"The wanting comes in waves"
Mar. 25th, 2009 11:09 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
greygirlbeastI've been working on "As Red as Red" since...frankly, I'm not certain. Sometime before March 13th, when I actually thought of the title. A fucking long time, for a short story that looks like it's going to come in at about 6,000 words. Yesterday, I seized it by the nape of its scruffy neck, determined that I will finish the piece this afternoon. Spooky and I began the day yesterday by reading over everything that's been written thus far. And then we did something I almost never do. We plotted. That is, talked through specifically what will happen in the final two thousand words of the story. Then I sat down and wrote 1,039 words.
In the end, yesterday felt like I'd finally achieved the requisite momentum to escape some terrible gravity well. I think I can easily manage the end of the story today, which is good, because I have Sirenia Digest #40 to write, and the CEM for The Red Tree was overnighted to me from Manhattan yesterday, so it should be landing on the doorstep with an audible thud at almost any moment (though as I said, Spooky's mostly handling it). So, yes, today I finish "As Red as Red," which has elements of both vampire and werewolf stories, though, in the end, it's more a ghost story. Which I should have seen coming, as in the New England vampire tradition, (incidents ranging from 1793-1898), vampires are essentially incorporeal anthropohagic phantoms. The writing yesterday was assisted enormously, by the way, by a P. J. Harvey song, "Liverpool Tide," that Sonya (![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
sovay) kindly sent my way. And big thank-yous to Spooky and also to Donovan Wilcox, who both did a lot of research for me yesterday, stuff that will make things go far, far smoother today. You guys rock.
---
When the writing was done, we drove down to Warwick, to Newbury Comics, and scored a copy of the new Decemberists album wicked cheap. Just $7.99. We listened to the whole disc maybe five times last night (there are 17 tracks). And at first, my reaction was sort of, "Well, this is different." An hour or so later, I was thinking, "This is fucking brilliant." By midnight or so, I'd decided The Hazards of Love is my favourite Decemberists album thus far. Borrowing liberally from "Tam Lin" and other ballads, it's a thunderous, angry, vicious, poignant, lilting, beautiful song cycle. A folk-rock/acid-rock opera, and, really, I don't think I've heard anything else quite like it. I suspect this is an album Colin Meloy has been wanting to make for years, and, in hindsight, The Crane Wife feels like it was a warm up for The Hazards of Love. At the moment, I'm most fond of "The Wanting Comes in Waves/Repaid" and "The Rake's Song," though it's really not possible to pull out individual songs. It all fits too snuggly together. I am especially taken with Shara Worden's (of My Brightest Diamond) vocals. The woman sings like someone possessed by the ghost of Janis Joplin. Honestly, you simply have to hear this CD to understand. I can talk about the second coming of Fairport Convention (backed by Jimi Hendrix) all day long, and it won't make any sense until you hear it. Oh, and Robyn Hitchcock pitches in, too.
---
Last night, while listening to The Hazards of Love, I WoWed (new stupid verb for a twittering world), mostly running errands for the orcs in Orgrimmar, way out in Feralas. And I accidentally leveled Shaharrazad up to 63 (really, it just suddenly happened; I wasn't trying). I also got my first "achievement" since February 21st. I even have a screenshot (behind the cut) of Shah astride her felsteed in Northern Ferales, at the falls above the Forgotten Coast.
---
This morning I was surprised to discover there's actually a CRK Facebook group thingy, which is cool, I do suppose.
---
Finally, a couple of weeks ago, Spooky discovered an unfinished Monster Doodle sculpture hiding in one of her drawers. How it got there and why it was never completed has been a source of much lively debate. Regardless, she's now painted it (I sculpted it), and we're putting it up on eBay this week. This is the first we've offered since sometime early in 2006, I think, and I have no immediate plans to make more. So, if you're into Monster Doodle sculptures, you might want to have a look-see. I'll post a link to the auction as soon as it begins.
---
Anyway, Platypus and Dodo are arguing over who gets to wear the spurs today, so I guess that means it's time for me to wrap this up. Here we go again.
In the end, yesterday felt like I'd finally achieved the requisite momentum to escape some terrible gravity well. I think I can easily manage the end of the story today, which is good, because I have Sirenia Digest #40 to write, and the CEM for The Red Tree was overnighted to me from Manhattan yesterday, so it should be landing on the doorstep with an audible thud at almost any moment (though as I said, Spooky's mostly handling it). So, yes, today I finish "As Red as Red," which has elements of both vampire and werewolf stories, though, in the end, it's more a ghost story. Which I should have seen coming, as in the New England vampire tradition, (incidents ranging from 1793-1898), vampires are essentially incorporeal anthropohagic phantoms. The writing yesterday was assisted enormously, by the way, by a P. J. Harvey song, "Liverpool Tide," that Sonya (
sovay) kindly sent my way. And big thank-yous to Spooky and also to Donovan Wilcox, who both did a lot of research for me yesterday, stuff that will make things go far, far smoother today. You guys rock.---
When the writing was done, we drove down to Warwick, to Newbury Comics, and scored a copy of the new Decemberists album wicked cheap. Just $7.99. We listened to the whole disc maybe five times last night (there are 17 tracks). And at first, my reaction was sort of, "Well, this is different." An hour or so later, I was thinking, "This is fucking brilliant." By midnight or so, I'd decided The Hazards of Love is my favourite Decemberists album thus far. Borrowing liberally from "Tam Lin" and other ballads, it's a thunderous, angry, vicious, poignant, lilting, beautiful song cycle. A folk-rock/acid-rock opera, and, really, I don't think I've heard anything else quite like it. I suspect this is an album Colin Meloy has been wanting to make for years, and, in hindsight, The Crane Wife feels like it was a warm up for The Hazards of Love. At the moment, I'm most fond of "The Wanting Comes in Waves/Repaid" and "The Rake's Song," though it's really not possible to pull out individual songs. It all fits too snuggly together. I am especially taken with Shara Worden's (of My Brightest Diamond) vocals. The woman sings like someone possessed by the ghost of Janis Joplin. Honestly, you simply have to hear this CD to understand. I can talk about the second coming of Fairport Convention (backed by Jimi Hendrix) all day long, and it won't make any sense until you hear it. Oh, and Robyn Hitchcock pitches in, too.
---
Last night, while listening to The Hazards of Love, I WoWed (new stupid verb for a twittering world), mostly running errands for the orcs in Orgrimmar, way out in Feralas. And I accidentally leveled Shaharrazad up to 63 (really, it just suddenly happened; I wasn't trying). I also got my first "achievement" since February 21st. I even have a screenshot (behind the cut) of Shah astride her felsteed in Northern Ferales, at the falls above the Forgotten Coast.
---
This morning I was surprised to discover there's actually a CRK Facebook group thingy, which is cool, I do suppose.
---
Finally, a couple of weeks ago, Spooky discovered an unfinished Monster Doodle sculpture hiding in one of her drawers. How it got there and why it was never completed has been a source of much lively debate. Regardless, she's now painted it (I sculpted it), and we're putting it up on eBay this week. This is the first we've offered since sometime early in 2006, I think, and I have no immediate plans to make more. So, if you're into Monster Doodle sculptures, you might want to have a look-see. I'll post a link to the auction as soon as it begins.
---
Anyway, Platypus and Dodo are arguing over who gets to wear the spurs today, so I guess that means it's time for me to wrap this up. Here we go again.
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no subject
Date: 2009-03-25 04:36 pm (UTC)Yes. I think The Tain (2004) was his first run at it, but The Hazards of Love is the true thing.
I am especially taken with Shara Worden's (of My Brightest Diamond) vocals.
Oh, yes. I'm made of bones of the branches, the boughs, and the brow-beating light . . . She is wild and full of thorns.
no subject
Date: 2009-03-25 04:45 pm (UTC)Yes. I think The Tain (2004) was his first run at it, but The Hazards of Love is the true thing.
Astoundingly, I still haven't heard The Tain.
She is wild and full of thorns.
Indeed.
no subject
Date: 2009-03-25 04:49 pm (UTC)That can be remedied.
no subject
Date: 2009-03-25 04:52 pm (UTC)Whoa. Danke!
no subject
Date: 2009-03-25 05:42 pm (UTC)http://www.facebook.com/pages/Caitlin-R-Kiernan/55141838136?sid=1b00d7ab8d62657d15bfbf2516f25054&ref=s
no subject
Date: 2009-03-25 05:54 pm (UTC)I seem to have posted in the wrong URL. Should be fixed now.
I apologize for intruding
Date: 2009-03-25 07:39 pm (UTC)Re: I apologize for intruding
Date: 2009-03-25 08:14 pm (UTC)No need to apologize. That's why I leave most the entries open to comments, so that people can...you know...comment. Thanks for the link!