greygirlbeast: (Martha Jones)
Er...yeah. I just wasted half an hour searching for a Martha Jones icon. It's what I do. Well, it's the sort of thing I do. Sometimes. Like this morning.

Yesterday, was a bit like the day before yesterday, only less so. Still mostly the busyness of writing, and too much email, but not as much too much email, and with the added burden of waiting. Few things in the world are as evil as waiting. I'm pretty sure that there's a whole level of Dante's Unabridged Inferno (to be published in 2019) where the damned suffer an eternity of...waiting. Nothing else. Just waiting. Yesterday, the waiting mostly involved Alabaster, and deadlines, and the impending vacation. Oh, and I went through the thirty-second "teaser" trailer for The Drowning Girl: A Memoir, literally frame by frame, then sent a few notes to Brian Siano. He's doing the final editing this weekend. It's almost perfect.

Then, just after dark, Harlan called to thank me for sending him a copy Two Worlds and In Between (he'd called and asked for one), and he went on and on about how much he loved Lee's cover. Which is cool, because I was inspired to go in that direction by several of Harlan's covers which incorporate him as an element of a fantastic scene (see The Essential Ellison, for example). And then he read me the first part of "Rats Live On No Evil Star," and...well, these are the moments writers live for, aren't they? When our literary progenitors, those without whom we would not be, speak our own words back to us, words they helped, without intention, to fashion? Yes, I think these are those moments. Anyway, Harlan was generous and sweet and funny, as always.

---

Demons run when a good man goes to war.
Night will fall and drown the sun,
When a good man goes to war.

Friendship dies and true love lies,
Night will fall and the dark will rise,
When a good man goes to war.

Demons run, but count the cost:
The battle's won, but the child is lost.
~ River Song

Which is to say we watched two more episodes of Doctor Who last night, two more from Series Six: "A Good Man Goes to War" and "Let's Kill Hitler." And I will just say that, wow, "A Good Man Goes to War" redeems Series Six and back again. Damn, that was some good Who. And, as [livejournal.com profile] ashlyme predicted yesterday, I truly am enamored with Madam Vastra and Jenny. But some actual Victorian lesbian lizard-on-human action, please. Unmistakable innuendo is nice and all, but full on...um...I'm losing my train of thought. It is an excellent, excellent episode, as is "Let's Kill Hitler." There might yet be hope for Matt Smith (but not for Rory, who is only Xander recycled).

Also, more Rift last night (as per usual), leveling (Indus to 37) in the Moonshade Highlands. Later, I read a very, very good story, Angela Slatter's The Coffin-Maker's Daughter. I'd never read Slatter, but the story was very good, and was, indeed, about a coffin-maker's daughter, Hepsibah, who was herself a maker of coffins, and also a lesbian. What's not to like? Oh, plus Slatter was inspired by two Florence + the Machine songs, "My Boy Builds Coffins" and "Girl With One Eye." Then I read a new Stephen King story, "The Little Green God of Agony." As I've said, I don't care much for King, but I liked the title. And the story has a certain strength, and wasn't bad, if only the ending hadn't veered off into such clichéd creep-show horrors. If your stories fall apart when the monster appears on stage, stop writing about monsters. I drifted off to sleep sometime after four ayem, watching Frank Borzage's 1932 adaptation of A Farewell to Arms, which really is better than Charles Vidor's 1957 version, and not just because Gary Cooper is cooler than Rock Hudson.

Also, because I was admonished in yesterday's comments by [livejournal.com profile] mizliz13 for using the recently overused and perverted adjective awesome, and admonished rightly so, from here on I shall use "bow tie" in its stead.

---

Today is an assembly day. I must pull Sirenia Digest #72 together, and try to get it out before midnight (CaST). By the way, "Question @ Hand #5" will be the last "Question @ Hand." Indeed, I've half a mind not to run it, but that would be a sleight to the few people who did write pieces (and the one who wrote two!). I think that the decline in replies (#1 had over 30, about a year and a half ago; #5 had 10 responses) is further evidence of the dramatic changes here on LJ.

And now, the platypus.

Don't Get Cocky, Kid,
Aunt Beast
greygirlbeast: (Illyria)
I hope it's obvious to everyone how much of an homage this video is to the Kate Bush videos of the 1980s...

greygirlbeast: (Eli2)
0. Comments, please. Prove to me LJ is not dead (again). I'm sick to death of self-fulfilling prophecies. You comment, I'll reply. Cause and effect.

1. Never, ever tell people on Facebook that "A release date has been set for the release on my first studio CD since 1999, which is called LOVEAMOEBA (band of the same name). TBA." Because, while this looks, to me, like a very obvious practical joke, many other people will appear to take it seriously. C'mon, guys. Loveameoba? No. Anyway, apologies. This whole humor thing, this beast has yet to master it in any way as to please anyone but herself.

2. I dozed off sometime after four, and woke at nine. Ayem, that is. If there's a part of me that doesn't hurt, please write my brain a letter to that effect. Er...wait. No, if there's a bit of my anatomy that is not in agony, it needs to send a telegram to my brain. Oh, wait. I mean, it needs to phone home. Oh...shit. I mean, it needs to twat at my brain. Yeah, that's what I mean. Hold on. What year is this?

3. A long phone call with my agent yesterday, at 2 CaST (1 EST), regarding Blood Oranges, ebooks, The Drowning Girl, etc. & etc. The usual. It seemed like we talked for an hour, though I suspect it was more like twenty minutes. Still feels like an hour. Afterwards, I discovered I was still so disgusted with the travesty that is "Sexing the Weird" that I couldn't even think about writing. I went with Spooky while she ran errands, instead. Sometimes, even the bland light of late autumn in Providence is better than the light of this monitor.

4. So, yeah. A Question @ Hand will be posted here tomorrow. All replies will be screened and will be confidential. The ten responses that please me the most will appear in Sirenia Digest #72. Anyone with any last moment ideas should post them here today. You know, like "If a circle of Dante's hell were to be designed especially for me, what would it be like?" Or "If you were to choose me as the test subject for an experiment involving the effects of a genetically designed parasite, what would the organism be, and what effect would it have upon me?" See. That sort of thing.

5. If I cannot put it on my shelf, it's not book. And no, placing a Kindle or a Nook or a whatever on the shelf doesn't count. Call it a data-storage or media delivery device. I have no problem with that. But it's not a book.***

6. Later this week Kathryn will be beginning a new round of eBay auctions (the first in a long time), and we'll be including ONE signed copy of The Drowning Girl ARC. Be the first on your block and all that.

7. Last night we played too much Rift again, but this time with a new guild member, [livejournal.com profile] opalblack. I dusted off my Eth warrior, Indus, and it was pretty fucking cool tanking for a change. Watchers of the Unseen (Defiant side, Faeblight shard) is always looking for new members, especially those interested in RP.

8. I'm ending the Aunt Beast Book of the Month Club. Results were, at best, mixed. And I think I never recovered from that Carrie Ryan fiasco.

9. The postman just brought Nos. 1 and 2 (Fall 2010 and 2011) of Centipede Press' The Weird Fiction Review. No. 2 includes the first print appearance of my story, "Fish Bride." And, honestly, the Review is a gorgeous thing, more in the fashion of an academic literary journal than a pulp magazine. I'm very impressed. Oh, also, I've sold a poem I wrote last year, "Atlantis," to Strange Horizons. This is the first time I have ever actually sold a poem. Sure, I included "Zelda Fitzgerald" in Tales of Pain and Wonder, but that's different.

Epilogue:

Would you leave me if I told you what I've done?
And would you leave me if I told you what I've become?


~ and ~

You can't choose what stays and what fades away. ~ Florence + the Machine

Anger's Little Petri Dish,
Aunt Beast

*** Please comment on things besides ebooks. Thank you.
greygirlbeast: (Default)


Lyrics, behind the cut:

No Light, No Light )

Heavy

Nov. 14th, 2011 07:32 pm
greygirlbeast: (Eli2)


Another Florence + the Machines video. Yeah, I'm probably the last person on Earth to discover it. Whatever. Nicely eerie.
greygirlbeast: (walter3)
I'm running a little late because I've been looking at rough cuts of the book trailer, sent to me this morning by Brian. This thing is going to be beautiful. Right now, it has this marvelously sublime and unnerving atmosphere, like Terrence Malick and David Lynch met in a bar...

Also, having watched a lot of "behind the scenes" stuff, I've concluded that a) the older I get, the more I look and sound like a muppet and b) almost all writers should be read, not seen and heard.

How is it I'd never heard (or head of) Florence + the Machine until this past weekend? Is my isolation that complete?

Yesterday, I wrote 1,840 words on "Ex Libris." This is one of those stories where I started with truly no idea where I was going. Something something something about books and bad stuff and bad books and bad people and stuff. Now, I'm nearing the end of the story, and I know exactly what it is, but trying to figure out how I got from there to here is almost impossible. Regardless, I'll likely finish the story by tomorrow afternoon. Then it's on to "Sexing the Weird." Whee.

Spooky read each and every line by line, twice over, of chapters Five, Six, and Seven of The Drowning Girl: A Memoir (thank you, mystery idiot at Penguin), correcting the random changes. I'm trying to stop being livid about this. You know, I spend about 35% of all my waking moments trying to stop being livid about whatever has me livid at any given moment. "Oh, she was a very angry beast. Did you know that?"

Last night, coffee, leftover chili, a hot bath, Rift, and Spooky read to me from House of Leaves. We watched last week's Fringe. These are my exciting evenings.

A note to the contributors to the "Tale of the Ravens" kickstarter: probably 98% of the work on this has to be done by Kathryn, and the last two or three months she's had to devote almost all of her spare time to assisting me with all sorts of crazy writerish bullshit. Since I began working with Dark Horse, and the way things have gone with The Drowning Girl: A Memoir, I've needed her help constantly. If she's not proofreading or making phone calls, she's deflecting bullshit so that I can write. Because I can't afford to hire someone to do these things. This means she's not been able to keep to the schedule she'd hoped to keep to for "Tale of the Ravens." At this point, she might have one painting left to do, and I still have to write the text, and there's all the printing to be done. If you donated to the project, we're very, very grateful, but please understand the metric shit-ton of unforeseen chaos going on at this end. Be patient. It's coming. Frankly, Kathryn's pretty much sick of me and my writing (in that order, I suspect), and just wants to be painting. Anyway, almost everyone has been amazingly cool, and we thank you. If you donated, keep checking the projects blog for updates.

Whatever else I was going to say can wait. You know, those are grand "famous last words."

From the Books of,
Aunt Beast

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Caitlín R. Kiernan

February 2012

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