wicked cheap, 25% off everything). In fact, yesterday sort of took this weird nosedive into a day of getting neat stuff. It was like Xmas, if Xmas wasn't a steaming pile of shit. Um, anyway. At Newbury Comics I picked up:

Fever Ray (deluxe three-disc set)
Rasputina, Great American Gingerbread
Rammstein, Liebe Ist Für Alle Da
Rammstein, Sehnsucht
The Pogues, If I Should Fall From Grace With God*
Radiohead, Pablo Honey (two-disc collector's edition)
Pink Floyd, Wish You Were Here*

* Only have on vinyl, which is in storage.

If I confess my crimes, I'll only go to the Hell where you're allowed to keep your pornography and drugs. Also, I don't know what to make of the fact that All but one of those albums begins either with P or R.*

Then, at the P.O. Box, there was a very generous CARE package, which added to the guilt load, since I'd just bought all those CDs (though, like I said, 25% off, and most were already used). Thank you, SL. Garona and the fifth volume of the collected Popeye comic strips were especially appreciated. And as if it couldn't get any more absurd, we arrived home to discover a box from Bill Schafer. Mostly, it contained copies of the lettered, boxed edition of In the Garden of Poisonous Flowers that he recently discovered buried in the depths of the Subterranean Press stockpile. But ALSO, a copy of the new expanded edition of Unca Harlan's Deathbird Stories, a book that influenced my own writing beyond any ability for me to elucidate, and it's a fucking beautiful edition. I haven't had a copy since the early nineties, when I loaned it to a friend, and he never returned it (I no longer loan books).

Later, dinner at Trinity Brew House (I just had a salad; no appetite lately), and then we went to the Brown Bird show down the street at the Speakeasy at Local 121. This awesome sweaty guy from Chicago opened for them, and then Tik Tok ("sounds like tin pans and chicken bones") played, and finally a very short set by Brown Bird (who are so cool they push the outside of the cool envelope). After the show, I got a copy of Brown Bird's The Devil Dancing, which made it a day of eight cds, but at least this last one didn't begin with P or R.

There were three frat boys in the back of the bar heckling, but you never have a blowtorch and needle-nose pliers when you fucking need them, right? Also, I'm pretty sure all the facial hair in Providence was in attendance last night. Which is cool; these days, too few men have beards.

All in all, it would have been a fantastic day, had it been twenty degrees warmer and had the white noise in my head have been turned down about two-hundred decibels.

---

Today, in theory, I begin the story for Dark Horse (TBA, so don't ask). I'd like to have it finished by Monday evening (if I live that long).

I don't know. I just don't know anymore.

Oh, there are photos from the show, behind the cut:

6 April 2011 )


Pitching and Yawing,
Aunt Beast

* To be fair, we haven't bought a CD, I don't think, since the new Legendary Pink Dots, back in October.
greygirlbeast: (blackswan)
1. The cat's out of the bag. Yes, the work that I've been doing for SuicideGirls.com consists of being part of a development team creating a steampunk sister site, UnsavoryTarts.com. Not sure about the launch date. But I think the new site goes live in a few months.

2. Also, finally I can announce that the Alabaster film is in preproduction. Getting David Fincher on board as Executive Producer was entirely cockblocking the production, but now that he's agreed, Lion's Gate's announced that the project's greenlit. Yes, I'm very happy. In fact, I could hardly be happier, considering they've managed to sign Elle Fanning for the part of Dancy Flammarion. Also, Sid Haig will play the Bailiff, and Anne Hathaway has been cast as Aramat Drawdes (which, yes, gives away the fact that In the Garden of Poisonous Flowers forms part of the film). Wayne Barlowe will oversee creature design...and...I wish I could say more (the director, for example), but I can't. Except, maybe a summer 2014 release date.

3. Yesterday, no actual writing. Tons of email, though. Really. I weighed it.

4. I managed to get out of the house. We braved the shitty weather to make a trip to the Athenaeum. Just as we parked, it began to rain. By the time we left, it was snowing. By the time we got back to the house, it was snowing heavily. Fortunately, the ground was too warm for accumulation, so fuck you, Mr. Snow. At any rate, a good and productive trip to the library. There are photos below, behind the cut. But the coolest part by far was Spooky coming across a copy of Dashiell Hammett's 1931 anthology of macabre and suspense stories, Creeps by Night (The John Day Company). The book includes Lovecraft's "The Music of Erich Zann," and was one of the very few times in HPL's life that his fiction appeared in print outside the pulps, and one of the best pay checks he ever earned. Lovecraft was paid $25 for reprint rights. In 2008 dollars (best I could come up with), that's equivalent to about $317. This was two years after the beginning of the Great Depression. Anyway, I sat holding the volume, knowing that Lovecraft almost certainly held the very same copy at least once. The book was accessioned by the Athenaeum on September 27, 1932. Also, read Galway Kinnell's The Book of Nightmares (1971), which is on beyond beautiful.

5. Back home, I ripped off my left thumbnail. No, not on purpose.

6. I got to thinking yesterday about how my novels always wind up with theme songs. That is, one song usually gets associated, in my mind, with any given novel. With The Drowning Girl, it was Death Cab For Cutie's "I Will Follow You Into the Dark." With The Red Tree, it was Poe's "Haunted." With Daughter of Hounds, it was R.E.M.'s "You Are the Everything" (I think).

7. After the library, we stopped by the p.o., and there were a couple of packages waiting for me. [livejournal.com profile] hollyblack sent me a copy of Red Glove, which is now next in the to-be-read queue, after The Book Thief and Tender Morsels. There was also a package from Paul Riddell, which held many things, including a copy of Chuck Jones' Chuck Amuck. Books in the mail are a good thing. Yes, Precious.

8. Lying in bed last night, listening to Kathryn read Markus Zusak's brilliant, heart-breaking The Book Thief, this thought came to me: I could very well write a novel that offended no one, that was correct from every imaginable social and political perspective, and that wasn't, in any way, "triggering." Yes. I could do that. And it would be as bland as a mouthful of unsalted crackers, and it would be shit, and it would be of no worth to anyone. But I could do it. I could set aside all that "art is a hammer" nonsense. I could be safe and sterile and no one would ever have to worry that what they read between the covers of my books would cause them any discomfort of any sort.

And I made Spooky promise she'll take away my crayons and paper if i ever fucking do this.

9. No, I do not approve of Shopping-Enabled Wikipedia on Amazon. No, not even if it sells more of my books. No, not even if it makes our lives more convenient. It's still loathsome.

And now, photos:

31 March 2011 )


All photographs Copyright © 2011 by Caitlín R. Kiernan and Kathryn A. Pollnac
greygirlbeast: (Default)
As days off go, yesterday was a day I truly would have been better spent working.

Comments would be very helpful today.

There was snow this morning, but nothing stuck, and it's changed over to rain. That was my gift from the Ides of March, I suppose. I've never before told Mars to go fuck "himself," but I'm getting there.

---

Last night, we finished Suzanne Collins' Mockingjay. And I'll keep this brief, because there's no need to do otherwise. As a trilogy, these books are a failure. However, The Hunger Games is quite good, and I recommend it. It has something to say, and it says it. It's grim and true. Sure, it's not very original, but original isn't actually very important (it's one of the lies of fiction, originality). That said, Mockingjay has it's moments, and the ending...the last seventy-five pages or so...are close to truly brilliant. Though, the epilogue stunk of one of those things that publishers coerce writers into tacking on so that books won't end on such "down notes." Oh, yes, kittens, this happens all the time. It has happened to me. No, I won't tell you which book.* So, if you want to read the "trilogy," read The Hunger Games, skip Catching Fire, read Mockingjay...BUT....stop at the end of Chapter 27, which is really THE END, and tear out the silly ass, venomous epilogue before you accidentally read it, as it risks making a lie of the truths told in the preceding chapters. The epilogue subverts the truths, exactly the way the propaganda machines of the novel subvert the truth.

The truth is simple and Orwellian. Meet the new boss, same as the old boss. I applaud the author for having the nerve to be true to Katniss, but I lament whatever caused her to think a trilogy with a saggy middle was necessary.

I will add that Collins could have done better with her world-building. Specifically, okay...we know America has become Panem following war, climate change, disease, and social upheaval. We know that the population of Panem is small enough that the leaders worry about the size of the human gene pool and try not to inflict too many fatalities for fear of extinction. But. What about the rest of the world? Did all other nations perish absolutely? All of them? It seems very unlikely. And the people of Panem have sophisticated radio (never mind television). Even if Panem isn't actively looking for other nations, those nations would be able to detect Panem's presence.

If nothing else, Panem has boats. The Phoenicians and Vikings did quite a lot of exploration, even without steam, electric, and nuclear-powered ships (Panem at least has the potential to possess all three). I suspect we're not given this information because then questions have to be answered that would threaten the integrity of the story. Example: Why doesn't tyrannical Panem seek much needed resources (including breeding stock) by waging war on other nations? This isn't really a quibble. These questions could have been addressed in such a way that didn't harm the story. They just weren't. That is, not answered by better world-building, which is odd, because most of Collins' world is very, very authentic.

---

Other books are entering and exiting my life. Yesterday, we began reading Margo Lanagan's Tender Morsels, which I suspect will be brilliant. Also began Markus Zusak's The Book Thief, which promises to be more brilliant still.

However, I also began what is surely the lousiest attempt at sf I've tried to read in many, many years. I only made it three chapters. Now, I will not tell you the name of the author, the book's title, or the publisher. I will tell you that this is a first-time YA author who got a whopping seven-figure deal for this piece of trash. I will tell you that, because you need to know these things happen. Every damn day. Not to put too fine a point on it, this book is absolutely, irredeemably fucking awful. On every level. Had I discovered it among the scrawlings of a fourth grader, I might have been impressed and thought that someday this person might be able to write. But this was written by an adult. And you need to know, this is how publishing works. Last night, reading it, I'm not sure if all my laughing was because the book's so bloody awful, or if I was laughing the way someone laughs when she peers into the abyss and it peers back into her.

You merely open this book, and all across the universe, brilliant fantasy and sf authors who labor in crushing obscurity and poverty, writing gems for pittances, bow their heads and shuffle on, knowing the score. Business as usual. Seven-figure advances....

If you can avoid it, do not open this book. I can't help you more than I have. My copy (fortunately it was free), goes to the paper shredder. It'll make good packing material.

---

I teeter on a needle tip, wondering if I can write YA without abandoning one of the few things that makes me a decent writer: my voice. I believe that I can, but I see so many examples to the contrary. It's hard to find good YA that also has a distinctive voice. Stories that give away their authors with every sentence. Contemporary YA is almost devoid of stylists, and I am, for better or worse, a stylist.

---

Yesterday was a success, if only because I didn't commit suicide. May the world still be here tomorrow.

In Utter Fucking Bafflement,
Aunt Beast

They heard me singing and they told me to stop
Quit these pretentious things and just punch the clock
Sometimes I wonder if the world's so small
Can we ever get away from the sprawl?
Living in the sprawl, the dead shopping malls rise
Like mountains beyond mountains
And there's no end in sight

I need the darkness. Someone, please cut the ligths...


(Arcade Fire)

It's snowing again. And sticking. Fuck me. Which reminds me, I neglected to mention last night's sex dream involving quantum entanglement.

Postscript (6:19 p.m.): Okay, I will. It was Threshold. And also the novel I ghost wrote.
greygirlbeast: (Default)
Slowly, slowly, spring is coming to Providence. I try not to think how fast it must be coming on in Birmingham, and Atlanta, and Athens. Here, it comes slowly. And I am here, and, in all ways, that's better than my being in Birmingham, or Atlanta, or Athens. But the slow-coming spring, it's still odd and difficult, especially after a winter like the one we just had. The days are averaging 40sF, the nights 30sF or high 20sF, which actually seems warm. We can acclimate to almost anything.

The nice thing about knowing that virtually no one reads this blog is that I don't have to worry about whether or not I'm boring people.

Anyway, yesterday was warm. The official high in Providence was 71˚F, I think. As it was day one of the three-day vacation, we decided to drive to West Cove on Conanicut Island. It was very comfortable when we left the city, but there was a wind advisory, with gusts up to 50 mph. When we got out of the van at West Cove, it felt like the temperature was in the thirties, and I spent the first hour of beach combing shivering and trying to keep my hands from going numb. Then the sun came out, and the afternoon warmed. I was able to remove my gloves and unzip my coat. Yesterday, it will likely go down in the annals of West Cove days as the day I stepped on a dead, rotten, beached skunk. That was surely yesterday's most dramatic moment. I found two specimens of a pelecypod I've never seen in the cove before, Cerastoderma pinnulatum (the Small cockle). I found a few good bird bones, including another cormorant beak. We stayed until late, then headed back to the city.

On the way home, I watched the moon through my Orion 10x42 monocular. Of course, this weekend's moon is Big News, but it really was beautiful. I could identify so many landmarks: mountains, craters, basins, etc., all in reflected silver and shades of grey. We stopped by the market, and were home before dark.

There are photos from yesterday, below the cut (at the end of the entry).

---

I won't write about the post-novel depression, just now, and certainly not the whys of it. It only gets worse when you look directly at it, or speak its name.

There's always an odd sort of embarrassment when I see a review of an anthology, and the reviewer hated most of the book, but really loved my contribution. Case in point, a review of Steampunk II: Steampunk Reloaded at Green Man Reviews. The book reprints "The Steam Dancer (1896)," and the reviewer writes:

It’s a beautiful achievement, this story, a very human, rather squalid life offered for our perusal in terms that are neither sentimental nor cruel, managing an effect at once intimate and remote. Now there’s so much that’s peddled as artistic today simply because it’s depressing that I must stress that this tale is depressing, in a quiet sort of way… but that’s not what makes it art. What makes it art is the command of voice and personality Kiernan displays, the things she says and the things she leaves unsaid, and the fact that she can deliver this character-driven gem while still conjuring up a whole world of clanking, steam-driven marvels in the background, almost all through hints and allusions. This story lingers. I hope it gets a good deal of attention; it deserves to.

Okay, aside from the snarky, bizarre "so much that’s peddled as artistic today simply because it’s depressing" bit, very nice. I continue to believe "The Steam Dancer (1896)" is, in fact, one of my best stories.

Also, I've seen a review of The Ammonite Violin & Others by ST Joshi that I think will be appearing in Dead Reckonings (I think). Also, very flattering. A short excerpt:

Purely on the level of prose, Kiernan already ranks with the most distinctive stylists of our field—Edgar Allan Poe, H. P. Lovecraft, Lord Dunsany, Thomas Ligotti. With Ligotti’s regrettable retreat into fictional silence, hers is now the most recognizable voice in weird fiction. No one is ever likely to mistake a sentence by Caitlín R. Kiernan for a sentence by any other writer.

That ought to cheer me up, right? I know that it should. But...

---

Also, yesterday I read David H. Keller's "The Jelly-Fish" and F. Marion Crawford's "For the Blood is the Life." Neither was very good, but the latter was almost unreadable in its dullness. Also read, from the last JVP, "A new partial skeleton of a cryptocleidoid plesiosaur from the Upper Jurassic Sundance Formation of Wyoming" and "A possible azhdarchid pterosaur from the Lower Cretaceous Qingshan Group of Laiyang, Shandong, China."

Right. I'm not supposed to work today. That's the truth. I just don't know what I'm supposed to do, instead, to busy my restless, fretting mind.

Here are yesterday's photographs:

18 March 2011 )
greygirlbeast: (Starbuck 3)
Just back from a day at the shore, but I'll write about that tomorrow, and there will be photos.

The post-novel depression hit full force while I was sitting there watching the sea. It's a couple of days overdue, but I was still writing even as the editing began, hence the delay. And here I am, back at that place where I want no one to read the novel. I sure as fuck don't want it read and reviewed and "reviewed" and have to watch the sales figures and all that shit.

And that sort of brings me to thing number next:

As we finish up Suzanne Collins' Mockingjay, the part of Katniss Everdeen has been cast for the forthcoming film/s. She will be played by Jennifer Lawrence. And yesterday Spooky alerted me to the great mewling outcry from the books' community of "fans." YA boards and communities were abuzz (and likely still are) with outraged cries of "racebending" and "whitewashing" and all sorts of other nonsense. I wish to state a few thoughts, which I'll put forth as bullet points, as this lamentable format seems so popular these days:

1) Race: Katniss Everdeen has dark hair and olive skin, yes. But she is Caucasian. Indeed, her mother and sister are blondes. Near as we are told, the people of the Seam are mostly, but not all, white. Peeta Mellark has blond hair. People of the Seam often have grey eyes. All this is hardly surprising given that it seems that District 12 is located somewhere in the West Virginia/Pennsylvania region of the Appalachians. So, cries that the casting is racist are...well...it makes me wonder if the people who read the book, you know, read the book. Let us wait to see how Rue is cast before we howl about "whitewashing."

2) Can Jennifer Lawrence play Katniss Eberdeen? How about this. Watch the trailer for Debra Granik's Winter's Bone:



Truthfully? You ask me, this looks like Lawrence having a trial run at playing Katniss. I say she's damn close to perfect.

3) Does the author approve of the casting choice? Yes, very much so. To quote AccessHollywood (there's a first in this blog):

In a statement released by the studio, Author Suzanne Collins and director Gary Ross expressed their excitement at having Jennifer join the cast.

“Jennifer’s just an incredible actress. So powerful, vulnerable, beautiful, unforgiving and brave. I never thought we’d find somebody this perfect for the role. And I can’t wait for everyone to see her play it,” Suzanne said.


Now, for my part, points one and two aside, this ought to shut all the naysayers the fuck up. It won't, of course, but it should. These books do no belong to the fans, not matter how devoted and no matter how much they might believe otherwise. They belong to the author, that person whose name follows the © symbol. Everyone else has the pleasure of reading the books, and may own copies, but the novels belong to the author. And if she's happy with the choice, that's good enough for me.

More and more, I realize there's this great mass of humans who squat in waiting on the internet, just waiting for an opportunity to be offended. The chance to whine and bellyache and point fingers and pull the holier-than-thou routine. And, usually, a chance to be utterly wrong. This is, of course, their right. But they're only embarrassing themselves.
greygirlbeast: (talks to wolves)
Already St. Patrick's Day again. I hung the flag last night, and tonight I cook corned beef, cabbage, and cál ceannann, and we have Guinness and soda bread. So, we're set, and there will probably be enough food to last us three days. And here's my favorite St. Patrick's Day article: "Why Ireland Has No Snakes" (No Xtian magick is invoked.).

It's bright out there, and the weather is warmer.

Yesterday, Sonya and I finished editing The Dry Salvages, after she typed in all the edits on "Giants in the Earth." I think we were done by 3 p.m. or so, and since her train wasn't until 5:30, we went ahead and edited "The Worm in My Mind's Eye" (a chapbook that accompanied The Dry Salvages, and which will appear in Two Worlds and In Between as a footnote to the short novel). Then she and Kathryn typed in those edits. So, yeah, [livejournal.com profile] sovay came and saved me from editing hell...and yeah, it still sucked, but at least I've survived.

Today, I'll be sending The Drowning Girl: A Memoir to my editor at Penguin, and I hope I'll be sending the ms. for Two Worlds and In Between to Bill Schafer at subpress. And then, tomorrow, I begin a three day vacation. After today, I'll have worked twenty-eight days without a single day off, and I mean to have a rest. I'll be setting my email to the auto-response vacation settings, and mostly unplugging.

Last night, I think I was literally too tired to see straight. After dinner, I lay down in front of the fireplace and dozed off for half an hour. When I woke, it was still far too early for bed, so I had a cup of coffee, which I really didn't feel at all. I played about three hours of Rift, though I wasn't actually, technically, awake. I leveled my Kelari cleric, Nilleshna, to 11. Spooky camped out in front of the TV, watched a Nova episode, "Dogs Decoded," then played Bayonetta on the PS3. Then we went to bed and read Suzanne Collins' Mockingjay until almost 4 ayem. I'm pretty sure Mockingjay is the book I wanted Catching Fire to be. Katniss has come into her own, at last. The book actually had me cheering (blearily) last night. So, yeah, saggy middle, but the third book is great so far. And yep, I've heard that Jennifer Lawrence has been cast as Katniss. I have no idea who Jennifer Lawrence is...but that's okay.

And that was yesterday. And there are photos from the past two days:

15-16 March 2011 )
greygirlbeast: (talks to wolves)
1) Warmish again today, fifties Fahrenheit, but the cold is about to come round again. At last a good bit of the snow has melted. The sun is bright today. Die, snow. Die.

2) I've decided to delay the "sneak preview" of Lee Moyer's cover-in-progress for Two Worlds and In Between. More people read the blog on Mondays.

3) A good trip out to Conanicut Island yesterday. There was sun, on and off. It was much warmer than our visit on Sunday, and much of the snow had melted away. Jamestown didn't get nearly as much snow as Providence (it's always worse inland), and much of it's gone now. On the way down, I read David Petersen's Legends of the Guard and listened to the new Decemberists CD on the iPod. By the way, if you do not yet know, David Petersen is one of the coolest dudes working in comics today. He's brilliant. Anyway...this time we went directly to West Cove— which I have officially rechristened Shuggoth Cove —to search for beach glass and bones and what-have-you. The tide was very low, but there wasn't much to be found, which is unusual. Spooky found most of the good stuff, including the largest piece of lavender glass we've ever found, and a pale green shard with the number 7 on it. I mostly go for the bones of birds and other things you commonly find washed up at the Cove, but pickings were slim yesterday. My theory is that the hard winter has reduced the quantity of beached bones as hungry non-hibernating critters— coons, weasels, skunks, foxes, coyotes, etc. —haul away every scrap for whatever nourishment it may offer. Speaking of skunks, one made its presence known yesterday, and we gave it a very wide berth.

Bones or no, it was a beautiful day. It was good just to lay on the sand and gravel and hear the waves and see the blue sky. The sky which still seems too wide, but not so carnivorous beside the sea. We saw a gull or two and heard a few crows. I halfheartedly picked up an assortment of shells, including Crepidula fornicata (Common slipper shell), Mytolus edulis (Blue mussels), Modiolus modiolus (Horse mussels), Anomia simplex (jingle shells), Aquipecten irradius (Bay scallop), three species of periwinkle— Littorina littotrea (Common periwinkle), L. saxalis (Rough periwinkle), and L. obtusata (Smooth periwinkle) — along with Thais lapillus (dogwinkles), and two genera of crabs, Cancer irroratus (Rock crab) and Carcinus maenus (Green crab, an invasive species from Britain and northern Europe). We watched enormous freighters crossing Narragansett Bay, headed out to sea, bound for almost anywhere at all. A scuba diver went into the water, and was still under when we left the Cove just before five p.m. (CaST). As always, I didn't want to leave. We made it back to Providence before sunset. On the way home, we saw that the salt marsh was no longer frozen. On the way back, we listened to Sigur Rós, our official going-home-from-the-sea band.

4) Back home, Spooky helped me assemble a three-foot long scale model of a Tyrannosaurus rex skeleton (thank you, Steven!). It has now taken a teetery place of pride atop a shelf in my office.

5) Last night, Neil called and we talked a long time, about many things, which we used to do a lot, but hardly ever do anymore. We both promised to make more of an effort to stay in touch. Later, well...too much WoW again as I try to wrest Loremaster from the game before my last six weeks (or seven, or so) are up. I finished Winterspring and made it about halfway through Azshara. Spooky played Rift until I thought her eyes would pop out, and it's just beautiful. She's loving it, even with all the inconveniences of a beta (mostly, at this point, server crashes). Still later, we read more of [livejournal.com profile] blackholly's White Cat (which I'm loving).

6) Ebay! Please have a gander. Money is our crinkly green friend (for better or worse).

7) Today we try to make it through the fifth, sixth, and seventh chapters of The Drowning Girl: A Memoir. Tomorrow, with luck, I go back to work on the eighth chapter. I'm trying to obtain permission to quote a Radiohead song ("There, There [The Bony King of Nowhere]") and a PJ Harvey song ("Who Will Love Me Now")* at the beginning of the book, and we've also gotten the ball rolling on that. Amanda Palmer's assistant, Beth Hommel, is putting us in touch with Radiohead's management (thank you, Beth!), but I'm on my own with Harvey. Which ought to be an adventure in red tape.

Now, comment!

There are photos from yesterday:

17 February 2011 )


* Turns out, Harvey didn't write "Who Will Love Me Now." It was co-written by Philip Ridley and Nick Bicat for Ridley's film, The Passion of Darkly Noon, and performed by Harvey. So, now I have to contact Philip Ridley....who also made one of the Best. Vampire. Films. Ever. The Reflecting Skin (still, shamefully, not available on DVD).
greygirlbeast: (talks to wolves)
1) Here in Providence, the temperature's supposed to soar to 52˚F today, the warmest day since...maybe November. The snow is very slowly melting, and it might be gone by the end of March, barring new storms. I ought to work today, but Spooky and I absolutely cannot spend a quasi-warm day cooped up in the house with the wonderful (relative to recent) weather. Instead, we are going to West Cove to birdwatch and gather sea glass.

2) Yesterday, we made it through the third and fourth chapters of The Drowning Girl: A Memoir. Well, actually, Spooky read it all aloud to me, while I made notes. So, she read pages 88-193 aloud to me yesterday. We're making a lot of continuity fixes, mostly because Imp started out thirty years old, then turned twenty-four. Though, she's telling a story about something that happened to her when she was twenty-two (instead of twenty-eight). So...it gets confusing. And we're fixing misspellings, grammatical errors, adding and taking away a word here and there. About as close as I ever come to rewriting. Tomorrow, we'll make it through the fifth, sixth, and seventh chapters. Eight is still unfinished, and I'll pick up there on Saturday. Near as I can tell, the book will have ten chapters. Oh, and there was a metric shit-ton of email yesterday.

3) This month, Sirenia Digest #63 will continue the sneak preview of The Drowning Girl: A Memoir, with the second chapter. But after that, you're going to have to wait until the book is released a year from now. Also, the issue will include my favorite responses to the latest Question @ Hand (and there have been some wonderful ones so far; the question will remain open for about another week) and "Portrait of the Artist as a Young Ghoul," which seems to fit nicely with the aforementioned question. Vince will be doing the cover, another illustration for the novel. I promise that #64 will return to our usual format. The demands of writing the new novel and editing Two Worlds and In Between have made things really fucking crazy around here.

4) Speaking of Two Worlds and In Between, tomorrow you get in-progress images of the wonderful Lee Moyer's cover painting. A good bit of yesterday's email was me and [livejournal.com profile] kylecassidy working out the photoshoot he's going to do with me at the beginning of April (for the collection's dust jacket). I think we'll either be shooting at the Harvard Museum of Comparative Zoology or the Boston Arboretum. At some point yesterday, our conversation deteriorated into a discourse on the perils of being a werewolf trying to get through airport security...

5) Last night, in WoW, I continued my race towards Loremaster. I made it through all 55 Felwood quests, then did half the ones for Winterspring (about 20). Spooky played the beautiful, beautiful, oh I am so fucking jealous Rift beta. She's been reading me bits of Rift chat. I wrote this one down: "WoW is a pretty good game, if you turn off chat and never talk to the player base."

6) And look! Ebay auctions!

7) I took a somewhat random series of photographs yesterday while Spooky was reading:

16 February 2011 )

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Caitlín R. Kiernan

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