greygirlbeast: (Default)
And suddenly, here it is, my 2,500th LiveJournal entry. I was relatively late coming to LJ. I began an account here April 15th, 2004, intending it only as a mirror for my Blogger account. And that's what it was for a while. But, for one reason or another, I eventually switched over to LJ exclusively. I'm not even going to try to "guesstimate" how many words I've written on LJ over the past six years. An awful lot. And if you go back and add in the Blogger entries, which began on November 24th, 2001...well, it's a lot of words, and spans the better part of my career as a writer. On November 24th, 2011, I'll have been blogging for an entire decade, which seems almost impossible.

---

I'm utterly overwhelmed at the response to yesterday's "Spooky Birthday Present Fund" proposal. I'd thought that we might get fifteen donations by late June. As of this morning, we have twenty five. About an hour ago, I took down the PayPal button, and we started turning people away. This means that I'll be producing twenty-five copies of the new poem, instead of fifteen copies. My great thanks to everyone who's taking part in this (including the people we turned away). You guys are unbelievable. While most donors were in the US, we also have people in Canada, England, and Australia. Now, of course, I have to write a very good poem. So, yeah, wow and thank you. We have all your snail-mail addresses, and the signed and numbered copies of the poem will be mailed out late in June.

---

Today, I'm going to begin writing "Tempest Witch," my Frazetta tribute, which will be appearing in Sirenia Digest #54 later this month. As soon as this piece is done, and as soon as I've read A House is Not a Home, I'll be beginning work on "The Maltese Unicorn."

I'd like to remind you that, although the limited edition is sold out, there are still copies of the trade hardcover of The Ammonite Violin & Others available from Subterranean Press.

There was a mild seizure yesterday evening, which took me by surprise, as I've not had one in...well, at least a month.

Night before last, we finally saw Werner Herzog's Bad Lieutenant: Port of Call: New Orleans. It's a brilliant film, despite having two sets of colons in the title.
greygirlbeast: (The Red Tree)
I think I have about a hundred mosquito bites. But, I'm getting ahead of myself. And I should take time with this entry, as I'm not likely to have time to write anything else (to speak of) until Friday, at best.

Right now, the Amazon sales rank for The Red Tree is looking good. I just have to hope it stays that way for at least a couple of weeks. For anyone interested in such things (and for my own reference) the Amazon sales rankings for the last 24 hours (or so) are posted behind the cut (most recent numbers first):

Read more... )

Now, just what those numbers mean, in terms of numbers of copies sold, that's a mystery that Amazon will not even reveal to my publisher, much less me. It could be tens of copies or hundreds or thousands. I won't know until my first-quarter sales statement from Penguin arrives in about three months. I still say it's idiotic that Amazon includes this data on public pages, as it is, essentially, useless, especially once a book falls below the top few thousand bestsellers.

---

Yesterday, we left Providence about 4 p.m. And I'd love to be able to write a blow-by-blow account of our marvelous romp across the Arboretum in Boston. But I'd likely only mangle it. It went well. The six of us met at the Center Street entrance, then headed into that 234-acre wilderness nestled at the edge of the city. It was actually a great deal of fun, even with the heat and astounding swarms of mosquitoes. It's been a very wet summer in New England, and the mosquitoes are out in droves. And not a one of us thought to bring bug repellent of any sort, though, I'd wager these mosquitoes would only have laughed at such defenses. We headed down the "oak trail," and located lots of specimens of Northern red oak (Quercus rubra). But none were just exactly right, or in just the right spot, or complimented by just the right lighting. That's the problem with a thing like this. You get an image in your head, and nothing in nature can really match it. It wasn't long until the whole affair was devolving into a sort of Skull Island meets Fitzcaroldo affair. Though, we never could agree which of us was Klaus Kinski, and at least we managed to avoid the tyrannosaurs lurking just out of sight. Oh, and an adorable little garter snake. The heat and humidity did nothing to help, but our Constance/"Amanda"/Bettina was a trooper in a black wig that looked, to me, like a short walk to heatstroke. Spooky did almost all the actual filming. I did just a little. It's hard to focus and fend off blood-sucking pterosaurs at the same time. Sonya ([livejournal.com profile] sovay) located an enormous beech of some sort or another. It was rather like a being inside a tree cathedral, being below those branches, and so we used it as well as one of the red oaks.

The sun was setting by the time we managed to escape...er, wrap...the shoot. My great thanks to Spooky, Amanda Lee (yes, our "Amanda" is actually named Amanda), Geoffrey Goodwin, Sonya Taaffe, and Chris Ewen. Truly, I wish I'd made a "making of" tape, because the whole thing was marvelous. I had a second camera for just that purpose, but never used it. I didn't even get a photo of the six of us together. But, as I said on Facebook last night, I never, ever remember my book-release days. I cannot recall a single one of them. But I will never forget yesterday. There is no way it could have been a more perfect release day. There was no more appropriate place to be. Even the mosquitoes and discomfort, the heat and sweat, it was all appropriate. We could have been on the Wight farm, trying to find our way to the "red tree," or our way back to the old farmhouse. Afterwards, we drove up to Cambridge to take Chris home, then to Arlington Heights to drop Sonya off. There was road construction pretty much all the way back to the Rhode Island state line, and it was a little before eleven p.m. before we managed to get home again.

We'd been too wasted to stop for supper, but Spooky foraged in the fridge and whipped up a yummy omelet with blue cheese and mushrooms, topped with a chipotle salsa, and French fries on the side.

There are only three still photos, of the ruins of some building we happened across deep in the woods. They hardly do the day the slightest bit of justice:

August 4, 2009 )


---

Late last night...well, actually early this ayem...we watched the last three episodes of Season Two of Dexter. I think I might actually have liked Season Two better than the first. I am told it deviates completely from the novels, and that this is a Good Thing. I want to quote the last bit of Dexter Morgan's narration from the last episode, because I find it exquisite, and it resonates deeply with my own thoughts the last couple of years:

My father might not approve, but I'm no longer his disciple. I'm a master now, an idea transcended into life. And so this is my new path, which is a lot like the old one, only mine. To stay on that path I need to work harder, explore new rituals, evolve. Am I evil? Am I good? I'm done asking those questions. I don't have the answers. Does anyone?

---

And with that, I must go. There's a lot to do before the reading tomorrow night at Pandemonium Books in Boston (4 Pleasant Street, just off Mass Ave.). And if you haven't yet picked up The Red Tree, online or from a bookshop, please, please do. Thank you.
greygirlbeast: (white)
Today, Elizabeth would have been 37.

So, yes, Sirenia Digest #25 will go out to subscribers this evening, and includes "Untitled 31" and "The Crimson Alphabet" (Part One, A-M), as well as a somewhat more revealing than usual prolegomena. I spent all of yesterday editing the stories and getting things in order, writing the prolegomena (740 words), doing the layout, etc. Oh, do note that there's no Vince Locke illustration this month, simply because I was not able to get "Untitled 31" to him in time. I think I finished up about 7 p.m., and Spooky went out and got BBQ from Dusty's on Briarcliff.

Later, we watched Werner Herzog's Rescue Dawn. Excellent, one of the best of the year, and has been added to my short list of truly fine Vietnam films. Christian Bale was superb, as expected, and the film itself harks back to earlier classic Herzog films such as Aguirre: The Wrath of God (1972) and Fitzcarraldo (1982), both thematically and visually. Here we have Herzog's driven lunatic, though Bale's Lt. Dengler is a far more compassionate and level-headed sort of lunatic than the old Klaus Kinski breed. Klaus Badelt's score was very effective. Now I need to see Herzog's documentary, Little Dieter Needs to Fly (2007).

Okay. Spooky has ordered me to have a day off, not wanting a repeat of early December, yada, yada, so I'm thinking I'll spend the rest of today reading Bruce Sterling, having a hot bath, washing my hair, and maybe wandering out into the chilly grey world. But watch for Sirenia Digest #25 in your inboxes. Comments always welcome, as are bids in the ongoing eBay auctions. Last night, Spooky relisted copies of Alabaster and To Charles Fort, With Love (both out of print). The copy of Alabaster is signed by both me and Ted Naifeh.

Maybe I'll even take a nap...

Postscript (3:05 p.m.): In response to the reader who inquired at to whether or not I have a MySpace page. Yes. It's here.
greygirlbeast: (tentacles)
Last night I slept a somewhat remarkable eight and a half hours. That seems like all the sleep in the whole goddamned world.

I'm not sure I actually have enough to say today to fashion a decent blog entry. Yesterday, I wrote 1,086 words on The Dinosaurs of Mars.

Any thoughts on Sirenia Digest #19? I don't bite. Okay, that's a lie. I most certainly do bite. But I don't tend to bite here.

Yesterday evening is sort of a blur. After dinner, I had a hot bath, which was really too hot given the weather, and then we walked before the sun was quite down, and that was sort of miserable. We didn't even see any bats, just swallows, and a ligtning bug (only one), and a dragonfly. Later, we watched Werner Herzog's Cobra Verde (1987), which was Klaus Kinki's last film with Herzog, and one of Kinski's last films. I'd been wanting to see it for some time. There was a little Second Life after that, but hardly anything worth noting. Oh, while Spooky was fixing dinner, we lamented the death of letter writing, and I pondered exactly how future biographers would go about writing the biographies of authors without letters. It's not like email and "chat" and whatnot will fill the void. Online journals help a little, but they are not, generally, the truly honest sorts of things that letters were, and only a few authors keep them. I tried for years to keep up letter writing, but was defeated in the end by too many unreliable correspondents. And there are baby robins beneath our kitchen window

And really, I think that's all I have for now.
greygirlbeast: (Default)
Well, actually, there probably is not "& etc.," but it looked good in the header. Maybe this explanation is, itself, the "& etc.," which makes a wonderful sort of loop.

As of this evening, three of the Ravens Four have bids. Only poor Raven Blue languishes unbid upon. I'm sure this situation will soon be remedied, but raven wizards...you know how they get. Touchy beasts, that lot. So, yes, a reminder that the Ravens Four auctions continue apace. And by the way, anyone who wants to keep up with Spooky's wild pagan doll makin' exploits, have a look at [livejournal.com profile] squid_soup.

Speaking of Spooky, she's become quite taken with [livejournal.com profile] ditl, or "Day in the Life." She's done a few of them now, the most recent just yesterday. I'm in love with the swirly coffee and cream galaxy photo. The ichthyosaur pin, that's mine, of course. Have a look at her most recent ditl, if you're the curious sort. I think I may soon do a ditl of my own.

Some part of my mind continues to toy with Herzog's The Wild Blue Yonder, and, upon this further reflection, I've come to think what's most important about the film is not whether the Andromedan refugee is just a lunatic or the problems with the wonky science. What matters most about The Wild Blue Yonder is its very simple message: screw up this planet so badly humans cannot live here, and despite all your "science fiction fantasies," there's really nowhere else to go. Nowhere within reach. This is most cogently and poignantly expressed in Brad Dourif's rambling explanation of the vastness of space and the problems presented trying to reach even the nearest stars with conventional rocketry or at even a relatively significant fraction of the speed of light.

Oh, wait. There was an "& etc." after all. The thing about [livejournal.com profile] ditl. Though I haven't gotten around to vanity yet. Just wanted to say I was emphatically not fishing for either compliments or comments in this mornings post. Just talking, that's all. That's all this journal is, just me talking (but, yes, it's nice to know people are listening).

Okay. Now I must rest and amuse myself...

Profile

greygirlbeast: (Default)
Caitlín R. Kiernan

February 2012

S M T W T F S
    1 234
56 7 891011
12131415161718
19202122232425
26272829   

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 18th, 2025 08:40 am
Powered by Dreamwidth Studios