greygirlbeast: (white2)
A fabulous cover of Love's 1967's "Alone Again Or":



My everlasting gooey thankful sincerest bestial LOVE to Spooky for showing me this, for otherwise never would I have found it, and always would I have been without it, and so much poorer would I have been, for not having heard it I'd have languished, without knowing all its perky eldritch glory! ~ Countess Cobwella (id est, Aunt Beast)
greygirlbeast: (Eli2)
Bye bye long day,
I need to sleep so much.
You shine on me.
Too much is not enough.

On the sheets and pillow case,
In my bed for heaven's sake,
The devil's dancing until late in my head there.
But I could sleep with you there.
I could sleep with you there.

Always.
Always.

Bye bye long day.
I need to sleep so much,
Nineteen hours straight.
Too much is not enough...
— Catherine Wheel

I wrote a great deal of Silk to that album, which always surprises people, because they imagine that me as some goth-punk cliché. Like I wrote the damn thing holed up in a dark room listening to nothing but Bauhaus and Joy Division.

I did. Listen to Bauhaus and Joy Division when I was writing it, I mean. But I also listened to Catherine Wheel. The girl who used to cut my hair was dating the vocalist, though she lived in Georgia and he in London.

I'm awake and babbling. I start to think I will never sleep normally ever again. I'm annoyed because I meant to be reading Shirley Jackson's The Sundial, but discovered I am, instead, reading Shirley Jackson's The Bird's Nest. Which is a fine novel, just not what I meant to be reading.

I was telling Spooky, earlier, about living in Athens, and getting to know Michael Stipe. Because we bought our comics in the same comics shop, and drank at the same bar. How he gave me permission to quote a line of R.E.M. lyrics in an issue of The Dreaming: "It's a Man Ray kind of sky." But then the record label started making trouble, and we didn't have time to get it sorted out. So, I changed the line to "It's a memory kind of sky."

I am exhausted. My eyes are on fire. And I can't sleep. And one of the worst things about insomnia is that everyone has advice. They're well meaning, I know. Well intentioned. But I do so tire of the advice. It's hard to convince people you've heard it all, tried it all. Even when you say, "It's one reason I'm seeing a psychiatrist, and I have meds, and whatnot." They still talk about warm milk and hot baths. I do not want advice. I want sleep.
greygirlbeast: (Bowie3)
My head is filled with random bits of Saturday night that I've not written down, or written down nowhere but my Moleskinne notebook. The "rickshaws" along Massachusetts Avenue, for example. Or leaving Boston after the show, and Mass Ave being littered with scattered pods of drunken idiots trying to hail cabs. Passing MIT in the night. On our way back down I-95 to Providence, and the moon shining through a thin cloud cover, reflected on the glassy black water of Manchester Pond just before we crossed the state line into Rhode Island. Impressions, most of them already lost or remembered only by my unconscious mind.

On Sunday, I proofed the galley pages for "As Red as Red" (written about this time last year), which will be appearing later this year in Ellen Datlow and Nick Mamatas' Haunted Legends anthology (Tor Books). I still like the story much more than I expected. A year is usually long enough for me to begin disliking what I've written. But, anyway, nothing new was written on Sunday.

Nothing new was written yesterday, either. Though I sat here all damn day, staring at the screen, staring at Vince's illustration (which this next vignette will be based upon), reading things that ought to inspire, looking at art that ought to inspire. I have to have better luck today. Even so, subscribers should play it safe and expect Sirenia Digest #53 to be a day or two late this month. I'm hoping it will go out on May 2nd. Still, we could get astoundingly lucky and get it out on the night of April 30th. I'm just not going to count on that happening.

A wonderful package arrived yesterday, from Steven Lubold of Laughing Ogre Comics in Fairfax, Virginia. Literary care packages are always much appreciated. This one contained the second issue of The Guild comic, along with Patti Smith's Just Kids, Mark Miller and John Romita, Jr.'s Kick-Ass, and Patagonian Mesozoic Reptiles. So, many thanks, Mr. Lubold. You rock. We began reading Just Kids last night, because, currently, my superpower seems to be reading too many books all at once. Currently, I'm also trying to finish Greer Gilman's Cloud and Ashes, Gregory Maguire's A Lion Among Men, Matthew Goodman's book on the 1835 moon hoax, and the third volume of E. C. Segar's collected Popeye strips. That's at least three books too many.

Yesterday, the mail also brought a book looking for a blurb. At the moment, I have two of those waiting for me to get to them. Even after all these years, I am still unaccustomed to editors asking me for promotional blurbs.

Sunday night, we watched Richard Curtis' Pirate Radio. An oddly adorable movie that proves, yet again, that Philip Seymour Hoffman can do no wrong.

And here are thirteen photos from the Faith and the Muse show on Saturday night, as promised. It wasn't easy choosing thirteen from fifty-eight (well, except for those showing only the backs of anonymous heads):

Faith and the Muse, 24 April 2010, Boston )
greygirlbeast: (white)
About an hour behind today, as we didn't get back from Boston last night until a little after 2 a.m. Today is cloudy, drizzly, cooler, and likely to remain this way until Wednesday.

Though I very almost did not make it out of the house yesterday evening (thank you, Howard Hughes), stubborn determination and the power of pharmaceuticals prevailed, and we made it to Boston for the Faith and the Muse show at T.T. the Bears on Brookline Avenue in Cambridge. And I am so glad that we did. The show was glorious. Truly, simply glorious. My thanks to Monica and William for putting us on the guest list, because that was probably what actually got my leaden ass out the door (oh, and thanks to Chris Ewen for calling to be sure we were coming). Really, I've seen Faith and the Muse three times now since 2001, and even though I've seen them play better venues, last night's performance was by far the best I've seen from them. Brilliant, beautiful, thunderously sublime. I think they played all of the new album, : ankoku butoh :, as well as a few older songs. My squealing fangirl moment of the night came when William dedicated "Cernunnos" to me. And oh the drummers; I think I actually had drumgasms. Also, I was unaware that Paul Mercer was touring with them (and plays on the new album), and it was great getting a chance to talk with him again. I've known Paul since 1996, when I was in Death's Little Sister and he was in the Changelings. And I have to give special mention to the dancers, Aradia Sunseri and Lucretia*Renee (who, together, are Serpentine)...just, wow. So, yeah...if the current US/European tour is coming anywhere near you, I fucking implore you to see it. And get the new CD. The opening band last night was Providence's own Spindle Shanks, though we came in late, near the end of their set. But what we heard was great. Spindle Shanks did the music for the as-yet-unreleased (but I hope to soon remedy that) trailer for The Red Tree. The infamous Scary Lady Sarah is djing for the American leg of the tour (I'd not see her since I was Mistress of Ceremonies for Convergence 5 in New Orleans, back in 1999).

And I think that's almost all for now. I have to get the second piece written for this month's Sirenia Digest. I'm doing it that backwards way, where Vince Locke sends me a drawing, and I write a story to it, reversing our usual dynamic. I'll post his illustration here sometime in the next few days, before #53 comes out, just to whet your appetites. And Spooky took about a zillion photos of the show last night, but she still has to sort through and edit them before I have anything to post, so, until then, I leave you with cute photos of Sméagol and Hubero:

Kittehs )
greygirlbeast: (platypus2)
So, for the past three days now, while I've waited to be told what has to be changed, waiting for news that might not come for another week but which might also come at any moment, I've thought I can at least not let this time go to waste. I can't get started on The Dinosaurs of Mars or Joey LaFaye or the "Onion" screenplay, because I can't begin something long knowing that I might have to set it aside immediately and return to editing and rewriting the product of the Forced and New Reconsolidated marches of January and February. But for the past three days, during which I have only struggled to write a simple, brief vignette, I've been drawing blanks. Yesterday, I did write — 121 words, a single page — but it was another dead end. Finally, I decided to proof "Houses Under the Sea" for The Mammoth Book of Best New Horror, so that I could say I'd done something productive with the day.

I suspect the problem here is threefold: 1) After 18 issues of the digest since December 2005, and all the pieces that were done specifically for Frog Toes and Tentacles and Tales from the Woeful Platypus, it's simply getting harder to think of things I have not done at least once already; 2) I am terribly distracted, waiting for news from HarperCollins, to be told what unpleasant editing lies ahead; and 3) I'm truly, deeply exhausted, as I've been writing and editing without any significant sort of break or vacation or what the hell have you since we got back from Rhode Island way back at the end of August (I'm not counting that short and mostly miserable trip to Alafrellingbama). Any one of these things is enough to confound me.

The platypus is looking thin in the skin.

But I will try again today. The Mordorian Death Meander (née Death March) is threatening to become no more than a Mordorian Death Crawl.

---

In the hazy distance, I can glimpse low ridges and deep gullies where Núrn ends and the volcanic peaks of the Mithrim Spar begin. But I feel no sense of accomplishment at having survived this long or having come so far. I am too weary for such exertion as lie ahead of me and can only hope that I may yet be allowed some rest before I must attempt to find the road and the winding pass through the mountains and past the baleful walls of Seregost, as well. And even should I make make it that far and pass the old garrison undetected. all of Gorgoroth will still stretch out before me. And I may have more immediate problems. In the night, as I trudged north alongside the river, I spotted a large and shaggy crow on the path in front of me. Remembering the black bird who betrayed me to the pirates, I picked up a convenient rock to hurl and, with luck, kill the pest. But it laughed, the way crows laugh, and told me it was of the Crebain, that old crowstock from Dunland and Fangorn. "Then you have named yourself my enemy!" I shouted back at the beast, but it only laughed again. "The Eye is passed away," said the bird. "And Saruman the White and the Black Riders, too. Old allegiances have been broken or are fast breaking. And I bring you news." "Then speak whatever ill tidings you bring," I replied, resuming my search for a good throwing stone. The crow watched me and said "You are being tracked, Sindeseldaonna, by one in the service of the black Easterling—"

"How can this be?" I demanded. "The Nine were utterly destroyed with their master when the Ring was unmade." The crow pecked at the parched ground a moment, then stared up at me. The stars were fading in the west as the morning sun began to spill into Mordor. "Nay. One of them still walks," spoke the Crebain. "Khamûl, Shadow of the East, the last of the Nazgûl. And in his service is a madman I have heard the orcs call [livejournal.com profile] setsuled Kinslayer, and he has tracked you—" Then I told the bird I knew full well who the man was, but my head reeled with the crow's revelation, that one of the Nazgûl was still abroad in the world. Was this some Crebain trick? A deceit of my pursuer, meant to drive me still nearer to despair and surrender? "It is only the truth, daughter of Rohan whom the elves call Sindeseldaonna. And he will have you soon. You will not ever outrun such as him." And then, before I could ask why I was being told these things, the great crow cawed and spread its wings and flapped away across the river and west, as though chasing the vanishing night towards the distant Caran Road and the plains of Lilithlad.

---

Anything else about yesterday? No, not much. Spooky took me out for Thai. We finished The Children of Húrin, which we both loved, so thanks again, Rachel. We began Lemony Snicket's The Miserable Mill. Oh, and we lamented the near total absence of a goth scene here in Atlanta. There was one, long ago, but it mostly withered away rather inexplicably about 2001 or 2002. Now there's nothing but the Hot Topic kids in the exburbs. Spooky misses Portland and Boston, and I miss what Atlanta once had.

I should wrap this up. Here's the wishlist, for anyone else who might be interested in helping to relieve the imminent sting of -03. Thanks. Okay. Later, kiddos.
greygirlbeast: (chi6)
So, a very productive writing day yesterday, which is more than I can say for Sunday. Yesterday, I did 1,258 words on the collaboration with Sonya ([livejournal.com profile] sovay), being that piece of short fiction which you may soon read in the forthcoming Sirenia Digest 10, if you subscribe. The process of our collaboration is proving almost as organic as my usual solo writing. Very little conversation about "what happens next." Just a little. I love what's emerging, bit by bit. At the moment the piece (still untitled), is somewhat more than 4,000-words long. I begin to suspect it will go at least to 8,000. I want to allow it find its ending in the usual way, which is to say, we write until we "find" THE END.

For me, the hardest part about writing — the actual act of composition, not the production or business end of things — is usually getting ideas that I like enough to want to write. It's always been like this, since the very beginning, and I envy those writers who seem never at a loss for good ideas, good ideas they want to write. It's taken me several days to find the subject of the next vignette for Tales from the Woeful Platypus. But I have found it, and I like it a great deal. Now, I have to make it happen. There's a dragon, but more I will not say. That will be my work today, beginning that vignette, which I am currently calling "Daughter of Man, Mother of Wyrm" (the title is always subject to change; I just wasn't in the mood for "Untitled 24").

Harlan called yesterday, which was very nice, even though he was calling to tell me that I really shouldn't have included the name of my hamster in the author's biography for Alabaster. He also told me a very funny joke about a black bear and a bunny rabbit, which I would here repeat, but I think I've forgotten the middle of it.

There's Bailey's now, which makes everything a little better.

Someone else has put a Daughter of Hounds ARC up on eBay. Penguin is trying to figure out who these people are so that they will be eliminated from the reviewer lists. It is a damned tacky thing to do, scamming ARCs that should go the reviewers so you can make a few bucks on eBay.

I got an e-mail from Liz, my editor at Penguin, late yesterday. The cover conference for the mass-market paperback of Low Red Moon is coming up, and she wants me to put together a detailed description of Narcissa Snow. That's easy enough. She looks a lot like Scarlett Johansson, only with yellow eyes and a mane.

Late on Sunday night, Spooky and I happened to catch some sort of goth special on MTV2, which was mostly a promotional thing for the new Life Less Lived boxed set, but which also included a very amusing interview with Peter Murphy and that twerp who sings for My Chemical Romance. Gerard Way, that's his name. I just looked it up on Wikipedia. I mean, really, they got Peter Murphy, but the best they could come up with to represent current goth music is this inarticulate faux emo kid who wouldn't know goth if it bit him on the ass? Ah, well. Whatever. There were a few good videos. And I must admit I took a sort of cruel pleasure in watching Peter Murphy poking at Gerard Way with a pointy stick. As for the Life Less Lived box, well, it's pretty, and the song line-up is better than I expected (though I'm annoyed that people seem to think Alien Sex Fiend never produced anything but "Now I"m Feeling Zombiefied"), but I think the coolest thing about it is the inclusion of a DVD of videos. I shall likely pick it up, just for the DVD.

Let's see. What else. Sunday night, we continued the Shakespeare binge with Trevor Nunn's 1996 adaptation of Twelfth Night: Or What You Will, with Helena Bonham Carter, Imogen Stubbs, Ben Kingsley, Steven Mackintosh, and Richard E. Grant. I adore this adaptation. The chemistry between Stubbs and Carter is wonderful. I'm still playing Drakengard 2, and its still a good game, but I'm becoming very annoyed at the long intervals between save points, which result in an excessive amount of repetition. A corny script and so-so voice acting is all fine and good once, but only once. Last night, we read Liz William's ([livejournal.com profile] mevennen) story in Best New Horror 17, which was delightful. Spooky and I almost laughed ourselves sick when one character observed that "You can't be a vampire and eat beans." Indeed. We also read Ramsey Campbell's "The Winner," which brought back unwanted memories of the many nasty restrooms we encountered on our long trip to and from Rhode Island. The new Journal of Vertebrate Paleontology arrived yesterday, filled with marvelous things — the primitive therizinosauroid Falcarius, the African diplodocine sauropod Tornieria, German ichthyosaurs, English thalattosuchians, and so forth. Also, I've been listening to lots and lots of Muse, and a little bit of She Wants Revenge.

Yesterday evening, there was a very fine thunderstorm. Lately, I've become somewhat obsessed with watching approaching storm fronts on Doppler radar. Here (behind the cut) is the moment yesterday's storm reached Atlanta:

Yes I am a geek )


Okay. Gotta go see about that dragon. The platypus insists.

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Caitlín R. Kiernan

February 2012

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