greygirlbeast: (grey)
And speaking of my writing schedule, this morning I would like to express my gratitude to Subterranean Press for extending my deadline on delivery of the Tales of Pain and Wonder manuscript to late September or early October. Suddenly, there's breathing room again, and I start to see how I can get all this done.

This morning, I got news that the first printing of Beowulf is, well, gigantic. I'm pretty sure my heart momentarily stopped beating when I'd counted all those zeros. Then I remembered this was a "work for hire" contract, and the world righted itself again. But at the very least, this is going to give me a great burst of exposure, and I can only hope it will carry over to the other novels.

Speaking of the other novels, yesterday the post brought me two cover flats of the new (4th) edition of Silk (slated for a December 4th release), which looks like this (behind the cut if you're on LJ):

Silk, once more )


I think I may actually like this cover more than the original Roc cover (1st and 3rd editions, 1998 and 2001). Also, I've seen the cover for the mass-market paperback of Murder of Angels (due out next spring), and Penguin seems to have used the same model for Niki on both, so that's good.

Yesterday I did not get back into The Dinosaurs of Mars, as there were disruptions and wailing and much dithering, but I did read through "Anamorphosis" for the first time since at least 1999 (as I'm beginning to edit the "typescript" of Tales of Pain and Wonder), and that was a very strange experience, indeed. I sort of had to read it as though I was reading a story written by someone else. I must have said something to this effect when I was reading back over Silk recently, something about the Me of Now reading the thoughts of the Me of Then. I wrote that story in May 1994, and now it seems I wrote it in a world that was immeasurably different from the world of 2007. And certainly the woman who wrote it was immeasurably different (and distant) from the person I have become. I'd just moved to Athens, GA (from Birmingham) in April. I was writing Silk. I'd not yet done a convention, and though I'd sold a few sf stories to small-press magazines, nothing had yet been published. In those days, I wrote for no reason but to write, which was my odd sort of therapy. I spent my days in the Carriage House, hunched over the keyboard, and my nights in coffee houses, bars, and hanging out with friends' bands and other ne'er-do-wells. I was extraordinarily single. And I had no inkling that I would spend so many years in the company of Mr. Deacon Silvey or what terrible travails lay ahead for both of us. All in all, I think we've probably fared about equally well, though my demons have, generally, been less corporeal than have his.

What else about yesterday? Well, I finished Chapter Three of Chris Beard's book on early primates, the chapter that dealt mostly with Eocene omomyids from North America. Spooky and I finished Lemony Snicket's The Ersatz Elevator, which I think is probably my favourite book of his since the first three. I really did not care much for the The Miserable Mill, and was only a little happier with The Austere Academy, but I genuinely liked The Ersatz Elevator. He seems to have found the story again, which felt like it was drifting. And, if I'm not mistaken, there were some wonderful nods to Danielewski's House of Leaves, right down to the two blacked-out pages. In Second Life, we finished construction of the Palaeozoic Museum, just as the sun was rising over New Babbage (as a Rule of Thumb, there are four SL days to every one RL day), about 11:45 p.m. I'll post some photos later. I'm surprised that no one commented on the photos I linked to yesterday. It could be you all think I'm mad as a hatter, becoming so wrapped up in this thing. If you haven't spent enough time in SL to get past the strip-mall hideousness of the "mainland," I can hardly blame you. But it's going to be a marvelous place, this Museum, and Spooky and I are very proud of it. Now, I only have to build the exhibits. Admission will be free to all, and there will never be anything for sale anywhere on the premises, so screw you, All-Mighty Linden.

Remarkable thunder outside.

Though I have been perplexed and annoyed at the mean-spiritedness of the people leaking spoilers online for Harry Potter and the Deathly Hallows, I am equally perplexed and annoyed at Rowling's anger at today's review of the novel in The New York Times. The book is being released on Saturday. With most novels, there would have been reviews weeks ago. I mean, yeah, sure, I enjoy the books, and I'm doing all I can to avoid spoilers, and sure she's the Best-Selling Author of All Time, but I don't see how that changes the rules. But that's probably just the Socialist in me talking. Anyway...

Please have a look at the current eBay auctions. I have a growing platypus to feed.
greygirlbeast: (white2)
There's not much good to be said for yesterday, unwriting wise. I did add about 300 words at some point, because three thumbs are apparently better than two. I am fairly certain that the Mordorian Death March at last and finally ends tomorrow. There will be aftershocks, to be sure, and I will deal with them as they arise, but I will be free to get some rest and then move on to the work that has been languishing — The Dinosaurs of Mars, the "Onion" screenplay, Joey Lafaye, etc. So, today as I snip and cut and disfigure I will at least be doing so full in the knowledge that the surgery is almost done.

Though it seems to be taking me forever to read, I'm very much enjoying the Jay Parini Steinbeck biography. I was especially pleased with this bit I read last night — What is the common touch that it is supposed to be so goddamned desirable? The common touch is usually an inept, stupid, clumsy, unintelligent touch. It is only the uncommon touch that amounts to a damn. (John Steinbeck, 1949) Over the years (and sometimes in this journal) I have lamented that I do not have the common touch and never shall; these three sentences make me feel a little better about it. Also, we finished Lemony Snicket's The Austere Academy, which I think is my second favourite of his so far, after The Reptile Room.

I am enormously flattered that [livejournal.com profile] docbrite has seen fit to name her new baby corn snake, in part, after Deacon Silvey. As for her long entry of this morning, I don't think she would want me commenting upon it. I will say only that there's a good reason I've spent many years trying to convince would-be fiction writers that there are hundreds of much easier ways to be miserable, that the life of a writer is neither romantic nor glamorous, and that garbage men and office temps have it better than most professional novelists. The publishing houses of NYC have always been a harsh mistress, but since the 1970s or so, they have become another sort of beast altogether, one that chews first, spits wherever it pleases, and asks questions latter. But this is turning into a commentary, which I already said it wouldn't do.

Oh, and Superior Court Judge Ronnie Batchelor has ruled that the Harry Potter books will remain in Gwinnett County school libraries. Honestly, someone needs to adjust poor Laura Mallory's meds.

---

After taking my rest at the edge of the deep rift or fissure where Suregait forced me to pause in my blind retreat from [livejournal.com profile] setsuled and his orcs, when the sun was rising again, we rode east, hoping to discover the end of this mighty crack in the brittle skin of Gorgoroth or at least an unguarded goblin bridge across. But we searched that way to no avail, and shortly after noon turned and retraced our path westwards. By late afternoon we still had found no crossing, but I did locate a ledge, wide enough for a horse, leading down into the fissure. I thought perhaps we might have no choice but to make our crossing by entering the crack and hoping that a similar ledge could be located on the far side, the route by which we might manage our exit back to the surface. But this seems now to have been only my latest deadly error in judgment, for we are lost, and at least an entire night and day must have come and gone since entering the fissure.

After searching in vain for a corresponding, ascending path, I led Suregait along a narrow side branch or, were this a river and not but a dry crack in the world, I might say tributary, which seemed, for a time, to rise, bearing us up from those black depths. But too soon it proved a dead end, pinching out with at least two hundred feet still remaining before we might have regained the surface. By then the sun was well down, and it seems that neither the light of star nor moon can reach us here. I do not believe I have ever known or imagined such a profound absence of light. I am writing this by the stub of a candle from Suregait's saddle bag, where I also found my flint. When this wick is gone, there shall be no more light until the dawn.

I believe this rift must have been opened during the final eruption of Orodruin, when the One Ring was cast into the Forge of Sauron and unmade. It is a labyrinth, Inwë, and I have passed entrances to what I take to be ancient tunnels, leading yet deeper into the rotten flesh of Mordor. I paused at one and listened, thinking I heard the distant sound of running water. My thirst had grown so great that I almost followed that path wherever it might lead me, but Suregait blocked my way, though her thirst must also be terrible. I hear things in the darkness. I fear I am not alone in this dreadful pit. I was mad to take this road. I was mad to ever have come within twice a hundred leagues of Mordor or to have accepted this impossible quest. And if I was not mad then, I must be mad now. Mad with fear and with thirst. And with guilt and doubt, as well, for I can not conceive why Radagast would not have rejoined me, save his shame at my deserting the imprisoned Easterlings. I will stop writing here, Inwë. I must conserve what little remains of the candle. I may need it farther along. I will try to sleep now and hope to dream of the shining Vales of Anduin, of brave horesmen with green shields emblazoned with golden suns and flying green banners with fine white horses painted upon them.

---

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Caitlín R. Kiernan

February 2012

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