greygirlbeast: (europa)
So near the end of this March now, New Consolidated as it is. Yesterday, I did 1,685 words, and I wrote 1,564 words the day before. My fingertips are bloody, and I'm missing a thumbnail, but that's nothing that will not heal. From where I sit this morning I can see THE END, though several perils might yet lie between myself and that golden fleece. The target date of Sunday, February 25th remains tenable as the final day of marching.

There has actually been very little else to the past two days. Just the writing. Outside, it's warm, near 70F both days, but I haven't taken walks. I wake and sit down at the keyboard, have coffee, have Red Bull, and write until late.

Speaking of Outside, there's a murder of crows squawking in the tree out front. They will just have to wait.

Last night, we watched Christina Ricci in Brian Gilbert's The Gathering (2002). It was rather a mess, and Ricci's acting was pretty much nonexistent. Still, there were some intriguing concepts in back of it all; a shame the film was not better executed.

Afterwards, we finished reading Dan Simmons' new novel, The Terror. This is a brilliant book. I'm really no good at this whole review thing. It was a brilliant novel, filled with awe and beauty and horror and moments of transcendent joy. There's a quote here from an actual review by John Clute, posted by [livejournal.com profile] sovay to one of my LJ entries last week, which says it better than I can:

If we are to take literally everything that happens, we need to think of ourselves as inhabiting another kind of story. It is a tale of wrongness—the sort of wrongness that, in a novel of the fantastic, augurs and manifests an amnesia about the true nature of the world. Franklin and his officers—even the supple-minded Crozier at the start of things, before he begins to learn the score—are not simply white men who don't get the point, though it is blindingly clear that their contemptuous and culture-bound refusal to adopt any of the techniques the Inuit use to survive in the far North constitutes a fatal failure to get a very practical point, that you cannot make the world do your bidding by bullying it. But that's not the whole of it. What the white men of The Terror also manifest is another, far more terrible and terminal fact, a 21st-century fact, that maybe you can't make the world do your bidding by bullying it, but you can certainly kill the world trying to.

By all means, this is a novel you should read. Afterwards, we began reading Mitch Cullins' A Slight Trick of the Mind, which concerns Sherlock Holmes at age 93, just after WWII.

My grateful thanks to [livejournal.com profile] girfan and [livejournal.com profile] matwinser, who are sending me the UK "Lesser Octopus" stamps I mentioned last week. I shall be sending each of you some a little something soon (if I have your addresses).

Please take a moment to have a look at the latest eBay auctions. There's a copy of the ARC of From Weird and Distant Shores, one of the last I'll be able to offer. The same is true of the copies of "On the Road to Jefferson" and Candles for Elizabeth. There's also an ARC of the Subterranean Press edition of Low Red Moon and a copy of The Five of Cups.

And now I go attend a bleating platypus...
greygirlbeast: (Default)
I wrote 1,345 words yesterday. So far, the story is still called "Untitled 24," and though I should be able to finish it today, the ending is proving elusive. Last night, I sent all I've written thus far (5,465 words) to [livejournal.com profile] sovay for an outside opinion. While it is true that I virtually never know how a story will end when I begin it (what would be the point of that?), only occasionally do the endings prove particularly problematic to locate, as they are generally the result of a natural progression. I think one of the challenges presented by this piece is that it's a very grim, somewhat horrific SF story, but I am determined it will have a "quiet" ending that does not resemble the obvious and easy endings so often found in "horror" stories. Anyway, whatever I wind up calling it, and however it might end, you may read it in Sirenia Digest #15 later this month.

I've been asked to write a short article for Locus and have accepted the invitation. So, now I owe articles to Weird Tales and Locus, the former late this month, the latter sometime in March.

After the writing was done yesterday, I had to make a trip out into the wide, wide world, as far as the B&N on Monroe, as I'd finally filled up the most recent volume (#17) of my pen and paper journal and needed a new one. I found that, and we also picked up a copy of the new Dan Simmons novel, The Terror. Back home, after dinner we watched Disney's somewhat goofy 1954 adaptation of Vernes' 20,000 Leagues Under the Sea on TCM. Kirk Douglas is hokey as hell and Peter Lorre spends most of the film looking confused, but the whole thing's worth it for the giant squid attack alone. Later still, I read more from In the Wake of Madness.

Yesterday, [livejournal.com profile] kendare_blake wrote (HERE BE SPOILERS):

I've just finished reading Daughter of Hounds. It is, as I suspected, and as most others have said, fantastic. And the ending is, as I think you mentioned in an earlier journal entry, much less ambiguous than the endings to your other novels. I gather that some people have complained about that. While others have raved. I'll do neither. Daughter of Hounds seems to have ended where and how it must.

Of course, I was more than half expecting you to kill Deacon, or someone else that I loved. You have this heartbreaking habit of killing off my favorite characters. I instantly liked Soldier too, so I figured, "well, she's toast," just like Daria and Chance and Salmagundi and Jimmy De Sade. But, she survived! For now.

I could blather on and on about the various virtues and beauties of this book, but frankly you've got professional reviewers doing that already, and they have a lot more clout than I do. So I'll just say that I was reluctant to leave Emmie's world, even though my butt was fast asleep from being sat upon for five hours, and I still love the way that you manage to make the ordinary menacing. And yet, pretty. I particularly enjoyed your description of the dying hurricane, early on.

And lastly, I know that you don't LIKE writing novels. But every time one manages to free itself from your mind and eyes and fingertips, though it might be a bloody and unpleasant thing for you, is a day of rejoicing for us. So. Thanks.


To which I reply:

1. Thank you, Kendare. Very much.
2. The best anyone can ever hope for is to survive "for now."
3. Always, I consider it one of my most sacred duties as a novelist to end a book "where and how it must," so thank you for that, as well.
4. That thing with some people loving the ending for being less ambiguous, and others hating it for the same reason, it only goes to prove that one must write to please himheritself and never engage in the folly of trying to write so as to please others. In the "trade," this is sometimes referred to as "writing for an audience," and it's something I have never done. It's an impossible, futile task that only succeeds in robbing writing of whatever artistic merits it may actually possess.
5. I like the thing with the hurricane, too.

Okay. Platypus says it's time to earn my keep. The platypus is a harsh mistress.

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Caitlín R. Kiernan

February 2012

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