greygirlbeast: (grey)
So, this morning I'm reading an article online about the recent escalation of violent crime in many US cities, and there's this sentence here: After a night of dancing, Chiara Levin was shot in the head by a stray bullet from a gunfight as she sat in a Cadillac sport utility vehicle. Hours later she was dead. And all I can think is why the fuck are we being told what kind of car she was sitting in, what difference does it make in this chain of events, how is it possibly relevant to the story? Would her death have been perceived as less tragic, somehow, if she'd been sitting in a rusted out old Honda instead of a "Cadillac sport utility vehicle." Is this just another example of me not groking humanity, or is it me not understanding the peculiarities of journalism? Or is America now so status symbol/class conscious that the goddamn Caddy SUV is actually a point of interest for readers? It strikes me somehow deeply perverse, this specificity. It strikes me odd.

But then most things strike me odd.

I hate how May is fading so fast. I've hardly had a chance to notice it, and here June is almost upon us. My stupid birthday is almost upon me. Another year come and gone so fast it makes me dizzy.

---

The sun will rise soon, and I have not walked one step this entire night. I woke at twilight from a dream, a most terrible dream, and I have sat here all night, watching the moon in the river. It seems I have almost forgotten my reason for entering the bleak, accursed land, my purpose for leaving Lórien and Inwë, even my reason for taking up sword and shield those many long years ago. The dream has all but stricken me dumb, and should my pursuer or some wild beast have come upon me in the night, I fear it or he might have taken me with little struggle on my part. Here I have lost an entire night's travel, and I shall have to decide now whether or not to press on northwards through the heat of the day. I dreamt of a sky gone black with Crebain, as though the shadow of Sauron had returned again to haunt Mordor. And I sat here beside the Caranduin and knew that I was being watched. And then time seemed to slip quickly past me, not so differently from the waters of the river flowing down to the Núrnen, and I heard the noise of great battle and many men and elves dying and the sundering of blades, the smote and ruin of bone and flesh and steel. And I knew then that a new shadow had arisen in the west. And somehow — and I can only just bear to write this part down — I had forsaken my quest and all that which I hold dear in this world and become its lieutenant. The crows laughed my name upon the wind, and I rode a black steed of my own. I watched from the towers of Seregost as [livejournal.com profile] setsuled Kinslayer reforged dark alliances and built a fresh army of men and orcs to march, and in my heart I felt only gladness at the sight. Oh, Inwë, I felt his hands upon me. And I awoke screaming. It must be the unspeakable foul taint that remains upon this place, in the soil and water and upon the very breeze, has poisoned my mind and planted these visions there. This is what I tell myself, and yet I was unable to move and sat shivering while the moon crossed the sky. I do not know that I have ever felt so lost. I should not have been chosen...*

---

A decent walk yesterday, after another day of trying to write and not writing. I have spoken with my lit agent this morning, because it's good to be able to tell someone Outside when things have gone astray. Last night, we watched an episode of Nature about the various diverse ecosystems found along the Andes from Cape Horn north to the headwaters of the Amazon, and then we watched Steven Shainberg's Fur: An Imaginary Portrait of Diane Arbus (2006). What a beautiful, brilliant film, a modern fairy tale that's equal parts Angela Carter and Lewis Carroll. I cannot believe it hasn't received more attention. I now have to say that there were four perfect films last year, and Fur takes its place alongside Children of Men, The Fountain, and Pan's Labyrinth. Nicole Kidman delivers one of her best performances, and Robert Downey, Jr. is so marvelously understated. I very strongly. strongly recommend this film, if you are the sort who looks at what most of the world deems grotesque and sees there beauty. I loved it.

Anyway, I must try to make something good and productive of this day, and try to redeem myself for having somehow managed to squander the last five.

* Is it possible that Setsuled and I have created some weird new species of tag-team fanfic? Oh course, MySpace readers have only been getting half of this. They may read the other half here.
greygirlbeast: (platypus2)
So, for the past three days now, while I've waited to be told what has to be changed, waiting for news that might not come for another week but which might also come at any moment, I've thought I can at least not let this time go to waste. I can't get started on The Dinosaurs of Mars or Joey LaFaye or the "Onion" screenplay, because I can't begin something long knowing that I might have to set it aside immediately and return to editing and rewriting the product of the Forced and New Reconsolidated marches of January and February. But for the past three days, during which I have only struggled to write a simple, brief vignette, I've been drawing blanks. Yesterday, I did write — 121 words, a single page — but it was another dead end. Finally, I decided to proof "Houses Under the Sea" for The Mammoth Book of Best New Horror, so that I could say I'd done something productive with the day.

I suspect the problem here is threefold: 1) After 18 issues of the digest since December 2005, and all the pieces that were done specifically for Frog Toes and Tentacles and Tales from the Woeful Platypus, it's simply getting harder to think of things I have not done at least once already; 2) I am terribly distracted, waiting for news from HarperCollins, to be told what unpleasant editing lies ahead; and 3) I'm truly, deeply exhausted, as I've been writing and editing without any significant sort of break or vacation or what the hell have you since we got back from Rhode Island way back at the end of August (I'm not counting that short and mostly miserable trip to Alafrellingbama). Any one of these things is enough to confound me.

The platypus is looking thin in the skin.

But I will try again today. The Mordorian Death Meander (née Death March) is threatening to become no more than a Mordorian Death Crawl.

---

In the hazy distance, I can glimpse low ridges and deep gullies where Núrn ends and the volcanic peaks of the Mithrim Spar begin. But I feel no sense of accomplishment at having survived this long or having come so far. I am too weary for such exertion as lie ahead of me and can only hope that I may yet be allowed some rest before I must attempt to find the road and the winding pass through the mountains and past the baleful walls of Seregost, as well. And even should I make make it that far and pass the old garrison undetected. all of Gorgoroth will still stretch out before me. And I may have more immediate problems. In the night, as I trudged north alongside the river, I spotted a large and shaggy crow on the path in front of me. Remembering the black bird who betrayed me to the pirates, I picked up a convenient rock to hurl and, with luck, kill the pest. But it laughed, the way crows laugh, and told me it was of the Crebain, that old crowstock from Dunland and Fangorn. "Then you have named yourself my enemy!" I shouted back at the beast, but it only laughed again. "The Eye is passed away," said the bird. "And Saruman the White and the Black Riders, too. Old allegiances have been broken or are fast breaking. And I bring you news." "Then speak whatever ill tidings you bring," I replied, resuming my search for a good throwing stone. The crow watched me and said "You are being tracked, Sindeseldaonna, by one in the service of the black Easterling—"

"How can this be?" I demanded. "The Nine were utterly destroyed with their master when the Ring was unmade." The crow pecked at the parched ground a moment, then stared up at me. The stars were fading in the west as the morning sun began to spill into Mordor. "Nay. One of them still walks," spoke the Crebain. "Khamûl, Shadow of the East, the last of the Nazgûl. And in his service is a madman I have heard the orcs call [livejournal.com profile] setsuled Kinslayer, and he has tracked you—" Then I told the bird I knew full well who the man was, but my head reeled with the crow's revelation, that one of the Nazgûl was still abroad in the world. Was this some Crebain trick? A deceit of my pursuer, meant to drive me still nearer to despair and surrender? "It is only the truth, daughter of Rohan whom the elves call Sindeseldaonna. And he will have you soon. You will not ever outrun such as him." And then, before I could ask why I was being told these things, the great crow cawed and spread its wings and flapped away across the river and west, as though chasing the vanishing night towards the distant Caran Road and the plains of Lilithlad.

---

Anything else about yesterday? No, not much. Spooky took me out for Thai. We finished The Children of Húrin, which we both loved, so thanks again, Rachel. We began Lemony Snicket's The Miserable Mill. Oh, and we lamented the near total absence of a goth scene here in Atlanta. There was one, long ago, but it mostly withered away rather inexplicably about 2001 or 2002. Now there's nothing but the Hot Topic kids in the exburbs. Spooky misses Portland and Boston, and I miss what Atlanta once had.

I should wrap this up. Here's the wishlist, for anyone else who might be interested in helping to relieve the imminent sting of -03. Thanks. Okay. Later, kiddos.
greygirlbeast: (white2)
I reached the eastern banks of the Caranduin sometime in the dead of night. I collapsed among the briers and a stunted grove of trees, too tired to even be bothered with a fire, though happy for the faint relief accompanying the sight of the moon, three nights past full, glittering upon the wide river. But now the sun is risen and another day's heat has begun, and I find myself too weary to go any farther at the present. From here on, I shall travel by night, conserving my strength. At least I shall not want for water, so long as I follow the Caranduin. Still, despair seems nigh, and I fear it will claim me ere long. In the flight from the burning ship, I gave up both my armor and sword, for I knew the swim would be long. But I have tried to console myself with the knowledge that at least I am not wandering here entirely without direction in this foetid land. I cannot be more than ten leagues north of the sea, surely, which gives me some guess at how far north I must follow the river to gain the foothills of the Mithrim Spur. Am I still pursued? I cannot say with any certainty, but I have seen no certain evidence of it. Nor have I sighted crows or orcs. If [livejournal.com profile] setsuled still dogs my steps, he has become more cautious. I close my eyes to the heat of midday and try only to think on the face of my fair Inwë. Whatever my fate, she is safe with her people in the vales of Mirkwood. I await some reassuring sign. Is that...Yes, I hear hoof beats.

---

I got news this morning that "Houses Under the Sea" has been selected for The Mammoth Book of Best New Horror #18. This pleases me. "Houses Under the Sea" is, I think, one of my very best short stories. Considering that "Pony" was chosen for the 2007 edition of Horror: The Best of the Year, and that "Bainbridge" made the very short recommended reading list in Best American Fantasy, I didn't do so bad for myself last year, short fiction-wise.

According to the May 2007 issue of Locus, Meisha Merlin Publishing is no more. I was briefly concerned about the legal status of Tales of Pain and Wonder, but then was relieved to read my contract and discover that my agreement with MMP expired in January and all rights have reverted to me. I see that used copies are going for truly exorbitant prices on Amazon. I am talking with Merrilee about the collection's future, looking at options, one of which is still the e-text I've been planning.

I spent four hours yesterday sitting here staring at the iMac's screen, trying to find the start of a vignette. Maybe it will come today. No news from HarperCollins, and I suspect there will not be until at least Monday, so I still am unable to get back to the revisions. I've half a mind to fuck off and spend the day at Oakgrove Cemetery. The weather is cool, and it would be better than sitting here. Yesterday was the first day all month to earn an L.

Last night, we watched the Bros. Quay's The Piano Tuner of Earthquakes (2005), followed by Sion Sono's Kimyô na sâkasu (also 2005).

Okay. Time to wrap this up. The platypus is not a happy camper. But hesheit says that the 18th of May, should it happen to fall on a Friday two nights past the new moon, is the absolute perfect time to subscribe to Sirenia Digest.

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Caitlín R. Kiernan

February 2012

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