Book of Days
Nov. 24th, 2006 11:57 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
greygirlbeastYesterday, I wrote 1,052 words. Not bad. Not too damn shabby. Then, after dinner and the Foster's Home for Imaginary Friends "movie,", I worked on getting the last bits done on Sirenia Digest 12, which will go out to subscribers (and why aren't you one?) this very afternoon or evening. There are a couple of bugs to be worked out first. Anyway, yeah, I tinkered with the digest until 11:16 p.m. (CaST) last night. If not for Red Bull, I'd be nothing. After work was finally done, I played a couple more hours of Final Fantasy XII. Fran with a cypress staff is even sexier than Fran with a bow, though I would not have thought such a thing possible.
Today marks the fifth anniversary of my first Blogger entry. Five years worth of entries now, and I'm guessing that's easily half a million words. Back then, on November 24, 2001, Threshold had just been released, I was only beginning to imagine the book that would become Low Red Moon, and had barely begun my work with Subterranean Press. Wrong Things, In the Garden of Poisonous Flowers, and From Weird and Distant Shores were all just around the corner. I was still writing for DC/Vertigo. Back then, I was extremely skeptical at the whole idea of a public journal, but Neil persuaded me to give it a shot. Originally, I'd only intended to document the writing of LRM, but when those eight months had come and gone, I discovered I didn't want to give it up. That November, I was living in downtown Birmingham and was working part-time at the McWane Science Center. I was still doing field work in the Late Cretaceous of Alabama. Spooky and I were not quite yet an item (though we actual met in March '99). A lot has changed. Anyway, to mark the date, I've included that first entry below (behind the cut). Here's to another five years.
Saturday, November 24, 2001
A very long time ago, when I was a child, I thought how it would be a Very Fine Thing to spend my life writing books (whenever I wasn't thinking how it would be a Very Fine Thing to spend my life digging up dinosaur bones). I imagined how the covers would look, how my name would look on the covers, what it would feel like to walk into the library or the drugstore or the Five and Dime (there were no bookstores in the town where I grew up) and see my book waiting to be read by someone. I would write lots and lots and lots of books, I imagined. Like Edgar Rice Burroughs and Ray Bradbury and Stephen King, I would be a veritable fountain of words to be bound neatly between very professionally designed dustjackets.
As much as I wanted to visit Loch Ness or find a Diplodocus skeleton, I wanted to make books. I found an old Writer's Market at a yard sale somewhere and used to pour over its pages as though there were some magical secret and if I just looked long enough, I'd know how it was done, this business of writing books. I typed out fairly awful fantasy and horror stories on an antique Royal typewriter that my mother had picked up somewhere. I experimented with carbon paper. PCs were still a decade or more away. Correction tape seemed pretty high tech at the time.
And since I was growing up where I was, when I was, writing novels was frowned upon as a career choice and virtually every relative, except my mother, discouraged me at one point or another. They told me that only people from New York wrote novels (people from New York were generally frowned upon). They told me I should be practical. They told me to stop spending so much time reading or I'd go blind (which has almost happened).
Anyway, what they never told me, because they couldn't have known, was that if I ever got my wish, I'd discover that writing books was not fun or exciting or romantic or any of the other things I imagined it to be. It's simply hard. Mindnumbingly hard. That people who write books spend most of their lives alone in small rooms staring at blank pages or, as it would turn out, computer screens, for hour upon hour upon hour, occasionally getting lucky and finding a sentence to fill some of that damned white space with. They couldn't have told me about the stress or carpal tunnel syndrome or writer's block. How you start to forget that there's a difference between day and night because you rarely go outside. How you ultimately reach a point where that one thing that drove you to ruin your life and your eyes and your nerves, the simple joy of reading, would itself become annoying because, after all, it's really work.
I sat down a few minutes ago to write something straightforward like, "Hi. I'm Caitlin Kiernan and this is the journal that I'm going to keep while I write my next novel, which might end up being called Low Red Moon," so that people wandering in would know whether to click the "Back" button on their web browsers. And then all this came tumbling out.
And I can't figure out how to place an acute accent on an "i" in this program and, if I did, that would just be another annoying thing, so never mind.
I think what I'm getting at is how wonderful it would be to have been Harper Lee. Write one book that everyone will love forever, see it made into a movie with Gregory Peck, and then never have to do again. Ever.
But that's not the way it works.
And the hardest part is the beginning (though the middle seems much harder, but only when that's where you happen to be), and starting full in the knowledge that this isn't the last time you have to start The Next New Book. If you're lucky, there is no fixed number and you will be doing this for a very, very long time. After Silk was released in '98, my agent called and asked how the next novel was coming along and I asked "You mean I have to do that again?" That's exactly how I feel about writing most of the time.
But here I am, anyway, and I got to be a paleontologist as well, so at least there's that. Here I am and, as usual, I'm months and months past the time when I should have begun a new book. I've put it off until there's no more time left to put it off and in another couple of weeks I'll sit down and write the first word that will hopefully lead, many months later, to the last word, and my agent and my editor and my landlord and all the credit card companies will stay happy. A novel that might be called Low Red Moon, and yes, that was a Belly song, which I happen to be very fond of, by the way.
Before I can start the novel, I have to finish a short story for a British horror anthology (a story I've been trying to finish since October) and write a script for Vertigo - then I can start the novel.
I'm not sure how this is going to turn out. The journal, I mean, not the book (though I have no idea how that's going to turn out, either). I've always kept the process of writing to myself, for the most part. Occasionally, I'll call some other wretched soul who, as a child, didn't listen to her or his disparaging relatives and he or she will listen to me bitch and moan and try to be patient or tell me to get back to work. But I've never much talked about the nuts and bolts with readers. I'm not going to be saying much about what's going on in the book, since that would pretty much defeat the purpose of anyone reading the thing. I'm sure there will be clues along the way. Maybe.
Meanwhile, please buy Threshold, the book that almost killed me (I'm not joking, but I'll save the explanation for another time). Every time you buy a copy, a mosquito gets its wings.
(12:40 a.m.)
---
During our walk yesterday, we saw two of the hawks. It was marvelously warm. I was even able to open my office window for most of the afternoon; it's supposed to be warmer still today.
Byron called from Athens, where he's visiting his family.
The first day after Xtian Thanksgiving is also the first day of Jethro Tull season, which somehow helps me survive winter.
It occurs to me that I presently have far too many books to promote all at once, as I've somehow ended up with three releases in January 2007: Daughter of Hounds (please preorder today, and thank you), the mmp of Threshold, and Tales from the Woeful Platypus. I shall endeavor not to have this happen again, three books in one month. Whichever book I happen to be promoting, I inevitably feel as though I'm neglecting the other two.
One last thing before I wrap up this entry and move along to the wishes and whims of Herr Platypus. I've decided I'm going to put together a short collection, maybe four or five stories, all reprints from Tales of Pain and Wonder and To Charles Fort, With Love, and offer it as a free downloadable PDF. There will be illustrations and lots of fun marginalia. And did I mention it will be free? Hey, it works for heroin pushers, I figure I might as well give it a shot. The first one's on me...
Oh, and comments especially welcome today. I don't know. I'm just in a responding-to-comments sort of mood.
Postscript: Lots of people have been asking about Sirenia Digest back issues. Yes, they may be purchased. Just $10 per. November '05 (No. 0) through October '06 (No. 11). Interested? E-mail Spooky at crk_books(at)yahoo(dot)com, and she'll fix you up, so to speak.
Today marks the fifth anniversary of my first Blogger entry. Five years worth of entries now, and I'm guessing that's easily half a million words. Back then, on November 24, 2001, Threshold had just been released, I was only beginning to imagine the book that would become Low Red Moon, and had barely begun my work with Subterranean Press. Wrong Things, In the Garden of Poisonous Flowers, and From Weird and Distant Shores were all just around the corner. I was still writing for DC/Vertigo. Back then, I was extremely skeptical at the whole idea of a public journal, but Neil persuaded me to give it a shot. Originally, I'd only intended to document the writing of LRM, but when those eight months had come and gone, I discovered I didn't want to give it up. That November, I was living in downtown Birmingham and was working part-time at the McWane Science Center. I was still doing field work in the Late Cretaceous of Alabama. Spooky and I were not quite yet an item (though we actual met in March '99). A lot has changed. Anyway, to mark the date, I've included that first entry below (behind the cut). Here's to another five years.
Saturday, November 24, 2001
A very long time ago, when I was a child, I thought how it would be a Very Fine Thing to spend my life writing books (whenever I wasn't thinking how it would be a Very Fine Thing to spend my life digging up dinosaur bones). I imagined how the covers would look, how my name would look on the covers, what it would feel like to walk into the library or the drugstore or the Five and Dime (there were no bookstores in the town where I grew up) and see my book waiting to be read by someone. I would write lots and lots and lots of books, I imagined. Like Edgar Rice Burroughs and Ray Bradbury and Stephen King, I would be a veritable fountain of words to be bound neatly between very professionally designed dustjackets.
As much as I wanted to visit Loch Ness or find a Diplodocus skeleton, I wanted to make books. I found an old Writer's Market at a yard sale somewhere and used to pour over its pages as though there were some magical secret and if I just looked long enough, I'd know how it was done, this business of writing books. I typed out fairly awful fantasy and horror stories on an antique Royal typewriter that my mother had picked up somewhere. I experimented with carbon paper. PCs were still a decade or more away. Correction tape seemed pretty high tech at the time.
And since I was growing up where I was, when I was, writing novels was frowned upon as a career choice and virtually every relative, except my mother, discouraged me at one point or another. They told me that only people from New York wrote novels (people from New York were generally frowned upon). They told me I should be practical. They told me to stop spending so much time reading or I'd go blind (which has almost happened).
Anyway, what they never told me, because they couldn't have known, was that if I ever got my wish, I'd discover that writing books was not fun or exciting or romantic or any of the other things I imagined it to be. It's simply hard. Mindnumbingly hard. That people who write books spend most of their lives alone in small rooms staring at blank pages or, as it would turn out, computer screens, for hour upon hour upon hour, occasionally getting lucky and finding a sentence to fill some of that damned white space with. They couldn't have told me about the stress or carpal tunnel syndrome or writer's block. How you start to forget that there's a difference between day and night because you rarely go outside. How you ultimately reach a point where that one thing that drove you to ruin your life and your eyes and your nerves, the simple joy of reading, would itself become annoying because, after all, it's really work.
I sat down a few minutes ago to write something straightforward like, "Hi. I'm Caitlin Kiernan and this is the journal that I'm going to keep while I write my next novel, which might end up being called Low Red Moon," so that people wandering in would know whether to click the "Back" button on their web browsers. And then all this came tumbling out.
And I can't figure out how to place an acute accent on an "i" in this program and, if I did, that would just be another annoying thing, so never mind.
I think what I'm getting at is how wonderful it would be to have been Harper Lee. Write one book that everyone will love forever, see it made into a movie with Gregory Peck, and then never have to do again. Ever.
But that's not the way it works.
And the hardest part is the beginning (though the middle seems much harder, but only when that's where you happen to be), and starting full in the knowledge that this isn't the last time you have to start The Next New Book. If you're lucky, there is no fixed number and you will be doing this for a very, very long time. After Silk was released in '98, my agent called and asked how the next novel was coming along and I asked "You mean I have to do that again?" That's exactly how I feel about writing most of the time.
But here I am, anyway, and I got to be a paleontologist as well, so at least there's that. Here I am and, as usual, I'm months and months past the time when I should have begun a new book. I've put it off until there's no more time left to put it off and in another couple of weeks I'll sit down and write the first word that will hopefully lead, many months later, to the last word, and my agent and my editor and my landlord and all the credit card companies will stay happy. A novel that might be called Low Red Moon, and yes, that was a Belly song, which I happen to be very fond of, by the way.
Before I can start the novel, I have to finish a short story for a British horror anthology (a story I've been trying to finish since October) and write a script for Vertigo - then I can start the novel.
I'm not sure how this is going to turn out. The journal, I mean, not the book (though I have no idea how that's going to turn out, either). I've always kept the process of writing to myself, for the most part. Occasionally, I'll call some other wretched soul who, as a child, didn't listen to her or his disparaging relatives and he or she will listen to me bitch and moan and try to be patient or tell me to get back to work. But I've never much talked about the nuts and bolts with readers. I'm not going to be saying much about what's going on in the book, since that would pretty much defeat the purpose of anyone reading the thing. I'm sure there will be clues along the way. Maybe.
Meanwhile, please buy Threshold, the book that almost killed me (I'm not joking, but I'll save the explanation for another time). Every time you buy a copy, a mosquito gets its wings.
(12:40 a.m.)
---
During our walk yesterday, we saw two of the hawks. It was marvelously warm. I was even able to open my office window for most of the afternoon; it's supposed to be warmer still today.
Byron called from Athens, where he's visiting his family.
The first day after Xtian Thanksgiving is also the first day of Jethro Tull season, which somehow helps me survive winter.
It occurs to me that I presently have far too many books to promote all at once, as I've somehow ended up with three releases in January 2007: Daughter of Hounds (please preorder today, and thank you), the mmp of Threshold, and Tales from the Woeful Platypus. I shall endeavor not to have this happen again, three books in one month. Whichever book I happen to be promoting, I inevitably feel as though I'm neglecting the other two.
One last thing before I wrap up this entry and move along to the wishes and whims of Herr Platypus. I've decided I'm going to put together a short collection, maybe four or five stories, all reprints from Tales of Pain and Wonder and To Charles Fort, With Love, and offer it as a free downloadable PDF. There will be illustrations and lots of fun marginalia. And did I mention it will be free? Hey, it works for heroin pushers, I figure I might as well give it a shot. The first one's on me...
Oh, and comments especially welcome today. I don't know. I'm just in a responding-to-comments sort of mood.
Postscript: Lots of people have been asking about Sirenia Digest back issues. Yes, they may be purchased. Just $10 per. November '05 (No. 0) through October '06 (No. 11). Interested? E-mail Spooky at crk_books(at)yahoo(dot)com, and she'll fix you up, so to speak.
no subject
Date: 2006-11-24 08:40 pm (UTC)This sounds like a great idea. I will point everyone I know in its direction.
no subject
Date: 2006-11-24 10:36 pm (UTC)I worked on getting the last bits done on Sirenia Digest 12, which will go out to subscribers (and why aren't you one?) this very afternoon or evening.
Each issue of Sirenia seems to produce a story that I think is your best yet, and currently that one's "The Lovesong of Lady Ratteanrufer." I also love the inclusion of the notes and sketches for "Metamorphosis A." Will this become a regular feature in the digest?
no subject
Date: 2006-11-24 11:00 pm (UTC)Thank you. :-) I'm seriouslt considering submitting it to a magazine (something I never do, really).
I also love the inclusion of the notes and sketches for "Metamorphosis A." Will this become a regular feature in the digest?
Well, I don't usually have notes like that. Usually, I don't make notes for stories, much less notes made only moments after waking from the dreams that inspired them. But the things we experimented with this time, yeah, I think there will be more of that sort of thing in future issues.
no subject
Date: 2006-11-24 11:16 pm (UTC)You should—I can't imagine it wouldn't be accepted!
Usually, I don't make notes for stories, much less notes made only moments after waking from the dreams that inspired them.
I try to record particularly vivid dreams, on the theory that someday I might get either poems or stories out them; and while the vast majority never come to anything, enough have that I feel it's worth the effort. Besides, I like to know what my brain is doing when I'm not watching it.
But the things we experimented with this time, yeah, I think there will be more of that sort of thing in future issues.
Nice. I will be curious to see what turns up.
no subject
Date: 2006-11-25 03:03 am (UTC)I think you would be surprised at how insecure I am when it comes to magazines.
no subject
Date: 2006-11-25 03:26 am (UTC)Probably I would, but that doesn't mean you shouldn't send the story.
no subject
Date: 2006-11-25 04:45 am (UTC)Okay, then send it I shall. Tomorrow.
no subject
Date: 2006-11-25 04:54 am (UTC)Best of luck!
no subject
Date: 2006-11-24 10:57 pm (UTC)I hope it is. I think it has considerable potential as a way to attract new readers.
no subject
Date: 2006-11-24 11:18 pm (UTC)A couple of years ago,