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Here in Providence, autumn seems to have come to stay. Trees are going red and yellow. Spooky and I are talking about driving up the Blackstone River valley in a couple of weeks, into Massachusetts, and maybe as far as Vermont, just to see the trees. And, by the way, I'm guessing there aren't many people who dream about finding the axis (2nd) vertebra of a Triceratops, but I did last night.

No writing yesterday. On Monday, I went back to "There Will Be Kisses For Us All," abandoned in December 2008, and began from scratch. I did only 646 words. The prose is dense. And I spent a great deal of time with research. Like becoming obsessed with Romanian words for "whore" and "lover" and "wife." And whether Castle Poenari is on the north or south bank of the River Arges. And Rome's role in shaping the culture of Moldovan and Wallachian culture in the 15th Century. So, that was Monday. Today, I need to screw up my courage (an odd turn of phrase) and go back to work on the piece. But it's as intimidating as it was two years ago.

Only two days remain on the "napoval" auction. One of a kind, people. One of a kind. A piece of my personal history. Also, there are the other eBay auctions.

---

The winner of the signed copy of Silk, commemorating seventeen years since I began writing it on October 11th, 1993, is [livejournal.com profile] ashlyme. The winner was determined by rolling polyhedral dice. If you are the winner, please send you snail-mail address to Spooky at crk_books(at)yahoo(dot)com, and we'll get it in the mail to you. My thanks to everyone who left comments on Monday. They were great, all those stories about first encounters with the novel. Oh, and also, we're a little behind shipping eBay packages, what with the HPLFF and the taxes and everything else, but they'll be going out very soon, promise.

---

Yesterday, for the first time since coming home from the airport on October 5th, I left the House. We drove down to Warwick for a matinée of David Fincher's The Social Network. It's a brilliant film, and Fincher deserves an Oscar nomination this year. Wonderful performances all the way 'round. Trent Reznor and Atticus Ross' score (which I downloaded weeks ago) is superb. Parallels are being drawn between this film and Citizen Kane. They're not inappropriate. Highly recommended.

---

Ahem.

Spooky and I have been eagerly awaiting World of Warcraft's next expansion, "Cataclysm," due out December 7th. Yesterday, Blizzard rolled out patch 4.0, and we were excited about that, too. But my excitement came crashing down when I discovered that, among many other inexplicable and fundamental changes to gameplay (some of which I knew were being implemented), most warlocks have lost most of their minions, and had them replaced with...well...impostors. That is, Shaharrazad's succubus, Drusneth is now some hooven slut named Angxia. And her imp, Volyal, has been replaced with a much less agreeable imp named Voltuk. And her beloved felhound Greezun (who was the Reason) has been replaced by some mutt named Bheethun. Only her voidwalker, Zhar'los, was spared the purge. I'd had those minions for two years. Some players had the same minions for five years. And...gods...by the sword of my Dark Lady...I'm pissed about this. There was no sense in it. None at all. It's almost enough to make me give up on WoW. Yes, I know this sounds bloody ridiculous to all you non-warlock, non-WoW addicts. But there you go. The WoW bulletin boards are awash in 'lock sorrow, as we all join in grieving for our stolen minions, and as we futilely beg Blizzard to give us back our rightful minions, to whom we were soulbound. There's this poem, posted last night by a fellow Sin'dorei warlock, Myri (Sisters of Elune):

Ode to a Lost Voidwalker

Twas the night before Cata
and all through the land
Not a player was stirring,
their realms all unmanned.
The warlocks were nestled in Stormwind and Org,
Dreaming of chaos bolts, corruption and more!
Their minions all banish'd, soul shards fully stocked
waiting for Deathwing and his dragon flock.
Then suddenly, out of the gloom came a cry!
Our demons are missing! We have to know why!
In their places are strangers, our friends can't be found
From Icecrown to Stratholme we've scoured the ground.
They left us no messages, no clues to follow
and here we are lost, feeling lonely and hollow.
Oh where have they gone, our faithful fel pets...
A better companion, we haven't found yet.
So begone, all you mages and your elementals
Death knights and ghouls? Hardly sentimental.
The warlocks all sigh, downcast, brokenhearted
For a lock and her demon should never be parted.


---

Fortunately, I have a new MMORPG obsession, City of Heroes and Villains. In fact, I have become so obsessed with the game that, after last night, I'm forcing myself to step back from it for a couple of days. But...my magic corrupter, a vampire named Erzsébetta Bathory (yes, you read that correctly), has reached Level 23 and earned her first cape...and I just adore the game. Yeah, the controls suck, badly. But the game is still sort of wonderful, and almost everyone actually fucking roleplays. That's a fact I can't seem to get over. What I did not find in Second Life and WoW I have found in CoX. But I've played about twenty-one hours over the last three nights alone, and that's far too much, so I'm giving myself a short time out. Just until Friday.

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And now...another set of photographs from the trip. While wandering the empty Minneapolis airport on the night of the 4th and the wee hours of the 5th, we happened across a number of stone-inlay murals set into the airport floor. I have yet to determine when or by whom they were created, but they are beautiful. Photos below. Oh, and we also discovered that portions of the airport floor are paved with Solnhofen Limestone (from whence comes Archaeopteryx), from the Jurassic of Bavaria, including the floor around the murals. Spooky and I spotted fossil sponges and ammonites in polished cross-section. I imagine few of the tens of millions of people who pass through the airport ever how often tens of millions of people pass through the airport ever realize they tread on the remains of ancient reefs and lagoons. Anyway, photos:





This was my favorite of the three we photographed. I call it the "fish mural."











Then there's the Ursa major/Ursa minor mural.





And then there's what I'm fairly sure is is an elaborate bit of Enochian ceremonial magic meant to summon something terrible that will herald the destruction of all Minnesota, with the airport at the epicenter of the calamity. Or maybe it has something to do with a nuclear strike...

Either way, it's damned weird.









All photographs Copright © 2010 by Kathryn A. Pollnac.

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Caitlín R. Kiernan

February 2012

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