the whiskey is water, the water is wine
Apr. 21st, 2007 12:02 pmI woke this morning from red-orange dreams filled with apocalypse. Is it any wonder? The one image that most stands out in that mad rush of terrible things, the thing I most remember, was turning to watch a bloated white moon rise and then set again only a minute or so later. The world was ending. This world. I wish I could convey the things I felt inside that dream without resorting to the narrative. There was sorrow and regret, more than any sort of fear.
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A good writing day yesterday. I did 1,025 words on the new story for Sirenia Digest #17. As predicted, it has become a full-fledged short story. Right now, the total word count stands at 5,942, and I think it's going to come in at about 7,000 in the end. THE END, which I do hope to find sometime later today. If you liked Low Red Moon and/or Daughter of Hounds, you will probably be pleased with this piece. It's set in January 1999. A couple of years before the events of Low Red Moon, about eleven years before the events of Daughter of Hounds. Just a little while after the events of "So Runs the World Away," and it provides an intersection for all three (and, no doubt, numerous others). But it needs a title. Usually, I find the right title before I start the story, but not this time.
Yesterday, the postman brought me my contributor's copies of Weird Tales #344, which includes my non-fiction piece, "Notes from a Damned Life." It also includes a very amusing Darrell Schweitzer review of the gawdsawful Eragon film.
Kid Night last night. We walked to Videodrome, getting the night's movies and the day's exercise both at once. We watched Joe Carnahan's deliriously violent Smokin' Aces (2007), which probably shouldn't have qualified as a genuine Kid-Night movie, but being who we are, it worked that way for me and Spooky. I don't know what critics thought of this film, but we both loved it and I sort of wish we'd seen it in the theatre. We followed it with a 1959 Swedish sf gem, Terror in the Midnight Sun (aka Rymdinvasion i Lappland). Truly, this movie is almost as charming as Reptilicus (1961), and for almost all the same reasons. The gigantic furry alien steals the show, calling to mind some bizarre ur-Muppet and the abominable snowman of Rasputina's "The New Zero." Virgil W. Vogel later added a lot of superfluous footage and John Carradine, and re-released the film in America as the far less charming and utterly nonsensical Invasion of the Animal People. A very good Kid Night, indeed.
Before bed, I read two by Edward Gorey — The Other Statue and The Headless Bust.
Okay. Now I must find coffee. And then, THE END. And a suitable title.
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A good writing day yesterday. I did 1,025 words on the new story for Sirenia Digest #17. As predicted, it has become a full-fledged short story. Right now, the total word count stands at 5,942, and I think it's going to come in at about 7,000 in the end. THE END, which I do hope to find sometime later today. If you liked Low Red Moon and/or Daughter of Hounds, you will probably be pleased with this piece. It's set in January 1999. A couple of years before the events of Low Red Moon, about eleven years before the events of Daughter of Hounds. Just a little while after the events of "So Runs the World Away," and it provides an intersection for all three (and, no doubt, numerous others). But it needs a title. Usually, I find the right title before I start the story, but not this time.
Yesterday, the postman brought me my contributor's copies of Weird Tales #344, which includes my non-fiction piece, "Notes from a Damned Life." It also includes a very amusing Darrell Schweitzer review of the gawdsawful Eragon film.
Kid Night last night. We walked to Videodrome, getting the night's movies and the day's exercise both at once. We watched Joe Carnahan's deliriously violent Smokin' Aces (2007), which probably shouldn't have qualified as a genuine Kid-Night movie, but being who we are, it worked that way for me and Spooky. I don't know what critics thought of this film, but we both loved it and I sort of wish we'd seen it in the theatre. We followed it with a 1959 Swedish sf gem, Terror in the Midnight Sun (aka Rymdinvasion i Lappland). Truly, this movie is almost as charming as Reptilicus (1961), and for almost all the same reasons. The gigantic furry alien steals the show, calling to mind some bizarre ur-Muppet and the abominable snowman of Rasputina's "The New Zero." Virgil W. Vogel later added a lot of superfluous footage and John Carradine, and re-released the film in America as the far less charming and utterly nonsensical Invasion of the Animal People. A very good Kid Night, indeed.
Before bed, I read two by Edward Gorey — The Other Statue and The Headless Bust.
Okay. Now I must find coffee. And then, THE END. And a suitable title.