greygirlbeast: (sol)
Home again, home again. Back to the scorch. Yes, the heat continues here in Providence, and likely that means this will be a somewhat meandersome, unfocused entry. Last night, at midnight, the thermostat inside was still at 87F, though it was in the mid seventies Outside. We expect some relief tomorrow, then cooler weather; the meteorologists say there's cooler air (low eighties, as opposed to nineties) on its way.

I've never been very good at the whole "Con Report" thing. Better not to try. It went well, and I was pleasantly surprised by Readercon. Next year, I plan to attend for the whole four days. It was good seeing people I'd not seen in ages (and, apologies, but I'm far too hot, for the most part, to bother with LJ tags): Ellen Datlow, for example, and Gwenda Bond, and Robert Killheffer, and Michael Morano, and Cecilia Tan. And to finally meet people I've only known from LJ and/or email —— Elizabeth Bear (though our paths only crossed once), Greer Gilman, Neil Clarke, Geoffrey Goodwin, Eric Van, Rose Fox, and, see, I'm so damned hot I can't recall any more names than that. Dr. Muñoz has been rolled into the office, but has not yet made it bearable. My thanks to Theo Black (who is Holly Black's husband, and I somehow managed not to meet Holly) for the gift of the marvelous Chiana cup he made himself. And there was a belated birthday gift from the folks at the Weird Tales booth, so my thanks for that, as well. The panels went well. The reading went well (I threw candy, and read "The Steam Dancer (1896)" and the first section of "Salammbô Redux (2007)"). The dealer's room was grand, but I was good and spent virtually no money there, though I did manage to snag a 1921 hardback of Edgar Rice Burroughs Thuvia, Maid of Mars for a mere $5, and I also picked up a copy of David Larkin's Giants (1979), which I had in high school, but someone "borrowed" (and you know how that so often goes). Two dealers were even well-stocked with my books, which pleased me. On Sunday afternoon, after my last panel, I had an hour-long interview with Locus, and, truthfully, that was the only genuinely stressful part of the con. Though Liza Trombi, who conducted the interview, soon put me at ease. I am told it will appear in the magazine sometime in the next 3 months to a year. And I know there are people and things that I'm forgetting, but like I said, I just don't do con reports. And it's hot. It was all very strange, after avoiding such things for almost four years. I guess I'm back in the saddle again. Oh, and it was heavenly, having air conditioning for two days (though some parts of the hotel were uncomfortably cold). Spooky didn't take many photos, but there are four behind the cut:

Readercon 19 )


We got home about 7 p.m., to find my comp copies of Subterranean: Tales of Dank Fantasy waiting in the back stairwell. It includes my aforementioned story, "The Steam Dancer (1896)," as well as work by Poppy, Joe Lansdale, Tim Powers, Mike Carey, Kage Baker, William Browning Spencer, and others. A gorgeous book. Which reminds me to remind you that subpress in now taking preorders on A is for Alien. And, also, I want to mention that Bill Schafer has informed me that we were able to get the cover artist for A is for Alien that I've been hoping for months we'd be able to get —— Jacek Yerka —— the brilliant Polish surrealist who did Mind Fields with Harlan Ellison back in 1994.

If you've not already, please have a look at the current eBay auctions, which are set to end tomorrow. Bid if you are able and so disposed. Thank you.

So, yes. Back in Providence. The heat kept us up late last night, as it was simply too hot to even try to sleep. We had Chinese take-out for dinner (too hot to cook). We ate ice cream. Took cold baths. Watched Joss Whedon's Dr. Horrible's Sing-A-Long Blog in its entirety, then watched Goran Dukic's Wristcutters: A Love Story (2006), an oddly adorable film we both liked quite a lot. We played two rounds of Unspeakable Words, and I won both. I finished Chapter Nine of Fraser's Triassic book, which mostly focused on the faunas from the South American Ischigualasto and Santa Maria formations, including such creatures as Herrerasaurus, Eoraptor, Riojasaurus, Saurosuchus, Saturnalia, and Staurikosaurus. Etc. and etc. I did manage to get to bed before 4 ayem. Just. Anyway, I have to try to get some work done now, as I have only twelve days to finish Chapter Three of The Red Tree, write a new piece for Sirenia Digest #32, write an introduction for Joshi's new Arthur Machen collection, and get the issue together. Oh, that reminds me, this month's digest will include something special from Sonya Taaffe, plus an interview by Geoffrey Goodwin with artist Richard A. Kirk. Don't miss it!
greygirlbeast: (chi2)
When I was finished with the Beowulf novelization, at the tail-end of the ms., after the glossary, I wrote:

Author’s note: If a teacher or professor has assigned you Beowulf, this novelization doesn’t count. Not even close. For readers who would like to learn more about Norse mythology, I strongly recommend John Lindow’s Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs (Oxford University Press, 2001).

It was one of those things I put in the manuscript that I figured had a zero chance of making it into the printed book. So I was surprised when I got the page proofs and discovered it was still there. Even so, I thought someone would surely cut it at the last minute. They didn't, and it appears in the novelization just as I wrote it. So, kudos to HarperCollins on that count. However, a few days back, Spooky brought to my attention the following, from Neil's blog (dated November 6th):

Incidentally, I think the educational pack done for Beowulf is simply wrong. Part of the point of the Beowulf movie that Roger and I wrote is the places it diverges from the story of Beowulf, and the ways it explores the relationship between a person and a story about a person. I don't think they should be putting the stuff we made up on material intended for schools -- it seems like a way of justifiably irritating teachers, who have enough to put up with when they try to teach Beowulf without us making their lives harder. It would have been much more interesting to have put up either the original, or one that talked about the differences -- I'd absolutely encourage high schoolers to see our version and talk about what changed and why.

I think my first reaction was, "Kids still go to school?" But after the initial shock, I was even more amazed that the studio didn't step in and remove my disclaimer from the end of the book. Here's the link to the laughable "educational" pack (a downloadable PDF). Looking at it, I assume the pack was compiled by YMI ("Young Minds Inspired") with the approval and aid of the film studios (Paramount and Shangri-La). So, anyway, yeah, a big thumbs-down to YMI, etc. for attempting to pass this film version of Beowulf off as the real thing to bolster group ticket sales, but kudos to Neil for calling them on it. Sadly, most teachers will use the "educational" packet and never see his blog entry (much less mine). Frankly, if I were an English teacher and I were going to show my class a film version of Beowulf, it would be Sturla Gunnarsson's Beowulf and Grendal (2005), which also diverges significantly from the source material, but not nearly as significantly as the Robert Zemeckis film.

---

Yesterday was not bad, as days off go. We threw away the rotten old jack-o'-lanterns, had lunch at the Corner Tavern in L5P, and wasted much of the afternoon searching for used hardback copies of Dune Messiah and Children of Dune in local used bookshops (then came home and ordered online from Powell's).

Last night, we watched Mikael Håfström's adaptation of Stephen King's 1408. I have not read the short story. In fact, I think the last new work by King I read was The Dark Half in 1989. I didn't see this film in theatres because it just didn't look particularly interesting. But we got it from Netflix, and, well, it wasn't particularly interesting. The first half hour or so is somewhat intriguing, in a sloppy made-for-TV kind of way and might have served as the set up for something effective. Once Cusack enters the "evil" room at the Dolphin Hotel, though, the film quickly disintegrates into a hodge-podge of spook-house clichés, piled nonsensically one atop the other. There are moments where you can see the influence of House of Leaves and The Haunting of Hill House, and even The Shining and The House Next Door, but the film never gets anywhere near those sources of inspiration in terms of its artfulness or effectiveness. There's way too much, and much of it comes off as hoaky, confused comedy. That said, I was shocked to learn that the theatrical release ends very differently (we saw the director's cut), with a more upbeat ending. Test audiences are the death of "horror," and just about anything else worthwhile. Either version of the film would be disappointing, because it just isn't very good, but the practice of going with the opinions of a bunch of Middle-America know-nothings in hopes of scoring a bigger box office continues to baffle me every way I can be baffled.

---

Finally, a couple of comments to the blog I wanted to answer, First, [livejournal.com profile] subtlesttrap writes:

Your mention of Winter's intro totally reminded me of a question I have been meaning to ask you about the inclusion of "Mercury" in the 2008 edition of Tales of Pain and Wonder. I know you stated in a previous post that it was going to be included, but I just wanted to double-check. I can't wait to have this edition sit next to my 1st edition signed hardcover. Can you believe the 1st edition hardcover from Gauntlet Press is already fetching $175-$500 on the out-of-print market?

I only believe it because I have seen it happen. But it's one reason I'm glad that Subterranean Press will soon be releasing the 3rd edition of Tales of Pain and Wonder, because it usually galls me to see people selling the book for such outrageous prices (and the mercifully-oop Meisha Merlin tpb galls me on principle). But yes, "Mercury" is included in the subpress edition, as is the new story, "Salammbô Redux," while "Angels You Can See Through" has been excised (but will be included in the accompanying chapbook, Tails of Tales of Pain and Wonder).

Also, [livejournal.com profile] corucia asks, Regarding the failed prologue for Joey LaFaye - perhaps you could consider it as potential fodder for a special-edition version of the book. To my knowledge, there will not be a limited-edition of Joey LaFaye, but I am considering including the unfinished prologue in Sirenia Digest. Wow. Over a thousand words, and the day has not even started...
greygirlbeast: (Bowie1)
If you have not yet read it, "Little Conversations" is now online at Clarkesworld Magazine.

Yesterday marked the one-year anniversary of Hubero P. Wu's arrival. Though we don't know his actual age, we treated it like a birthday. And it's not easy to find those little party hats small enough to fit on the head of a Siamese cat.

I think I've been floundering for the last few weeks, ever since I shelved The Dinosaurs of Mars. Howard Hughes is having a little trouble distinguishing between her left and her right. There seems to be no bottom to this bout of exhaustion, and I wonder if it is only exhaustion. Alas, another thin LJ entry.

Where the hell did the summer go?
greygirlbeast: (bluenareth)
Yesterday was spent tweaking "Little Conversations" (a.k.a. "Salammbô Redux"), trying to get the words more perfect than I'll ever get them. My thanks to the first readers, without whom I'd be even more lost than I am. I'm mostly happy with it now. And yes, the title is a nod to the Concrete Blonde song (from Free, 1989). And this is, indeed, as I have already mentioned, possibly my most blatantly autobiographical story to date. Not on purpose. It just came out that way.

The rest of the day was spent laying out Sirenia Digest #21, writing its prolegomena, and suchlike. Today, Spooky and I will be proofing the issue, all 54 pages, and hopefully it'll go out to subscribers late tonight or early tomorrow. If you haven' subscribed yet, well, now would be a good time.

We did walk last night, and saw an absolutely enormous bat. Eptesicus fucus, I assume. They can live up to 19 years, and I guessing this was an old one. Anyway, yes, now that the heat wave has passed, I am determined to get back into the habit of walking. We did Freedom Park last night.

It's rare that I revisit a film and discover that my initial reaction changes radically. But night before last, we watched Stephen Norrington's 2003 adaptation of The League of Extraordinary Gentlemen. There is proof, in the form of Blogger entry for 12 July 2003, that I very much enjoyed the film when I saw it in the theatre. However, Sunday night's viewing left me with an entirely different impression. Perhaps I viewed it differently because I've only recently read (and loved) the first two volumes of Alan Moore's comic, and now I can see how completely and wrongheadedly the film diverges from the original story. For one, I was astounded at the sexism inherent in making the League's leader Allan Quatermain instead of Mina Murray (and never mind that in the film, Mina is Mina Harker, not Mina Murray). I suppose it all comes down to Sean Connery being a much bigger box-office draw than Peta Wilson. At any rate, this time through, four years after I first saw the film, I found it little more than a clumsy action flick filled with badly filmed fight scenes. Only Nemo and Hyde come out anything like they should. Certainly, in comparison to Moore's book, it's a condescending and dim-witted film. And the whole thing with the addition of Tom Sawyer was just dumb. Think about it. Sawyer was born in or about 1833. And the film is set in 1899. So Sawyer would have been something like 66 years old! Anyway, yes, very disappointing, and I hate retractions, though it makes me all the more eager for The Black Dossier.

Okay, there's a museum by a New England harbour waiting for me, and then on to Mars...
greygirlbeast: (river2)
Yesterday, I wrote 1,401 words and finished "Little Conversations" (née "Salammbô Redux") which came to 5,356 words. I emailed Neil Clarke to let him know the story was finished, but that I wouldn't be handing it in until Monday evening, because I want to have some distance between me and it before the "final" reading and edit. It came out to be something I'd not quite expected it to be, and I'm quite certain this is the most blatantly autobiographical story I have ever written. I knew it would be grim, but I'd not foreseen just how grim. Anyway, "Little Conversations" will appear in the September issue of Clarkesworld magazine, and will appear at probably twice its present length in the forthcoming subpress edition of Tales of Pain and Wonder (Spring 2008), where it will probably be titled "Salammbô Redux."

All that said, today is a day off.
greygirlbeast: (white)
Sirens in the distance, but that's nothing unusual.

Yesterday, I did 1,180 words on "Little Conversations" (née "Salammbô Redux"), which will be appearing next month in Clarkesworld. So, a good writing day.

Later, there was Doctor Who; a fine episode, I thought. Martha Jones wins hands down over Rose Tyler, I fear. Others would say I'm arguing apples and oranges.

Also, my first steampunk story, "The Steam Dancer," will be appearing in the Fall 2007 Subterranean. The contents of each issue are not posted all at once, and "The Steam Dancer" isn't up yet, but should be any day now. Note that this story originally appeared in Sirenia Digest #19 in June. And the platypus says I should remind everyone that it's never too late to subscribe.
greygirlbeast: (cleav2)
Something quick today, because I overslept.

Yesterday, I wrote 1,160 words on "Salammbô Redux," only it might become "Little Conversations," at least for its publication in Clarkesworld magazine. Thus far, the story does, indeed, consist of the linking together of short conversations, and likely it shall continue on that way.

Also yesterday, there was email with Bill Schafer of subpress regarding the cover design for Tales of Pain and Wonder, and Vince sent me his rough sketch for "Scene in the Museum (1896)," which I liked quite a lot, so he's now working on the final illustration. You will find the story and Vince's illustration in Sirenia Digest #21, but only if you are a subscriber.

Yesterday, [livejournal.com profile] shadowmeursault asked, Apologies if you've covered this already, but, since you mention that "Salammbô Redux" will be in the new edition of Tales of Pain and Wonder, I find myself wondering what other additions shall appear in the new edition (if you are at leisure to discuss such things).

To which I reply, there will be other differences, besides the inclusion of "Salammbô Redux," but I am not yet ready to reveal all of them. The first and second editions (2000 and 2002, respectively) contained 21 short stories, plus one poem, along with the Doug Winter intro and the Peter Straub afterword. In this edition, there will be 23 short stories, plus all the rest, and a new author's preface. All of Richard Kirk's superb artwork from the previous editions will be reproduced. More information to come nearer the book's release date. Since I suspect this will be the collection's final edition, at least for the foreseeable future, I am going to great lengths to see that everything is just exactly right, which cannot be said for the first and second editions.

It's only 90F outside, and we had marvelous thunderstorms yesterday evening. Cooler weather is finally on the way. I checked the records at the WeatherChannel.com yesterday and discovered that we'd not had one day under 90F since July, and eight days at 100F or higher (most days, the heat index exceeded 100F). That is too much summer even for me. And, one last thing: Why the frell doesn't LJ know how to spell "afterword"?

Postscript (2:04 p.m.): My thanks to [livejournal.com profile] morganxpage for reminding me of this quote, which I first encountered in Joseph Campbell:

One should worship a divinity by becoming a divinity. One who has not become a divinity should not worship a divinity. Anyone worshiping a divinity without becoming a divinity will not reap the fruits of that worship. ——— Gandharva Tantra

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Caitlín R. Kiernan

February 2012

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