greygirlbeast: (Default)
I shall not allow the fact that I am not awake dissuade me from making this blog entry.

Yesterday was, as I said, a day off. And it was not a bad day off, but I fear my head was not cleared out during the course of the day, as I'd hoped it would be. So, I move ahead with a cluttered head.

I've done A-E of "The Yellow Alphabet." Today, F-H.

Watching The Runaways night before last, and pretty much any time I see something made before the advent of the personal computer, the cellphone, the iPod, videogames, the world wide web, and so forth...I am left with the disquieting feeling that the world is becoming increasingly less real. No, I cannot yet quantify that. I'm still working on some way to explain precisely what I mean. Just a sense that things were more real than they are now, and that we continue losing the integrity of reality as we accept more and more techno-distraction into our lives. And sure, this likely goes back to radio and motion pictures, television and telephones. Maybe it even goes back to the invention of the printing press. But the latter was invented in 1440 or so, and it was only at the end of the 19th Century that the explosion of communication and entertainment media via electronic delivery devices really began. Sure, I sound like a Luddite. I probably am a Luddite, albeit a Luddite who spends most of her life online, who uses Twitter and Facebook and LiveJournal and Gmail. Who has an iBook (from 2000, but still), an iPod (from 2005, but still) and a cellphone (from 2004, but still). Mostly, I'm just thinking aloud here. I think the world is becoming less real, and the rate of disintegration may be exponential. Maybe this is what all those transhumanist H+ wonks mean by the "Singularity."

---

I think that my various new meds have my body a little off kilter. Specifically, my blood pressure. When I went to the doctor last Monday, my blood pressure was high. But mostly, the Prazosin is causing my blood pressure to drop. In the mornings, I am woozy and weak. My pulse tends to race. But the alternative to the meds is unacceptable, so...I'm dealing with it.

---

So, yesterday we saw Phillip Noyce's Salt. The first half was slow, but it picked up steam and the second half was quite enjoyable, as long as you didn't expect the plot to make much sense. As long you're satisfied by watching Angelina Jolie kick butt. Which I was. The ending is more of a "just stopping," so I assume this is the beginning of a series, unless this film tanks. But yeah, big dumb fun, leave your brain at the door.

Which brings me to the fact that we finished Season Two of 24 last night. It's a strange, strange show. It's really not very good. It is, in fact, often perfectly ridiculous. And yet we keep watching it. I think it's mostly Kiefer Sutherland, and the violent absurdity of it all, that keeps us coming back. But I can't imagine anyone watching this one week at a time, one episode a week, with commercials. It's certainly not that compelling. And, setting aside all the silliness, the plot devices and stuff the writers just pull out of their butts because it looks cool and Jack's such a badass that physics don't apply and the like, my main annoyance with the series is it's insistence on irrelevant subplots. In this respect, Season Two was both better and worse than Season One. All that business about Kim and the murdered wife and the murdering husband...it was just a huge distraction. I suspect studio execs insisted there be something to "appeal to the female demographic." But none of it had anything whatsoever to do with the actual story until the very, very end, and then only as a too-convenient device to distract Jack during a crucial minute or so, which was hardly enough to justify its existence. But yeah, we made it through two seasons. Not sure if we'll keep going (especially given that what happens after the Season Two cliffhanger was put into a frakking videogame).

Also, I'm not usually opposed to American remakes of foreign films, not by default. Sometimes, it works. Sometimes, it doesn't. But I am horrified at what's been done by Matt Reeves to Låt den rätte komma in. It's one thing to move the film to America. It's a far, far worse thing to remove Eli's gender issues. That, essentially, guts the film of one of its driving forces. This is not just a story about a budding serial killer and vampirism, but about sexual violation and gender ambiguity, and by striving to make the story more "accessible" (Reeves' own choice of words), he's destroyed it. There's a reason Tomas Alfredson's movie was pretty much limited to the art-film circuit. It was smart and subtle and dealt with complex issues, and dumbing it down for the mass American consumer is an abominable notion. Even if it's a notion that makes money.

We have eBay auctions ending this afternoon. Please have a look.

Anyway...I should get to work.
greygirlbeast: (Default)
Spooky's getting ready to take Sméagol back to the vet, because the abscess on his foot has turned into cellulitis. He's spry and eating, no fever and seems to be in no pain, but obviously we're worried (and never mind the damned vet bills). Oh, now Spooky's gone. Well, there you go.

The last couple of days I haven't been in that blogging frame of mind, whatever that blogging frame of mind might be. I think there was a post con crash, which happens sometimes. I'm on for three days, then suddenly I'm off. I'm surrounded by people for three days, then suddenly I'm my old reclusive self again. It didn't help that the last panel I had for Readercon 21, the "Gender and Sexuality in F/SF" late on Sunday, left such a bad taste in my mouth. I keep thinking of things I wish I'd said to the idiot who accused us of being "selfish" for not taking the feelings of readers into account when writing taboo subjects (lesbianism, it seems, is a taboo subject). I wish that I'd said, "Look, asshole. I will never make enough money to own a house. My teeth are shot. I can barely pay my bills. I have no health insurance, and I'll never be able to retire, ever. Writing almost every day for eighteen years has left me with a wrecked body and shot nerves. I need new glasses and can't afford them. The stress of this life led to seizures that have led to the need for medications I can't afford, but have to have, regardless. So, shut the hell up, you tight-assed little twerp, and let me write whatever it is I need to write. It's the only solace I have in this shitty job. I spent four hundred dollars I haven't got to attend this convention, and I'm not paying for the privilege of being called selfish by fools like you." Or something like that.

And I'm not going to start in on the two or three people (all female) who thought books need "warning labels," like "the ingredients list on food," so they wouldn't come upon a scene that offended their precious, fragile sensibilities. And why the fuck am I on about this again?

---

A good writing day yesterday. I did 1,644 words on the Next New Novel, beginning it for the third time. I'll say more about this situation in a few days, when I feel a little more self confident.

Later, we stopped by the farmer's market at the Dexter Training Grounds for fresh corn, and I finally got a new office/writing chair. The one I've had since 2003 or 2004 was, literally, falling apart, and doing horrible things to my back. And by the way, I'm going to make an effort not to talk so much about health and money problems here. It's something I personally find gauche, and would prefer not to ever do. There's just been so damn much of it lately.

Spooky has begun a new round of eBay auctions, which are important, as we have to cover the cost of Readercon and Sméagol's vet bills. So, please have a look. Bid if you are able. In particular, there's the Salammbô T-shirt (art by the astounding Richard A. Kirk), one of the last from the batch of 500 that were printed in 2000 to promote the original release of Tales of Pain and Wonder. We only have four left. We began this auction a couple of weeks ago, then ended it, because I didn't really have time to promote the item. If you're interested in rare stuff related to my work, this is one of the rarest you're going to come across, ever.

---

The last few days, besides writing and house cleaning and cat doctoring, we've been watching Season Two of 24 and Season One of Nip/Tuck. I've been reading Angela Carter's exquisite Wise Children (1991; Kathe Koja's Under the Poppy is next). We've played a little WoW, still trying to get Shah and Suraa through Icecrown. I've been making my way through the latest Journal of Vertebrate Paleontology, and read "Tetrapod fauna of the lowermost Usili Formation (Songea Group, Ruhuhu Basin) of southern Tanzania, with a new burnetiid record" and "A new and unusual procolophonid parareptile from the Lower Permian of Texas." I've mostly been sleeping well.

Yesterday, there was cautious relief at the news that BP's latest cap tests have temporarily staunched the flow of oil into the Gulf of Mexico. But I get the impression a lot of people think this means the oil isn't going to start flowing again (though even BP has stressed that it will). And, of course, even if no new oil were to enter the Gulf after today, there's presently almost 200 million gallons of oil befouling the area affected by the petrocalamity.

---

On Tuesday, we took in a matinée of Nimród Antal's Predators, which Spooky and I both enjoyed very much. My complaints are few. I would have liked it to be maybe half an hour longer, as it seemed a little rushed. But the creatures SFX were very good, and I can't get enough of Adrien Brody. John Debney's soundtrack was quite effective. Definitely a film that needs to be seen on a big screen. It's great fun, and I was in need of a Big Monster Movie that's great fun.

We also finally saw the Doctor Who "The End of Time" episodes. I thought the first half was a bit silly, but loved the second half. Has a doctor ever before refused so vehemently to go quietly into that gentle night? I'm going to miss David Tenant something fierce.

Okay...far too long an entry. The platypus says no one's going to read all this. I replied that I will, one year from now.
greygirlbeast: (Default)
Today is mine and Spooky's eighth anniversary. We would go to the shore, were it not also the weekend of the Fourth.

Another six and half hours spent editing "The Maltese Unicorn" yesterday, but now, finally, it is pretty much done. I wrote approximately 1,500 words yesterday. Hard to be sure, since it was done in bits and pieces, here and there. Tomorrow, we'll read over the entire story— start to finish —and I'll tweak a few more things, and then it goes away to the anthology's editor again, and I will futz with it no more. It was an utterly, completely exhausting writing day.

Yesterday, my contributor's copy of Swords and Dark Magic, edited by Johnathan Strahan and Lou Anders, arrived. It contains my story "The Sea Troll's Daughter," and stories by many fine authors. I am very pleased to have been given the chance to be a part of this book.

Also, to all those people who chipped in for Spooky's birthday present, I haven't forgotten that I owe you a poem. It's coming.

Spooky began a new round of eBay auctions yesterday, including one of the mega-ultra scarce Salammbô T-shirts that were printed for the original release of Tales of Pain and Wonder, way back in 2000. We only have three or four of these left (I think a hundred were made), including the one that's being auctioned. The art, of course, is by Richard A. Kirk.

I found two titles yesterday. "The SEA is Lovely, Dark and Deep" and "How the Moon Got Its Whiskers." Now I only have to find their stories.

Spooky and I have, belatedly, become addicted to 24. We've blown through the first ten episodes of Season One in two nights.
greygirlbeast: (Default)
I think Spooky and I just unintentionally wrote a Muppet sex ed film. And I'm afraid those images will be with me forever.

Yesterday, well...yesterday was a very strange writing day. I sat down to get back to work on "The Maltese Unicorn." I read over what had been written so far, and suddenly the whole thing felt terribly off kilter. For starters, I was only a third of the way into the story, at best, and yet I was about halfway to the maximum word count. Truthfully, as the story was being written, the way I was writing it, it wanted to be a 30,000-word novella. It has to be, instead, a 10,000 word short story. The biggest problem was the frame, set at the Drancy Transit Camp outside of Paris in 1941, six years after the events of the story proper. When I began work on the story, I thought the frame was necessary. But suddenly it seemed utterly superfluous. Worse, the front end of the frame had already devoured almost 2,000 words, and there would still be the back end of the frame to cope with at the end of the story. I knew that would need, at minimum, another 500 words.

I spent about an hour talking to Spooky— well, it was more like ranting madly at Spooky —trying desperately to figure out how to "fix" the story as quickly and efficiently as possible. And, finally, I made the decision to, in essence, decapitate it. Lop off the frame, the first section, then surgically remove all references back to the frame. I have never really done anything of this sort, and it's an understatement to say I found it terrifying. This morning, it's still terrifying. Late yesterday, I shortened the story by about 2,500 words, and smoothed away most of the rough edges left by the edit. I read it through to Spooky again, and it seemed to work better— though the tone had been altered, and the story was suddenly not nearly so dark as it had been (not a good thing). Today, I'm going to sit down and expand the opening paragraphs, restoring some of the set up that was originally in the "frame" section, before proceeding with that part of the story (the middle and ending) that has yet to be written.

Please have a look at the current eBay auctions. Thanks.

Last night, we watched the new episode of Glee. It's the first episode that really hasn't worked for me. Too many "what the fuck" moments, and it wasn't the good sort of "what the fuck." It was more the sort that left me wanting to wash my brain. Though, Brittany wearing her cheerleader uniform backwards, that almost made up for it. Oh, and Sue Sylvester. Later, I finished reading the graphic-novel adaptation of "The Call of Cthulhu," illustrated by Michael Zigerlig (with an introduction by H.R. Giger).
greygirlbeast: (Default)
Here in Providence, the heat wave has broken. The misery of yesterday is ended, and it's a cool 67F Outside at the moment. In the House, it's only 76F. Yesterday, at the height of the heat, the temperature reached 96F (never mind the heat index).

Not sure I can write a coherent account of the past two days. And there's probably not much point in trying. The birthday trip to Boston that we were supposed to make yesterday had to be shelved after the car's transmission blew on Sunday. We didn't get it into the shop until Monday. I'm hoping to make it to Boston next week.

As birthdays go, the first three quarters of yesterday were a disaster of such epic and unlikely proportions that it verged on comedy. Because the car was in the shop, and we were waiting on the call to pick it up, we were trapped here in the sweltering House. Not that we could have walked to any place cool. I'm on three meds right now that increase my sensitivity to heat. I spent a chunk of yesterday lying on the floor of the middle parlour, ever so slightly delirious. Muñoz was blowing full tilt right behind me, but the air refused to get any cooler. Finally, the call from the garage came sometime after 3:30 p.m., and Spooky walked the four blocks beneath the shade of her Badtz Maru umbrella. We left the house...and well, I don't know. More stupid crap happened. Recounting yesterday is just a senseless waste of time. But we finally got pizza from Fellini's and headed home. And it was a good pizza, though I think we were both a bit too woozy to eat.

My thanks to everyone who wished me well yesterday. It seems as though there were a couple hundred of you, mostly via Facebook. Also, special thanks to Steven Lubold, whose truly (truly) awesome birthday package reached me yesterday (perfect timing). And now that day is over, and here I go again.

A quick review of everything I've watched the last couple of days. Too much watching, I think. On Tuesday, we watched the series finale of Lost. Um...so, admittedly, all I'd seen is part of the first episode, way back when the series started. I hated the show instantly, and never tuned back in. But what with all the hullabaloo, curiosity got the better of me, and I watched the finale. And I understood it just fine, so I'm not sure of the source of all this grousing about it not "making sense." I even checked afterwards with some online articles to be sure I'd understood. That said, it was just as bad, and in all the same ways, that I recall the first episode being bad, and I can't begin to fathom the show's popularity. There was no chemistry between the actors. The script was lousy. As in the hokey sort of lousy. The SFX were lackluster. My take on the last episode was Gilligan's Island meets Land of the Lost. Later on we watched J.J. Abrams' Star Trek for the fourth time, as an antidote to the lingering aftertaste of Lost.

The night before that— Monday night —we watched Mira Nair's Amelia (2009). I liked it a great deal. Hilary Swank was spot on. Then, jumping ahead to last night, we started off with the latest episode of Glee, the Gaga/Kiss episode, and I have to say that it's truly my favorite so far. The show just keeps getting better. But we followed it with Chris Fisher's S. Darko (2009). It's not a bad movie, though nowhere near as eloquent as Richard Kelly's Donnie Darko (2001). Yeah, I see what the studio was hoping for. A franchise. But all movies are not fodder for franchises. Donnie Darko certainly wasn't. In the end, S. Darko does nothing at all that wasn't done far better by its predecessor. And again, though it's not a bad film (on its own merits), it's an utterly unnecessary film, and I have to feel that it somehow cheapens Donnie Darko. Anyway, afterwards, we watched the new episode of Glee again, because it was that good.

So yeah. Heat. Thwarted birthday plans. Car trouble And lots of watching.

And all the stuff I'm forgetting.
greygirlbeast: (walter3)
The weather is warming up again here in Providence. It's sunny, though windy. We're supposed to reach 69F today, and low 70sF tomorrow.

Day before yesterday, I wrote 812 words on "Tempest Witch." I may or may not be changing the title to "The Sea Witch," after discovering that's the correct name of the Frazetta painting upon which the vignette is based (also, it was painted in 1966, though not published until 1967). Yesterday, I wrote nothing, as I had an appointment with my psychiatrist, and those always throw days into disarray. But any day I see my psychiatrist and she lets me come home afterward, I count as a good day. I did get a lot of reading done yesterday, all research for "The Maltese Unicorn."

The eBay auction for a copy of The Five of Cups ends in a couple of hours. Remember, it'll be a while before you see another from me. This novel has been out of print since 2003.

It feels as though I've been watching an awful lot of "television" lately. I used the qualifying quotation marks because we don't actually watch television, but use Spooky's laptop to stream from Hulu and Netflix, and we watch a lot of DVDs. On Tuesday night, we saw Dr. Who: The Waters of Mars. Wednesday night, there was the new episode of Glee, which was great, even if there was a cover of "Jessie's Girl" (ew, ick) and even if we did have to suffer through Kurt's rendition of "Little Pink Houses." Last night, there was the very, very excellent new episode of Fringe. We also watched Michael and Peter Spierig's Daybreakers (2009). Not a great film, but a good film. Nice eye candy, which is the very least I ask of a vampire film (and which few ever deliver). Indeed, it's the only good vampire film I've seen since 2008's Låt den rätte komma in (which was much superior to Daybreakers, but still). So, yes, lots of watching.

Also, last night, I did something I swore I'd never, ever do. I rolled a gnome on WoW. A female gnome warrior. I fucking hate gnomes. And, yet, I did it anyway. Spooky and I had been joking around with silly gnome names the night before. I couldn't resist creating a character named Gnomnclature. Spooky matched me by creating a male gnome warlock named Klausgnomi. Last night, I leveled Gnomnclature almost all the way to Level 9. Man, I remember when the first ten levels were not half so easy as they are now (and when you didn't get a mount until Level 40). I suppose Blizzard figures they'll be able to create more addicts...um...I mean players...if lazy-ass, easily discouraged, free-trial players are given a cushy ride at the start. I might actually level Gnomnclature as far as 20, so she can get a mount and join the Knights of Good.

The platypus says that's enough, and I argue at the risk of losing another finger.
greygirlbeast: (The Red Tree)
I'm trying very, very hard to make sure that Sirenia Digest #53 goes out to subscribers by midnight tomorrow night. But I have at least a day's work left to get done on the second piece for the issue, "Workprint." Yesterday, I wrote 1,004 words on the story. On Wednesday, I wrote 1,196 words on it. Today, I mean to find THE END.

Audible.com is now offering audio versions of five of my novels: Threshold, Low Red Moon, Murder of Angels, Daughter of Hounds, and The Red Tree. Right now, I'm listening to The Red Tree. I've made it to the end of Chapter Two, and I'm quite pleased with what I'm hearing. I very much hope people will pick up copies of the audiobooks. By the way, you may listen to samples of the audiobooks at Audible.com.

We've begun a new round of eBay auctions to help defray the cost of my newest (and insanely expensive) anti-seizure medication. At the moment, there are copies of The Dry Salvages, Tales from the Woeful Platypus, and Alabaster. Please have a look. Bid if you are able. The good news is that the new meds appear to be working. Oh, and Spooky has new pendants up at her Etsy Dreaming Squid Dollworks shop, which is another way to help out.

Let's see. What else, quickly? Night before last, we saw Grant Heslov's The Men Who Stare at Goats, which I liked a lot. Late in the evening, we've been reading Patti Smith's autobiography, Just Kids. Also, though I've seen most of Joss Whedon's Dollhouse and found it barely watchable, on Wednesday and Thursday nights we watched "Epitaph One" and "Epitaph Two," respectively. And they were very good, especially "Epitaph One." They were a glimpse of the series that might have been, instead of the sad mess that was. Had the series begun with "Epitaph One," it might have been brilliant television. Those two episodes made me care about characters the rest of the series could not. Hell, in one scene Eliza Dushku came dangerously close to acting. So, it was delightful seeing them, but disheartening, too.

And now...work. Onwards, platypus!
greygirlbeast: (earth)
A sunny day so far here in Providence, though there may be thunderstorms this afternoon. Still, we were told we'd have a cloudy, rainy day in the mid-fifties, and, instead, we've gotten a sunny morning in the mid-sixties, so that's not so bad.

Yesterday, I wrote 1,243 words on a piece that I actually began, and then shelved, back in March. It was originally called "Untitled 37," but I've retitled it "Three Months, Three Scenes, With Snow." It will be appearing in Sirenia Digest #53 at the end of the month. I think I like where it's going. Spooky does, and usually she's a better judge of these things than I am.

Looking back over the last couple of months, so very little has been written. It's a bit terrifying. So much has to be written in the next few months.

---

On Tuesday, we saw Matthew Vaughn's Kick-Ass, and I truly loved it. The pacing was a bit off towards the beginning, but that's really the only complaint I can muster. This film is a fine example of how a studio may have no idea whatsoever when it comes to marketing a film. The trailers gave me the impression it would be a light-hearted superhero spoof. Nope. It's something far worse and something far better. Chloë Moretz' "Hit-Girl" will surely be one of this years most memorable film characters. Great movie. Highly recommended. Just keep in mind that it's rated R for a reason.

Spooky's been watching Glee and enjoying it. Last night, I watched the "Power of Madonna" episode with her and...to my great surprise...loved it. Then I watched "Hairology," because I wanted to see if the newest episode was a fluke, but no, I liked it, as well. Let's just say I'm still a little weirded out. Sue Sylvester rules.

---

Spooky's been making some really wonderful pendants from beach glass ("mermaid's tears") I've collected since coming to Rhode Island. She's sold four of them in the past two days, almost as quickly as she can make them. You can see the one's that have not yet sold here, at her Dreaming Squid Dollworks Etsy shop.

---

Today, I find that I'm not up to my annual Earth Day post. I just don't have the heart for it. I will merely note that the human population now stands at 6,816,419,848 (up about one hundred million since last year), and that the US population has risen to 309,118,407.* I will also note the issue of carrying capacity, and that, as far as Homo sapiens is concerned, the Earth’s carrying capacity is estimated by ecologists to be about two billion people (which we reached in 1927). So, we're 4,816,419,848 humans over the line. No species may indefinitely defy the carrying capacity of its environment. Not even clever humans. Sooner or later, this will end.

* courtesy the US Census Bureau's US and World Population clocks.

Ostara '10

Mar. 22nd, 2010 12:59 pm
greygirlbeast: (Pagan1)
The sun is hidden by clouds today, and it's cooler again. Not cold, but cooler. Though I find that the longer I live in New England, the more liberal I am with my definition of warm. When I left Atlanta, my comfort threshold was somewhere between 75-80F. These days, it's dropped to something more like 55-60F. Acclimation, I suppose. I think the cooler weather bothers me quite a bit less than the "delayed" return of green. Anyway, yes, the clouds and rain are back, and it's Ostara.

Yesterday was an exceptional writing day, in terms of word count. I did 1,718 words on "Houndwife." I'm thinking I'll be able to finish the story tomorrow or Wednesday. Yesterday's biggest surprise (if a story fails to surprise me, I see no reason to be telling it) was learning that not only is "Houndwife" a sort of sequel to HPL's "The Hound" (1922), but that it's also tied to my own "Les Fleurs Empoisonnées" (2001), one of the Dancy Flammarion stories. Turns out that during her childhood the narrator of "Houndwife" met one of the Ladies of the Stephens Ward Tea League and Society of Resurrectionists and...well...you'll see. If you're a subscriber to Sirenia Digest. Anyway, I didn't see this coming at all. I've not thought about Miss Ararmat's bunch since I wrote "Still Life" for Tales from the Woeful Platypus in October 2006.

I was reading back over old entries this morning, old entries for this date, and I was especially pleased with what I had to say on this day one year ago, regarding my feelings towards competitiveness. None of this has changed, except that it's become even more true than it was a year ago.

Last night, Spooky and I watched the new episodes of Spartacus: Blood and Sand and Caprica. I grow ever more impressed with the latter, and it occurs to me belatedly that I should be looking at the plot and characters with an eye towards parallels in Greek and Roman mythology.
greygirlbeast: (walter3)
1. This is turning into one of those spells of insomnia. As best I can recall, I've had one good night's sleep in the last week, on the "morning" of the 27th of February. Last night, this morning, I got about six hours. I suspect there are many reasons I'm not sleeping, none of which I should go into here. But it has me ill. I spent most of Sunday and Monday in bed— not sleeping, just too exhausted to get up and fucking do anything. Yesterday, Spooky and I were supposed to go to Boston to meet Sonya ([livejournal.com profile] sovay) and Greer ([livejournal.com profile] ninweaving) for a day at the Harvard Museum of Comparative Zoology. But, on Monday, I postponed the trip, knowing what lousy company I would have made, being sleepless and zombified and all.

2. Today, the sky is grey again and spitting snow. I suppose that's to make up for our having gotten a sunny day yesterday, one in a week. But, we did take advantage of yesterday. If I couldn't have Harvard, I could at least have Benefit Street. Spooky made me get dressed and shooed me out the door into the faint warmth of the early March sunshine. We parked near the John Brown House and walked to the RISD (Rhode Island School of Design) Museum. I'd never been, and Spooky had not visited the museum in many years. The collection is small, but exquisite. Just inside the entrance I was greeted with the work of some of my favorite painters, including Winslow Homer and John Singer Sargent. There was an amazing Art Nouveau fireplace surround by Hugnet Frères (1900), and two galleries of impressionist paintings and sculpture, including work by Monet, Degas, Manet, Gaugin, Renoir, and Pissarro. There was a fabulous chandelier by Dale Chihuly, that looked like something dredged up from the bottom of the Mariana Trench. And so much more. After the museum, we spent some time across the street at the Providence Athenaeum, just reading and Not Being in the House. It wasn't the Tuesday Out that I'd hoped for, but it was a good day, regardless. I'll post photos in two sets, one today and one tomorrow. Today's are of Benefit Street, and tomorrow's will be photos I took inside the museum:

2 March 2010, part 1 )


3. Sunday and Monday, too weary to read or be read to, I watched stuff. There was a charming little film about demons, Travis Betz' Lo (2009), which was sort of like discovering a lost or forgotten stand-alone episode of Angel. I recommend it highly.

Also, we watched the first six episodes of Spartacus: Blood and Sand. Now, as most know, I am a longtime admirer of good and/or entertaining pornography. Which is pretty much what Spartacus: Blood and Sand amounts to, a moderately entertaining pornography of sex, blood, and violence. Sure, its look is an uneven fusion of 300 and Gladiator (I found entire lines of dialogue lifted from the latter). Someone commenting about the show at Netflix wrote, "Fantastically terrible, but somehow I can't stop watching it...full of horrible dialogue and gimmicky effects, but if you embrace and accept the cheese-factor, it's kind of rad." Which just about says it all. Well, except for the pornography part, but I already said that. Do people actually still say "rad"?

Late last night, we watched Andrew Leman's 2005 "silent film" adaptation of The Call of Cthulhu again. I still say that this is, by far, the best film adaptation of any of Lovecraft's fiction to date.

4. I've pretty much been away from WoW for the better part of two months. Night before last, I went back in as my blood-elf warlock, Shaharrazad, and did the retaking of Undercity thing with Thrall and Sylvanus. It was fun, though not nearly as cool as I'd hoped it would be. Last night, Shah made Level 76. I'd like to get her to 80 before the release of Catacylsm, and before the events leading up to it begin this coming summer.

5. Okay. I need to try to wake up enough to get some work done. I can at least tend to email and deal with the signature sheets for The Ammonite Violin and Others, which I need to sign and get back into mail to Subterranean Press.
greygirlbeast: (fisting)
1. We just heard the news that Phil Harris, Captain of the Cornelia Marie, has died at age 53 of a stroke. You may know him as "Captain Phil" from Deadliest Catch, a series of which Spooky and I are oddly fond. And the news is oddly sad. He was our favorite captain on the show. To quote the AP release, "Harris started working on fishing boats at age 7 and started work 10 years later on a crab boat. When Harris turned 21, he ran a fishing vessel out of Seattle, making him one of the youngest to captain a vessel in the Bering Sea."

2. Yesterday, I wrote 1,328 words on "Untitled 35" and found THE END. It was a brutal jog to THE END. And it's a truly brutal piece of fiction. I'm learning not to make apologies for that. Still looking for a more traditional title. Given it was written almost entirely while under the influence of Bowie's Outside, and given it's matter, it ought to be titled "The Voyeur of Utter Destruction (as Beauty)." Today, Spooky and I will be proofing it and the galley pages for the "Sanderlings" chapbook (which comes FREE with the limited edition of The Ammonite Violin & Others).

3. The snow is just now reaching Providence, and it looks like it's going to be a heavy one.

4. Yesterday, I received my comp copies of the new German edition of Low Red Moon, retitled Kreatur. The translation was, once again, done by Alexandra Hinrichsen. From what Spooky and I have read thus far of the prologue, the translation looks good. This morning, I snapped a couple of shots of my German editions:

Kreatur und Fossil )


5. You're probably all growing weary of my going on about Insilico. But it's just so damn good.* Last night, everything changed for Xiang, when agents from the Gemini Corporation attempted to kidnap her (trying to take her before agents of the Tokuma Corporation or, possibly, members of the underground Syndicates). She was able to stall long enough to upload to a nearby service droid, before detonating an EMP device, thereby self-destructing. Unfortunately, the Gemini techs have been able to salvage her remains, including most of her mind (Gemini also intercepted the broadcast). Xiang 1.0 may well be dead, but now...I am playing Xiang 2.0a (saddled by Gemini with loyalty software), Xiang 2.0b (created by a Gemini agent named Molly Longshadow, for her own personal ends), and Xiang 2.0c (the copy uploaded to the Abeus droid, and later delivered to Hibiki-O, a cyborg who has done much to keep Xiang alive and hidden from TPTB). 2.0b and 2.0c are currently without bodies. So, yeah, awesome, awesome stuff, though it now leaves me playing three clones of the same robot. But we embrace challenges. There are two screencaps behind the cut:

Xiang is dead. I am Xiang. We have been divided. )


* We have, here, come almost to the end of that brief time during which I was able to delude myself into believing Insilico was, in fact, especially different from the rest of Second Life. (2/10/11)
greygirlbeast: (Neytiri)
1. I made a truly baffling error regarding the population of Haiti yesterday. I said it was about three million, when it's more like ten. I still don't know where I got that figure. Anyway, I'm trying to stay abreast of the events in Haiti, but I think I've seen too much already. It's a level of devastation and personal suffering that our minds can only just begin to comprehend, I think. Also, yesterday I stated that casualties were estimated at somewhere between 100k and 500k. The lower number came from CNN, the larger from the APA. Someone questioned the numbers (which is fair, seeing how I somehow lost seven million Haitians). I just found the following in a CNN article posted bout an hour or so ago: "Precise casualty estimates were impossible to determine. Haitian President Rene Preval said Wednesday that he had heard estimates of up to 50,000 dead but that it was too early to know for sure. The Haitian prime minister said he worries that several hundred thousand people were killed." Truth is, it's going to be a long time before there's a solid estimate, and the true number will not ever be known. I will also say that I have been disappointed with President Obama in several respects— most notably the joke (really, worse than a joke) that he's allowed health-care reform to become through successive compromises. But I have to say, I admire his response to the Haitian disaster.

2. There's not a lot to say about yesterday. I answered email. I bathed and washed my hair. I went to the market with Spooky, and we had leftover chili for dinner.

3. Last night, we watched Pete Docter and Bob Peterson's Up. While I think I liked it more than did [livejournal.com profile] readingthedark (we talked about it this past weekend), it's far from the best Pixar's done. The first fifteen or twenty minutes were marvelous, and would have made a wonderful short. But the rest of the film just sort of careened about, bumping off itself and doing these weird somersaults. In some ways, the film was swamped by the perceived necessity for a clever, action-packed plot. Ratatouille (2007) remains Pixar's masterpiece, the one they have to beat to make a better film than their best.

4. Spooky found a rather nice piece yesterday on Fringe at i09, which I think manages to put its finger on one of the reasons I've come to love the show. Specifically, how Fringe uses bad science and pseudoscience to make real science interesting, how it catches the spirit of real science, and also the spirit of that time before sf was more obsessed with trying to get the science right than conveying wonder and awe at the intricacies of the universe.

5. Before the movie last night, I got in about two good hours of rp in Second Life. I've learned that it works best the smaller the group, so right now it's just me and one other, letting our characters grow, fleshing out backstory, only tentatively making contact with other players. Mostly, it's conversation (which is always the best rp, anyway). Thanks, Melissa. That rough spot in me is being soothed just a little by this.

6. And now I should go. Geoffrey will be here sometime after two, and we need to leave for Brooklyn about 2:30 p.m. (CaST). We're driving to New Haven, then taking the commuter rail into Manhattan, and then the subway to Brooklyn. We hope to be home by four a.m. or so on Saturday morning. See you afterwards.
greygirlbeast: (white2)
One year ago today, Sméagol came to live with us. He was called Linus then, but we soon corrected that.

If anyone's interested in gifting Spooky and me with the distractions that help to make this existence bearable, in the form of Solstice gifts, we have both updated our Amazon wish lists. You can find mine here, and you may find hers here. Thank you. This past month has taken a toll on finances, from car troubles to doctor bills, and there's less money than usual for these niceties. CDs, DVDs, books. And we are both perfectly happy with used copies. Thank you kindly.

---

Yesterday, I followed a link Neil Clarke (of Clarkesworld Magazine) posted to Twitter, and found a fine little essay/blog entry on writing, in the blog of Damien G. Walter: "Show Me the Writers Taking Risks." It speaks very much to my "writing process" (though I do loathe that phrase), and opens with this quote from Ray Bradbury's Martian Chronicles (borrowed from Frederico Fellini): "Don’t tell me what I’m doing, I don’t want to know." It moves along to another Bradbury quote: "First you jump off the cliff, then you build the wings." Which is about the best advice I could ever give any would-be writer. Stop plotting. Stop outlining. Stop writing character profiles and fretting over arcs. Kill the spreadsheets. Forget the workshops. This isn't science, and tedium won't save you. Writing is art, which means it's pretty much magic. Peer over the edge, size up the drop, then just fucking jump off the cliff and get to work, because the ground is rushing towards you, or you're rushing towards the ground (it hardly matters which). Just write the damned story. In this short essay, Walter writes:

So many writers seem set on not just building wings, but complete impact survival systems before they even venture to the cliff edge (while others are hurling themselves into the void without even a sense that the ground exists).

Anyway, yes...I suggest you have a look.

---

Yesterday, we drove down to Saundertown, to Spooky's parents' place. It was good to get out of the House. It helped to alleviate that feeling that I might, at any moment, shatter. We saw fields blanketed with a thin crust of snow, and we saw stark trees, and a deer at the side of the road. We got a dozen fresh eggs from the farm. We saw a leafless tree burdened with frozen apples. There are photos below, behind the cut.

Last night sort of turned into Revisit TV Shows We Hated the First Time Night. It also became an evening of These Shows Have Improved Somewhat Revelation. First we watched a couple of the most recent episodes of Fringe. Yes, it's improved. We tried to watch the series back when it first began and found it painful and impossible. But things seemed a little tighter last night (absurd science aside). If nothing else, John Noble is entertaining as Dr. Walter Bishop, and I'm seeing depth to the character that was missing early on. And Phillip Broyles isn't bad, but the rest of the cast feels extruded, mass produced, interchangeable. The series has a long way to go to stop being an inferior X-Files knockoff.

We also watched the latest episode of Dollhouse. And, you know, the only thing really keeping the episode from being quite decent was Eliza Dushku, who still can't act her way out of a paper bag. Summer Glau was creepy, and that's a good thing. I know the series has been canceled. And I hate like hell to see Joss Whedon keep hitting the wall like this, but he should have known better than to pin his star to Fox (again) and the talentless Miss Dushku. She can't even convincingly act like a blank doll. Rather, she acts like someone trying and failing to act like a blank doll. But I will watch the next episode, regardless.

So, yes...photos (there's even one of me, and those are growing increasingly rare):

6 December 2009 )
greygirlbeast: (Bowie3)
The insomnia came back last night. I was still wide awake at 4 a.m., when I finally gave up and took Ambien. I think I slept about six hours. I function far better on nine.

Yesterday, when I wasn't busy slamming New Moon, Mormons, and Americans who are more comfortable with a 1.9 trillion dollar war bill for our occupation of Iraq than a 1 trillion dollar bill for health care overhaul...when I wasn't doing all that...mouthing off, so to speak...I was writing. I managed 1,003 words on "Sanderlings" (formerly "Teratophobia").

Roger Ebert's review of New Moon is actually rather priceless. He gives it one star out of four. I was pleased to see that the film currently has only a 4.4 rating at imbd, and that it's not fairing so well over at Rotten Tomatoes, either. Of course, this is mere criticism. The film broke all box office records on Friday, and is likely to break the opening weekend record. So, lots of happy studio execs and queer-hating Mormons getting the last laugh. Tiddley pom.

Truthfully, I think I need to go back to feigning indifference and keeping my social and political ruminations to myself. Because, face it. Yes, I am a fatalist and a pessimist. There's nothing I can do to make much of anything better, and on those rare occasions when I try, I usually only manage to make things worse for myself. For example, yesterday I probably managed to do very little but piss a few people off and discover that an enormous number of folks on Twitter no longer know (or never knew) the definition of irony. The second bit upsets me far more than the former. Anyway, yeah. Less politics and critique. This is your world. I leave you to it. I'll write about my writing, and comment on movies I've seen and books I've read, and post pretty photographs of Rhode Island. The rest I leave to others.

It's cold here in Providence. Truthfully, I wish the snows would come. The cold is less depressing when there's snow. The snow takes away all the sharp edges.

We've begun a new mini-round of eBay auctions. Please have a look, and thank you. Also, a reminder that Subterranean Press has begun taking pre-orders for The Ammonite Violin & Others.

Last night, we suffered through the third extremely dull episode of the reamke of V (it really isn't getting any better), and then watched Adam Green and Joel Moore's Spiral (2007), a surprisingly good little thriller. Frankly, I miss flipping channels. Now, instead of flipping channels looking for something worth watching, we flip through the streamable (new word, I suppose) films at Netflix. Last night, we searched through them for almost an hour before finding Spiral.

And now, more photos from Green Hill. Today is documentation of the "starfish apocalypse." Actually, I was annoyed to discover that by the time we reached that part of the beach most blanketed in dead starfish, we'd evidently tired of photographing them. But this gives you some impression. We must have seen hundreds, which means there were probably thousands. I was thinking about this yesterday, and it occurred to me that we likely were not seeing starfish that had died in a single stranding, but the effects of multiple strandings, maybe many days' worth. After all, it's probable that a portion of the starfish that perish during any given low tide would not be washed out to sea on the next high tide, that, over time, an accumulation would occur. Anyway, yes, photos:

18 November 2009, Part 4 )
greygirlbeast: (Ellen Ripley 1)
Yesterday, I managed to do 1,107 words on "Teratophobia," though the story seems to be going somewhere I'd not expected, and so I'm thinking it may have to be retitled.

And I have some other news, which isn't exactly huge news, but is fairly cool. However, I do not think I am yet at liberty to relay it. Maybe in the next day or two, once my agent says I can.

Mostly, I'm sort of working overtime to stave off a crushing sense of dread, as I contemplate what December and January are going to be like:

December:
* Begin Blood Oranges (working title)
* Write short story for Robert Silverberg tribute anthology (Subterranean Press)
* Write and produce Sirenia Digest #49

January:
* Continue Blood Oranges (working title)
* Write short story for chapbook to accompany the numbered edition of The Ammonite Violin & Others
* Write and produce Sirenia Digest #50

It's daunting, even for someone as productive as I usually am. The good news is, after January, the schedule will lighten up, and I'll "only" have the new novel and Sirenia Digest to worry about.

Better too much work than no work at all.

---

My thanks to everyone who voted in last night's poll. Henceforth, I shall only refer to that Palin woman as "Caribou Barbie," whenever I have cause to speak of her in this journal.

---

Wednesday night, we watched the final two episodes of Bryan Fuller's Wonderfalls. While it has it's moments and, all in all, I enjoyed the series, Wonderfalls is definitely a distant third to Fuller's truly outstanding (and also canceled) achievements, Dead Like Me (his very best) and Pushing Daisies (his second best).

Last night, we played WoW. Shaharrazad and Suraa in the Plaguelands. Both became exalted with the Argent Dawn, though, secretly Shah despises that order, and sees the AD as a nest of rotten turncoats. Perhaps she plans to work to subvert them from the inside.

And now, seven more photos from Wednesday's trip to Green Hill. I call this one "Sanderlings Installment, with Gull Tracks":

18 November 2009, Part 2 )
greygirlbeast: (Bowie3)
A chilly, cloudy day here in Providence. I suppose one would simply say, an autumn day. But the sort that is chilly and cloudy, instead of sunny and crisp and plagued by carnivorous blue skies. Again, as almost all of yesterday was spent in bed, there's not too much to write about. I am feeling quite a bit better today. Maybe by Monday I'll be as near to one hundred percent as I ever get these days.

And I wish I had grand insights into writing to put down here this afternoon. I'd feel less like a bum if I did. It would be something I could pretend was work. But I don't. I can say that I'm bored, and that's about it.

The South County Independent article/interview in now online, and it's also in the hard copy that came out yesterday. Mostly, I talk about The Red Tree and Rhode Island.

The tree outside my window is still green. Most on this street aren't. Many have already lost their leaves.

Vince has delivered the final version of his illustration for Sirenia Digest #47, and I like it very, very much. I'm hoping I can get the digest out tomorrow, but it might be as late as Monday, so I ask for your patience.

The eBay auctions continue. Please have a look.

Yesterday, the postman brought my comp copy of the new Italian translation of The Mammoth Book of Vampire Romance (UK/American editions, 2008), which is titled L'ora Dei Vampiri. I still find the inclusion of two of my stories in the volume rather amusing. "Ode to Edvard Munch" and "Untitled 12" in a book of vamp-flavored paranormal romance. Or, two of these things are not like the others. I remain impressed that the editor asked to include them.

Late yesterday, Spooky convinced me to get up and go with her to the last day of this autumn's farmer's market at the Dexter Training Grounds by the Armory. I was glad that I did. The air did me good. I picked up chestnuts and admired baskets of peppers. There are photos behind the cut (below).

Last night, on beyond bored, I convinced Spooky that we should spend the evening binging on Hallowe'en-appropriate movies and whatnot. First, we watched David Moreau and Xavier Palud's Ils (2006; US title, Them). It was very, very good, and made especially effective use of sound. A wonderfully disturbing thriller which I recommend. I cannot say the same for Dario Argento's Jenifer, yet another installment in the lamentable "Masters of Horror" series. I'm not even convinced that Argento directed it. The film didn't look like Argento, or feel like Argento. It was utterly, stupidly awful, and dull, and vapid— the sort of thing that panders to the maladjusted fourteen-year-old boy in far too many adult horror fans. By the third obligatory sex scene (or the second obligatory and unconvincing disemboweling, I can't recall), I was nodding off. Anyway, we followed that with the Hallowe'en episode of Castle. It's the first I'd seen of the series. It wasn't bad, so long as it was only trying to be funny. But when it tried to play "detective series with a straight face," the whole thing fell apart. Still, any excuse to watch Nathan Fillion. And after that, we watched the last two episodes of Angel, "Power Play" and "Not Fade Away," which I love more with each new viewing.

Anyway, here are the photos from yesterday:

29 October 2009 )
greygirlbeast: (Ellen Ripley 2)
I think this is what is meant by being between a rock and a hard place.

Yesterday, insomnia and another migraine prevented me from getting any work done, and so I still have not begun Sirenia Digest #47, and I'm running out of month. Plus, I have to be in Manhattan on the 27th, and I have the Brown reading on the evening of the 24th. The interviews are mostly out of the way. At least that's something.

I don't think I've blown a month this badly in...well, a very long time.

If you've not already, please have a look at this round of eBay auctions. There's some stuff we've not offered in quite a while, and one or two things we may not offer ever again. Thanks.

I was amused (I think that's the word) to discover a quest in WoW, something with the Night Elves about rejuvenating the "Staff of Equinex." The n'elfs are moon-worshipping "Druids," but there's often this sense that Blizzard is not entirely comfortable with the paganism they've interjected into the game. There are these half-hearted attempts at disguising it, such as this "Staff of Equinex" quest, wherein not only is the word "equinox" misspelled, but so are the four sabbats that are the subject of the quest: "Samha" (Samhain), ""Imbel" (Imbolc), "Byltane" (Beltane), and "Lahassa" (Lammas, Lughnasadh). Of course, maybe this is supposed to be funny, and I simply failed to appreciate the joke. To be fair, all the Christian holy days referred to in the game also have their names disguised and are watered down to their secular aspects.

I wish there were a time store. I need to buy one week. Maybe two.

It rained all day yesterday, here in Providence. Cold, cold rain. But, further north, in Boston, there was snow, so I figure we were lucky. I do understand that there has already been snow in Rhode Island this year, in Cranston. Today, the sun is out, and the day is bright, but still cold.

We finished Season Four of Weeds night before last. I love this show. Not quite as much as I love Californication, but I do love it. Both are brilliant in their satire of the mess that is America in the early 21st Century. Both use comedy not as a mere distraction, but social satire. In Californication, we have a debauched womanizing writer who seems to be the only man (or woman) in Los Angeles who isn't a misogynist, and in Weeds, which exposes all the ugliness and hypocrisy of suburbia, a pot-dealing Nancy Botkin turns out to be a better mother than most. Both shows make skillful use of inversion, presenting "dysfunctional" as the norm and the "American dream" as a nightmare we can't wake up from, no matter how hard we try. But, most importantly, they're funny and very well-written shows. And, I have to admit, I love it when the hopeless fuck-ups are the "good guys." Thank you, Showtime.

Time to try to make the doughnuts.

Creepy Doll

Oct. 2nd, 2009 12:00 pm
greygirlbeast: (The Red Tree)
We've had our first real cold snap of the year, here in Providence.

My thanks to everyone who commented to yesterday's entry. I would have replied to more of the comments, but the entry itself left me somewhat wiped out, and I was more interested in seeing replies than saying anything more myself. Having written it, I felt an odd alloy of relief (that I have begun to realize just how dead the Old Way is, which makes me able to adapt) and despair (that the Old Way I was taught would work really is dead, so now I've had to adapt). I'll probably write a follow-up entry at some point. Just not today.

Yesterday was not productive. I sat at the keyboard all day, thinking about what I'd written, about what I'd read from others who are in the same predicament in which I find myself, about survival under the New Way, and it sort of locked me up. Today, I can't lock up. Today I have to finish tweaking the ms. for The Ammonite Violin & Others and get it to Subterranean Press. The signed contracts went out to subpress yesterday.

---

Yesterday, I read Tim Pratt's very flattering review of The Red Tree in the new issue (October) of Locus magazine. I will quote the last bit, as a fetish against all the pitfalls this Friday afternoon may hold in store for me, as a tonic to help get me through the day:

You may find your mind returning frequently to this tale, attempting to reconcile the irreconcilable, and you may find yourself, like me, bowing to Kiernan's artistry, and her ability to create Mystery. This is her most personal, ambitious, and accomplished work yet.

---

Escape Pod's reading of "Ode to Katan Amano" is now live. Please check it out. I sat and listened to it this morning, and I am very pleased with what I heard. This is the first time I've had a story adapted for a podcast, and I think it has encouraged me to pursue other such adaptations. Oh, and you get a bit of Daikaiju (who we actually got to see play in Atlanta years ago) and Jonathan Coulton's "Creepy Doll," as well. You'll also learn just a little about who Katan Amano was, and that pleases me, as well.

---

There's another new interview up, this one at Reflection's Edge Magazine. My thanks to Shennandoah Diaz.

Also, please have a look at Spooky's Etsy shop, Dreaming Squid Dollworks, as she's getting lots of awesome new stuff up for Hallowe'en.

---

Last night, we streamed..well, lots of things. I'm watching too much and reading too little. But at least we're watching good stuff. We started with the final episode of Dead Like Me, then moved on to more Weeds, and then the Season Four premiere of Dexter, and then three more episodes of Weeds. I was going to make a pie, but decided I'd best wait until another night. I didn't get to sleep until almost four a.m.
greygirlbeast: (Ellen Ripley 1)
A rainy grey day here in Providence. And I'm on Day 3 of the Everlasting Migraine. Or Day 4. It's all beginning to blur together, like overlapping pools of melted wax.

Yesterday, we drove down to Peace Dale Public Library, where I had a 3 p.m. meeting with a reporter from the South County Independent. My dislike of live interviews is well enough known, but it actually went well. We sat and talked until about 4:30 p.m., mostly about The Red Tree and "The Dead and the Moonstruck." And I do believe that will be my last interview for a while. Well, unless fucking Oprah calls or something of that magnitude. Ah, now there's a question. If I were invited to appear on Oprah (and, of course, there's a greater chance I'll be named pope), would you lose all respect for me if I accepted the invitation?

Grey today, yes, but yesterday, the sky was carnivorous, with only a few straggling wisps of cloud. The clouds only managed to make the sky more threatening. It was a clear, crisp early autumn day, the trees just beginning to take on colors other than green. Not the sort of day I like being out and under the sky, but there you go.

And here it is, already the 27th. I have to finish up with Sirenia Digest #46. Waiting on artwork from Vince for "Shipwrecks Above" before I begin layout. And I have to begin my YA Mars story, which is due on November 1st. I think it might be called "XX."

Thanks for all the comments to the last entry. I did read them all, even if I was not up to replying to them all. This one made me smile (from [livejournal.com profile] fusijui):

I'm appalled at your cynical attempt to milk the Brachiosaurus scandal for attention. That radical scientists are attacking the ENTIRE BASIS for traditional Linnaean family values is a crisis of Western civilization, NOT an opportunity to boost your readership. If your readers were not degenerates and clapping zombies, they would have already swamped this so-called blog in healthy renunciations of the trendy Giraffatitan agenda.

And this one, as well, for entirely different reasons (from [livejournal.com profile] tetar):

We are delicate with you about commenting too much, for fear of disturbing you, for fear of your thorns, and for fear, at times, of your art. It is a fear born of respect. Our dread is to guard your poise, and to avoid intruding. Know that we are here, eyes greedy for your words. Know we're with you in this dark. I don't know what else to say and feel I have probably said too much. Namaste.

Thank you.

---

We binged on Calfifornication last night and the night before, and have now seen all of Season One. Which we loved. Hank Moody is my newest hero.

I've been reading the latest Journal of Vertebrate Paleontology, and, since my last entry, have finished "Bone histology and microanatomy of Alamosaurus sanjuanensis (Sauropoda: Titanosauria) from the Maastrichtian of Big Bend National Park, Texas" and "Hadrosaurid dinosaurs from the latest Creatceous of the Iberian Peninsula."

---

And now, please have a look at Spooky's Dreaming Squid Dollworks Etsy shop. She's been getting lots of new things up in time for Hallowe'en and Samhain.

There are more photos from Tuesday:

22 September 2009 )
greygirlbeast: (white)
Not a whole lot to write about, as regards yesterday. At least not, as regards writing. Since I didn't write yesterday.

Spooky and I chose Beavertail for our Mabon ritual. Last year we went farther east, out to Fort Weatherill. The weather was cloudy yesterday, and windy, but not cold. We found a good flat place on the rocks north of the lighthouse. No one nearby except a few fisherman. Sailboats in the bay. Gulls and cormorants.

Afterwards, we drove to Saundertown to visit Spooky's mom and dad (and get eggs and basil, squash and tomatoes). On the way back to Providence, we stopped to watch the sunset over a pumpkin patch north of Slocum. It was a good day. Autumn is not my season, but if it must come, it should be embraced.

There are photographs:

Mabon '09 )


---

Last night, we watched the Season premiere of Heroes. I liked the introduction of the carnival, and I still adore Zachary Quinto. But mostly, the show is what the show has always been. Not really good, just entertaining enough to keep you watching. Later, Spooky and I got in some WoW in the Badlands, with our Draenei characters, and we both reached Level 42.

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greygirlbeast: (Default)
Caitlín R. Kiernan

February 2012

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