greygirlbeast: (white)
First, here's a preview of Dark Horse Presents #9, which will include pages 1-8 of Alabaster #1. DHP #9 will be in stores on February 22nd. So, yes, Alabaster is coming! And Mike Mignola! Imagine that – me, in a comic with Hell Boy's dad!

---

Yesterday, there was no writing, no real writing. And yet there was a great deal of work. I finished the corrections to Alabaster #3 (with great and wondrous and much appreciated help from Spooky), then sent them away to my Dark Horse editor, the vivacious Rachel Edidin. And then I wrote the synopses and proposals for the two sequels to Blood OrangesFay Grimmer (you either get this joke or don't) and Puppy Love. I sent those to my agent, then called her and we talked about publishing options. She was very happy with the synopses. I'm looking at writing Fay Grimmer this summer, and then the third (and final) book in August 2013. Merrilee and I also talked a good bit about ebooks, audiobooks, and The Drowning Girl: A Memoir. Then I did some design work on the rest of the website revamp.

Afterwards, I had a hot bath, before calling Rachel (at Dark Horse, remember?), and we talked about all things Dancy Flammarion. Only minutes after that conversation, she emailed me Greg Ruth's colored cover for Alabaster #3, which is unbelievably beautiful. And that was, essentially, work yesterday (if I've forgotten anything, screw it). Today I mean to actually fucking write, beginning Alabaster #4.

My horns came! Now I only have to get my goatish (horizontal pupil) contact lenses. By the way, the horns were one of my Cephalopodmas gifts from Spooky. They are amazing, and as soon as I have the headpiece made, I'll post photos here.

Geoffrey arrived about 8:15 p.m. (CaST), and we had Palestinian takeout for diner. We spent the evening talking about books, our favorite and not favorite authors, good writing and bad, the panel proposals I need to send to Readercon (they were actually due at the end of December), Star Wars: The Old Republic, the hideous folly of 3D films, that which I have been reading and that which I feel like I ought to be reading, Aleister Crowley, the Ruination of Boulder, iPads, addiction, and the trap of genre fiction. I think he decamped for Framingham about 2 a.m. (CaST).

---

Speaking of Geoffrey and Readercon, I hope he doesn't mind, but I've got to post this mock-panel description he sent me yesterday for what I think would be the penultimate "horror" fiction panel. It is the truth, plain and simple:

WHY ARE WE STILL DOING THIS?

The antihorror panel. If you look around, any full-timer who’s here from over ten years ago has survived by giving up, writing five books a year, or shifting into thrillers, paranormal romance, or other greener pastures. Even the people in the audience who are currently writing “4 the luv” and think they’ll eventually earn their way onto this panel will regret attending this convention within five years. Horror’s dead for good and we’re the ones who killed it. If it weren’t for tenure, movie rights, and food stamps, the only people in this room would be locals and hobbyists. Yet, time and again, you ask people about this stuff and instead of shame you get stories of tormented childhoods rescued by monsters, women’s breasts, and copious amounts of blood. What’s wrong with us and how can we turn our lives around?

---

Okay, regarding my thing about the word awesome. I think there are lots of people misinterpreting what I'm trying to say, which is not, actually, that the word ought to be banned from the English language (though the situation is so frustrating I might have said that a few times), but, rather, that the absurd level of saturation that has been visited upon us by the use of the word needs to end. I'm not a "grammar Nazi," but, for fuck's sake, there are many, many other adjectives (veritable oodles), both proper and slang, wonderful and useful synonyms, that mean what "awesome" is being used (almost to the exclusion of all these words) to mean. And never mind the grotesque permutations ("Awesomesauce"? No. No. No.) the word awesome is presently suffering.

Generally I loathe the Urban Dictionary, but even it understands, defining awesome as "1. Something Americans use to describe everything."

I am not now and have never been anti-slang. Slang is good and helpful. But all good things in moderation, for fuck's sake. How about cool, neat, groovy, nifty, keen, et al. And if you think any of these are too antiquated, does no one realize that this present usage of awesome actually entered our lexicon from Valley Girl speak in the late 1970s and early 1980s (except for Portland, OR, where it never exited and will will). It then exited, and was only resurrected to flood our sentences a few years back. So, toss in some other slang. Pretty please. With a goddamn cherry on top. That would be so bow tie.

And, for now, that's all. Oh, comment, kittens.

Chugging Red Bull, Because She Needs Wings,
Aunt Beast
greygirlbeast: (Default)
Well, yesterday failed to measure up to the poopiness of its promise, though it was hardly conducive to the sort of work I'm supposed to be doing. You know...writing? Still, the anger subsided, and the day got better as it went on – a little better – and I have learned there's at least one person who thinks "awesome" is as overused (and inappropriately used) as do I, and who's willing to speak up. And that's pretty bow tie.

I managed to edit about one-third of Alabaster #3 before my agent called. It's fairly easy editing, as my editor at Dark Horse was very happy with this script, as was I. Hopefully, readers will also be happy with it.

My agent and I talked about Blood Oranges, mostly, and the fact that I'm planning two sequels (the second would be called Fay Grimmer; I don't yet have a title for book three). I'm morally opposed to any trilogy not written by Tolkien or Herbert or William Gibson or Holly Black. But...it's not really a trilogy-type trilogy. My story is more like one long (funny) story divided into three parts. It just works better that way. Also, the trilogy format allows me to write it over three years, instead of all at once. Many options are being explored. I am finally learning about options (after seventeen years in publishing). I'm fucking stubborn like that. Anyway, we also talked about the revamp of the website, and how not finished it is, and how the market is worse than ever, and how Dark Horse is now my day job, and how I'm turning down pretty much all short-story solicitations, and how to connect readers to booksellers that are not Amazon, and how to promote The Drowning Girl: A Memoir, and how my craziness sometimes impedes my communication with Merrilee and leads to my overreacting and misunderstanding (and stuff). Oh, Merrilee Heifetz is my bow-tie agent (has been since 1997) at Writers House. And no, I will not tell her your book is an incredible work of literature, the greatest thing since sliced halva, and how she should represent you. So, don't even think I might.

Yesterday, I renewed my membership to The Society of Vertebrate Paleontology (I've been a member since I was nominated to the society in 1984).

---

Fuck all, but this is a fucking perfect sentence (from Gibson's Neuromancer): The sky above the port was the color of television, tuned to a dead channel.

--

Late in the day, I was treated to pencils for Greg Ruth's cover for Albaster #3, and like the fist two covers, it's goddamn beautiful. Greg Ruth rocks. Which is to say, kittens, he is most bow tie.

Okay, now I go to finish with the editing of #3. I also have to speak to my editor at Dark Horse later today, and write synopses for the two books that will follow Blood Oranges (and, fuck all, but I hate writing synopses). However, my diligence will be rewarded with a visit from [livejournal.com profile] readingthedark this evening. We're gonna talk about stuff.

Slightly Improved & a Tad Manic,
Aunt Beast

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Caitlín R. Kiernan

February 2012

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