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"Into the light of a bridge that burns."
Dec. 27th, 2011 03:08 pmA day when you wake up two hours later than planned, well, there's not a lot you can do to salvage a day like that. Funny fucking thing is, yesterday I had a sort of panic & epiphany combo meal, realizing it was idiotic for me to think I could take a vacation from December 15th to January 3rd. That I thought the work would wait, or that I wouldn't be overwhelmed as soon as my playing hookey ended. So, I resolved to scrap the plans we had for this week (which included a trip to Yale and a trip to Marblehead, Mass.) and get back to work today.
And then...I didn't wake up until 1 p.m. (CaST).
Which sort of shredded my plans for today good and proper, and which is why it's 2:29 p.m. (CaST), and I'm only just starting my blog entry. I was going to get back to work on "The Lost Language of Mollusca and Crustacea," but now I'm thinking, instead, I'll be lucky to deal with a bunch of email (one of the things I did yesterday, post-epiphany), then sign the signature sheets for the limited edition of A Book of Horrors (to be released by P.S. Publishing). But, in case you're curious (casually or otherwise), below is a list of what I have to have done between now and the end of January, and it ought to be enough to convince you of the folly of the "much-deserved vacation":
1. Produce Sirenia Digest #73, which means finishing "The Lost Language of Mollusca and Crustacea" and writing another and as-yet-untitled science-fiction tale.
2. Editing Alabaster #3, as soon as I have my editor's notes.
3. Writing Alabaster #4
4. Keep track of the pages for Alabaster #2 as they're drawn and inked and colored.
5. Finishing making corrections to the mss. of Confessions of a Five-Chambered Heart and The Yellow Book (about three weeks overdue, at this point).
6. Travel to Philadelphia sometime in the second half of January to finish up filming the trailer for The Drowning Girl.
7. Get the front page of my website revamped for the release of The Drowning Girl, and get it done ASAP.
8. Compile a list of suggested panels and other assorted programming for Readercon 23 for Rose Fox.
I mean...what the fuck was I thinking! That I was tired? Sure I'm fucking tired, but that's no excuse. Last week, my psychiatrist was trying to convince me to "drop something" to reduce my workload, and I think I did a pretty unconvincing job of explaining why I can't drop anything, not without...
It's like this. Lots of people have a lot of trouble understanding what it's like to be a "famous writer" who is only just managing to squeak by financially. In this economic climate, you'd think it would be an easy enough matter to understand. But yes, the vacation is over, and I just have to hope there wasn't too much time frittered away.
As for yesterday, there was prune hamantashan, a trip to our storage unit in Pawtucket, a clove cigarette (actually, these days they're clove cigars, technically), short fiction by Norman Partridge, William Browning Spencer, and Michael Marshall Smith. Partridge's "Lesser Demons" is an interesting new take on the tiresome zombie trope, and Smith's story, "Fair Exchange" is just about the funniest Innsmouth story I've ever read. Normally, I don't like funny in my Lovecraft. Normally, I'm violently opposed to it, in fact. But if you read this story, and hear the narrator's voice as Jason Statham, from the days of Lock, Stock and Two Smoking Barrels and Snatch, it's a fucking hilarious story. Yesterday, the cold sky over Providence was so blue it was murderous – that wide carnivorous sky of which I've been speaking of for years.
Carnivorous,
Aunt Beast
And then...I didn't wake up until 1 p.m. (CaST).
Which sort of shredded my plans for today good and proper, and which is why it's 2:29 p.m. (CaST), and I'm only just starting my blog entry. I was going to get back to work on "The Lost Language of Mollusca and Crustacea," but now I'm thinking, instead, I'll be lucky to deal with a bunch of email (one of the things I did yesterday, post-epiphany), then sign the signature sheets for the limited edition of A Book of Horrors (to be released by P.S. Publishing). But, in case you're curious (casually or otherwise), below is a list of what I have to have done between now and the end of January, and it ought to be enough to convince you of the folly of the "much-deserved vacation":
1. Produce Sirenia Digest #73, which means finishing "The Lost Language of Mollusca and Crustacea" and writing another and as-yet-untitled science-fiction tale.
2. Editing Alabaster #3, as soon as I have my editor's notes.
3. Writing Alabaster #4
4. Keep track of the pages for Alabaster #2 as they're drawn and inked and colored.
5. Finishing making corrections to the mss. of Confessions of a Five-Chambered Heart and The Yellow Book (about three weeks overdue, at this point).
6. Travel to Philadelphia sometime in the second half of January to finish up filming the trailer for The Drowning Girl.
7. Get the front page of my website revamped for the release of The Drowning Girl, and get it done ASAP.
8. Compile a list of suggested panels and other assorted programming for Readercon 23 for Rose Fox.
I mean...what the fuck was I thinking! That I was tired? Sure I'm fucking tired, but that's no excuse. Last week, my psychiatrist was trying to convince me to "drop something" to reduce my workload, and I think I did a pretty unconvincing job of explaining why I can't drop anything, not without...
It's like this. Lots of people have a lot of trouble understanding what it's like to be a "famous writer" who is only just managing to squeak by financially. In this economic climate, you'd think it would be an easy enough matter to understand. But yes, the vacation is over, and I just have to hope there wasn't too much time frittered away.
As for yesterday, there was prune hamantashan, a trip to our storage unit in Pawtucket, a clove cigarette (actually, these days they're clove cigars, technically), short fiction by Norman Partridge, William Browning Spencer, and Michael Marshall Smith. Partridge's "Lesser Demons" is an interesting new take on the tiresome zombie trope, and Smith's story, "Fair Exchange" is just about the funniest Innsmouth story I've ever read. Normally, I don't like funny in my Lovecraft. Normally, I'm violently opposed to it, in fact. But if you read this story, and hear the narrator's voice as Jason Statham, from the days of Lock, Stock and Two Smoking Barrels and Snatch, it's a fucking hilarious story. Yesterday, the cold sky over Providence was so blue it was murderous – that wide carnivorous sky of which I've been speaking of for years.
Carnivorous,
Aunt Beast
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