"And grind my soft, cold bones below..."
Apr. 30th, 2011 01:02 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I only just got the news of Joanna Russ' death.
I think we're taking the day off, even though today isn't as warm as yesterday, by about ten degrees. So, this entry will be a swift recounting of yesterday. Or at least I mean for it to be that.
Yesterday, I wrote 1,709 words on "The Carnival is Dead and Gone," but it wants to be a short story, not a vignette, so I'm, at best, only two thirds of the way through it. I find it one of my especially disturbing pieces, for various reasons. Also, I exchanged many emails yesterday with
kylecassidy regarding the book trailer for The Drowning Girl: A Memoir, though conversation also strayed to the Matawan Creek shark attacks of 1916 and Providence's HPL landmarks.
My story "Tidal Forces," which appears in Johnathan Strahan's forthcoming collection, Eclipse 4, has been singled out for the "Good Story Award" over at Locus.com. Thank you, Lois Tilton. (This is not an actual award award, but it made me smile, nonetheless).
If everything stays on track, Sirenia Digest #65 will go out to subscribers on Wednesday. It will include "The Carnival is Dead and Gone," the best replies to the most recent Question @ Hand, and a profile of German surrealist Michael Hutter, featuring examples of his marvelous artwork.
Last night, we watched what was almost a rather serviceable thriller, Jonas Åkerlund's Horsemen (2009). Unfortunately, there's an utterly implausible upbeat ending that blows the whole thing, causing it to veer into after-school special territory at the very last. I strongly suspect the studio forced that ending on the director, but haven't been able to confirm the suspicion. Ziyi Zhang was, by far, the best thing anywhere in the film. Anyway, I also did a little rp, and Spooky and I began reading the novel that will be May's selection for Aunt Beast's Book of the Month Club (TBA).
That, kittens, was yesterday.
Spooky has begun a new round of eBay auctions, so please have a look.
I think we're taking the day off, even though today isn't as warm as yesterday, by about ten degrees. So, this entry will be a swift recounting of yesterday. Or at least I mean for it to be that.
Yesterday, I wrote 1,709 words on "The Carnival is Dead and Gone," but it wants to be a short story, not a vignette, so I'm, at best, only two thirds of the way through it. I find it one of my especially disturbing pieces, for various reasons. Also, I exchanged many emails yesterday with
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
My story "Tidal Forces," which appears in Johnathan Strahan's forthcoming collection, Eclipse 4, has been singled out for the "Good Story Award" over at Locus.com. Thank you, Lois Tilton. (This is not an actual award award, but it made me smile, nonetheless).
If everything stays on track, Sirenia Digest #65 will go out to subscribers on Wednesday. It will include "The Carnival is Dead and Gone," the best replies to the most recent Question @ Hand, and a profile of German surrealist Michael Hutter, featuring examples of his marvelous artwork.
Last night, we watched what was almost a rather serviceable thriller, Jonas Åkerlund's Horsemen (2009). Unfortunately, there's an utterly implausible upbeat ending that blows the whole thing, causing it to veer into after-school special territory at the very last. I strongly suspect the studio forced that ending on the director, but haven't been able to confirm the suspicion. Ziyi Zhang was, by far, the best thing anywhere in the film. Anyway, I also did a little rp, and Spooky and I began reading the novel that will be May's selection for Aunt Beast's Book of the Month Club (TBA).
That, kittens, was yesterday.
Spooky has begun a new round of eBay auctions, so please have a look.
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Date: 2011-05-01 03:45 am (UTC)I might have landed head of makep on my vampire film. Nothing set in stone yet, and 'm not even sure I want it, I just want to do creature FX. It's an indie project and the writer has fairly obviously never worked in the industry or been to film school, and he has no idea how to make a movie.
Fortunately I do
He listens to me, which has already resulted in a greatly diminished fail percentage, so I'm happy to work on it, though I don't think he yet realises there's a difference between makeup and effects.